Quotes About Lyrics

I find it much easier to write comic-books than lyrics actually because it's a natural dialogue. Writing song lyrics is not natural but over the years I know what I need to know to get it done. I find it quite easy to capture a character and use my own personality and humour.

What's the coolest thing in the world is when you have fans that know the lyrics to your songs. That's amazing! Such a great feeling! When I go out there and am playing "Grinnin' In Your Face" and people are singing the lyrics to it, that's amazing to me. I'm actually taking a song where people wouldn't know it, and I'm bringing it back. It's a really cool feeling.

We worked very hard to make the lyrics suit the music. I can't, like Elton John, for example, compose by lyrics. Elton has a great talent for that. Whatever you give him, including your questions, he composes in half an hour and makes a great song out of it.

[The lyrics and melody] usually come a little simultaneously, but I would say the lyrics are first; usually I have the idea for a story in my head, or few lines.

(Talks about Lucky You) "The song was about a girl who didn't fit in and she didn't care and she was different than everyone else. I think there's a long chorus of me singing "Do do do do do do do do do do". It's very young and I look back and it's kind of interesting to hear those kind of storylines and the lyrics that I used to write compared to the lyrics that I write now.

The lyrics are not an important thing to me. In fact, it can be a distraction. If I knew the language enough to know it was a horrible love song with stupid lyrics - like most of the popular songs are today in the English language that I hear - then it would be much more of a turnoff then if it would allow me to interpret it from the expressive capabilities of the vocalizing or of the sound itself, which allows me to create my own meaning for it, which elevates it into a higher piece of work for me.

I want to say my life inspires my lyrics, but I also try to abstract them as much as possible because I don't want to refer to my life explicitly. I'm definitely really embarrassed by my lyrics.

Hunter can write a melody and stuff like that, but his forte is lyrics. He can write a serviceable melody to hang his lyrics on, and sometimes he comes up with something really nice.

I'm proud of the lyrics because I take a lot of care in writing them. I try to make it so people will want to go in and get really into the lyrics. I hope there are different corners to them, with lots of levels-without sounding pretentious.

The problem isn’t with rock lyrics, it’s with the fabric of this society itself.

I was left to painstakingly deal with the aftermath of my avoidance later in life, in therapy or through the lyrics of my songs.

Bob Dylan has a way with words that simply blows me away. When he forgets his lyrics he just makes up new ones on the spot, that is what I called talented!

Shay sometimes talked in a mysterious way, like she was quoting the lyrics of some band no one else listened to.

I don't think my lyrics go so well when I try to sound poetic. Some people do that really well. If I did that I'd feel like it wouldn't be genuine.

I don't have any favourite lyrics. Honestly, all of them I love 'em to death - it's the same with songs. I don't have just one favourite lyric, I love them all.

My heart is a weatherballoon caught in an updraft of a chinese tax percentage, the tax percentages are unequivocaaaaaaaaaal, Unequivocaaaaaaaaal. This is the sort of lyrics you could never think of, loser. Here's a razorblade go cut yourself

Too many times you come across lyrics that sound like you've heard them before or you can't really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that's why I wanted to call the record 'Inside Out.'

We recorded Star Climbing over a three-year period between our studios, working on songs and lyrics until we felt like we had found the albums direction. It is our most distinctive album to date, combining all our different tastes and styles into one.

I used to sit on the roof of the apartment where Jim Morrison used to write his early lyrics

It's difficult for me to describe my own music; every song is an experience that I set to music. There's no lyrics, no singer, just instruments, but I'm sure you can feel what the song is talking about just by listen to it. I can't describe a feeling, my songs are feelings.

So, you’re hitting on Clare the Fair.” “I’m not hitting on her. I’m exploring the possibility of seeing her on social terms.” “He’s hitting on her,” Owen said around a mouthful of chips. “You’ve still got that thing you had for her back in high school. Are you still writing bad song lyrics about heartbreak?” “Suck me. And they weren’t that bad.” “Yeah, they were,” Ryder disagreed. “But at least now we don’t have to listen to you playing your keyboard and howling them down the hall.

Lyrics are my racket; music is play - the fluff stuff.

If you want meaning, you read poetry or a novel or something, you don't read song lyrics. You're supposed to listen to them with music.

It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave.

There will always be some kid who's the new Kurt Cobain writing great lyrics and singing from his soul. The problem is they're not marketing that anymore or putting it out there.

But I don't like working on lyrics publicly in the studio - I prefer to take them away and work on them in my bedroom.

We're going to sing about things that matter to us. The balancing act is to present these ideas but also make the music exciting and sort of fun enough that even if you're not paying attention to the lyrics, you might still like the songs anyway. That's the idea.

I don't really know what inspires me to write the music I do, but usually, the music will set the tone for the lyrics.

As a lyricist, you love to hear other great lyrics or other great concepts.

I wanted people to connect with the lyrics, even if it's in some weird way, because they're all personal.

When I was growing up, I didn't really know much about being popular or cliques or anything like that. In elementary school and middle school, you start to kind of realize what it's all about. There are cool kids, and then there's you, and you're just trying to figure out where you fit in.I learned a lot about acceptance and rejection,Those are the themes that you'll find spread throughout my music and weaved in throughout all of the lyrics. I really know what it's like to be accepted, and I also know what it's like to be rejected. And those are lessons I learned in Wyomissing.

The only music minister to whom the Lord will say, 'Well done, thy good and faithful servant,' is the one whose life proves what their lyrics are saying, and to whom music is the least important part of their life. Glorifying the only worthy One has to be a minister's most important goal!

I'm not psychic, but my lyrics are.

It's a natural tendency of mine to not even listen to lyrics.

My beats and my production aren't dark or emo by any means; it's basically the lyrics I think, and the melody sometimes can be too.

I'm more honest in my lyrics than I am in anything else. It's where I feel the most safe to express myself. I write about growing up, my family, Maddie and getting pregnant. If I've lived it, why wouldn't I talk about it? I guess that's been the coolest thing - realizing that it's OK to just be myself and really tell my story.

If it wasn't for this person's privacy, I'd be able to talk pretty freely about this subject on a personal level. The record's about not her. It's about my struggles through years of dealing with the aftermath of lost love and longing and just mediocrity and just bad news, like life stuff. And in the [record], where the title comes from, the lyrics are actually a conversation between me and another girl, not this Emma character.

Making lyrics feel natural, sit on music in such a way that you dont feel the effort of the author, so that they shine and bubble and rise and fall, is very, very hard to do. Whereas you can sit at the piano and just play and feel youre making art.

Love exciting and new, come aboard, hes expecting you. If you listen to the lyrics its all about Jesus. Its a whole new approach to that song. I do that whenever I get into a group of believers, because it gave me - I said, wow, the Lord didnt tell me about that until how many years we were off the air. And its really about Come aboard, Jesus will take care of you. Theres a new love waiting for you. A love that will never let you down.

If your life had lyrics, would they be any good?

Lyrics are for teenage girls, brah.

Walt Disney was a great believer in the use of song to convey story. He was primarily a storyman & story-driven songs were his 'pets.' He always asked what was going on with the song - he hated 'singing heads.' He loved learning about character & motivation thru music & lyrics.

In Van Halen there were moments, like in some of the ballads, I put my heart and soul into those records. Those lyrics when I sang 'em, I gave myself goosebumps.

In writing lyrics - well, for me, anyway - it's about getting into character, you know? 'Who is writing this?' In the case of the original 'Thick As A Brick,' supposedly a precocious, very young child who's fantasizing about his future and the context of all the confusing elements to which school boys are subjected at that time.

I thought Everything Ecstatic was the happiest of them all - hence the "ecstatic" name. The whole concept behind that was total out-and-out euphoric mania. I think tracks like "Smile Around The Face" are the jolliest things I've ever done, really. But one of the things I like about my music is the fact that it's instrumental, so there are no lyrics to guide people.

Rarely a producer gives me music and I write to it. I think that's too easy. Most of the time for me, it's on an elevator or in my car listening to absolutely nothing. I'll just be driving and then the lyrics birth.

Sex, death and war. And justice. There's no shortage of lyrics there.

As a kid, I was always listening to music. I would just go in to my room and put on an album, read the lyrics, and just spend hours and hours in there. Plus, my sister Laurie played piano (in fact she taught me my first few notes) so music was always around one way or another.