Quotes About Memory

We no longer see the evolution of the nervous system, but that of a certain individual. The role of the memory is very important but... not as important as we believe. Most of the important things that we do don't depend on memory. To hear, to see, to touch, to feel happiness and pain; these are functions which are independent of memory; it is an a priori thing. Thus, for me, what memory does is to modify that a priori thing, and this it does in a very profound way.

to look back on one's life is to experience the capriciousness of memory. ... the past is not static. It can be relived only in memory, and memory is a device for forgetting as well as remembering. It, too, is not immutable. It rediscovers, reinvents, reorganizes. Like a passage of prose it can be revised and repunctuated. To that extent, every autobiography is a work of fiction and every work of fiction an autobiography.

No memoirists writes for long without experiencing an unsettling disbelief about the reliability of memory, a hunch that memory is not, after all, just memory.

The invention of writing will produce forgetfulness in the minds of those who learn to use it, because they will not practice their memory. Their trust in writing, produced by external characters which are no part of themselves, will discourage the use of their own memory within them. You have invented an elixir not of memory, but of reminding; and you offer your pupils the appearance of wisdom, not true wisdom.

As you may know, my motto is: "All memory is fiction." It could just as easily be: "All fiction is memory." Unpacked, these two statements defy the ease of logic, but offer some really important truths about narrative art, at the very least, and about memory. So I would say that all art is personal.

There is an ancient Indian saying that something lives only as long as the last person who remembers it. My people have come to trust memory over history. Memory, like fire, is radiant and immutable while history serves only those who seek to control it, those who douse the flame of memory in order to put out the dangerous fire of truth. Beware these men for they are dangerous themselves and unwise. Their false history is written in the blood of those who might remember and of those who seek the truth.

There is nothing higher and stronger and more wholesome and useful for life in later years than some good memory, especially a memory connected with childhood, with home.

Forgiving does not erase the bitter past. A healed memory is not a deleted memory.

To live (as I understand it) is to exist within a conception of time. But to remember is to vacate the very notion of time. Every memory, no matter how remote its subject, takes place 'Now,' at the moment it's called to the mind. The more something is recalled, the more the brain has a chance to refine the original experience. Because every memory is a re-creation, not a playback.

It is said that God gave us memory so we could have roses in winter. But it is also true that without memory we could not have self in any season. The more memories you have, the more you have. That is why, as Swift said, No wise man ever wished to be younger.

We live with such easy assumptions, don't we? For instance, that memory equals events plus time. But it's all much odder than this. Who was it said that memory is what we thought we'd forgotten? And it ought to be obvious to us that time doesn't act as a fixative, rather as a solvent. But it's not convenient--- it's not useful--- to believe this; it doesn't help us get on with our lives; so we ignore it.

We have populations now in the West with a very short memory span. One reason for this short memory span is that television over the last fifteen years has seen a big decline in the coverage of the rest of the world.

I learned that I never really know the true story of my guests' lives, that I have to content myself with knowing that when I'm interviewing somebody, I'm getting a combination of fact and truth and self-mythology and self-delusion and selective memory and faulty memory.

You need a fantastic memory in this game to remember the great shots and a very short memory to forget the bad ones.

There is not any memory with less satisfaction than the memory of some temptation we resisted.

I was once married to a woman who could eat anything and tell you what was in it: the most complicated recipes. Her memory of taste - now that's what I call memory!

A scattered dream that's like a far-off memory... a far-off memory that's like a scattered dream. I want to line the pieces up... yours and mine.

I see in the FBI 302, which was put out on Memorial Day weekend in print about this big where you needed to use a magnifying glass to read it, but I read it twice, I saw something that really concerned me.It said Hillary Clinton can't remember her exit interview from the CIA because she had no memory for a period of time after she had a concussion. She was secretary of state when she had no memory. Now there's something really seriously wrong with it.

It is not however, adulthood itself, but parenthood that forms the glass shroud of memory. For there is an interesting quirk in the memory of women. At 30, women see their adolescence quite clearly. At 30 a woman's adolescence remains a facet fitting into her current self.... At 40, however, memories of adolescence are blurred. Women of this age look much more to their earlier childhood for memories of themselves and of their mothers. This links up to her typical parenting phase.

It was weird to be in a movie that's very clearly a period piece like Killing Reagan, but that's about a time that's within my own memory. That's really weird. And conscious memory, not just vague.

To fire a bullet into the heart or brains of one's fellow man even a fellow man striving to do the same to you creates what might be called an unassimilable memory: a memory that floats on daily life the way an oil stain floats on rainwater. Stir the rain barrel, scatter the oil into countless drops, disperse it all you like, but it will not mix; and eventually the slick comes back, as loathsomely intact as it ever was.

I have a crazy amount of different jobs, so the way I manage that is to not do more than one at a time. It's like old computers that had small memory chips, they would do something called swapping, where they would fill the memory with one task, do it and get it out.

'Moonwalking with Einstein' refers to a memory device I used when I memorized a deck of playing cards at the U.S. Memory Championship. When I competed in 2006, I set a new U.S. record by memorizing a deck of cards in one minute and 40 seconds. That record has since fallen.

I'm aware of everything - it's my job - I keep up to speed, and I have a blessed memory. The brain chemistry I have is such that my memory is wonderful. And sometimes it's helpful, and other times it ends up being frustrating.

Keeping a slow hunch alive poses challenges on multiple scales. For starters, you have to preserve the hunch in your own memory, in the dense network of your neurons. Most slow hunches pass in and out of our memory too quickly, precisely because they possess a certain murkiness. You get a feeling that there's an interesting avenue to explore, a problem that might lead you to a solution, but then you get distracted by more pressing matters and the hunch disappears. So part of the secret of hunch cultivation is simple: write everything down.

From attachment comes longing, and longing breeds anger. From anger comes delusion, and from delusion, confused memory. From confused memory comes the ruin of discrimination; and from the ruin of discrimination, a man perishes.

I must say a few words about memory. It is full of holes. If you were to lay it out upon a table, it would resemble a scrap of lace. I am a lover of history . . . [but] history has one flaw. It is a subjective art, no less so than poetry or music. . . . The historian writes a truth. The memoirist writes a truth. The novelist writes a truth. And so on. My mother, we both know, wrote a truth in The 19th Wife– a truth that corresponded to her memory and desires. It is not the truth, certainly not. But a truth, yes . . . Her book is a fact. It remains so, even if it is snowflaked with holes.

I started to realize, a lot of times if you go into your memory, your sense memory, you know more than you think you do, from having watched and listened.

Memory is the great deceiver. Perhaps there are some individuals whose memories act like tape recordings, daily records of their lives complete in every detail, but I am not one of them. My memory is a patchwork of occurrences, of discontinuous events roughly sewn together: The parts I remember, I remember precisely, whilst other sections seemed to have vanished completely.

It seems to be a rule of wisdom never to rely on your memory alone, scarcely even in acts of pure memory, but to bring the past for judgment into the thousand-eyed present, and live ever in a new day.

Postmodern theatre seems unwilling to listen to talk about textual or theatrical heritage, which it treats as no more than memory in the technical sense of that word, as an immediately available and reusable memory bank.

History is a people's memory, and without a memory, man is demoted to the lower animals.

I think memory is the most important asset of human beings. It's a kind of fuel; it burns and it warms you. My memory is like a chest: There are so many drawers in that chest, and when I want to be a fifteen-year-old boy, I open up a certain drawer and I find the scenery I saw when I was a boy in Kobe. I can smell the air, and I can touch the ground, and I can see the green of the trees. That's why I want to write a book.

I have had the advantage of the opportunity to meet with Mr. Trump on several occasions. And my experience is that he's very intelligent. He's thirsty for information. He wants to hear what you have to say. He listens to his advisers. He digests the information very quickly, and he's got a good memory, because I remember one time I was talking to him about something, and then he pulled some information out of his memory banks that was a great connection that I hadn't even thought to mention to him.

The moral backbone of literature is about that whole question of memory. To my mind it seems clear that those who have no memory have the much greater chance to lead happy lives.

Without memory, there is no culture. Without memory, there would be no civilization, no society, no future.

It really is easy to forget the unpleasant if we simply refuse to recall it. Withdraw only positive thoughts from your memory bank. Let the others fade away. And your confidence, that feeling of being on top of the world, will zoom up-ward. You take a big step forward toward conquering your fear when you refuse to remember negative, self-deprecating thoughts.

The only way to solace anyone who loved you in life is to be a good memory

I watched her face switch among the radio stations of memory

Eriugena and other Celtic teachers speak of Christ as our memory, as the one who leads us to our deepest identity, as the one who remembers the song of our beginnings….

Memory and the imagination are almost identical. It's the same place in the brain and the same thing is happening. When you think about your own life, there are no memories without place. You are always situated somewhere. I think the imagination - the narrative imagination at least - situates you in a specific space when you start to think of a story. I often use places I know. I put my characters inside rooms and houses that I'm familiar with - sometimes the houses of my parents or grandparents or previous apartments I've lived in.

Memory is the scribe of the soul.

I watched a film with a very famous, great, great actor, I won't mention his name because everyone loves his memory, but I thought, "God he was acting a lot." Great actor, but nonstop acting. Wall to wall, fitted-carpet acting.

The so-called ‘crank’ may be quite original in his ideas. … Invention, however, in the engineering sense involves originality; but not that alone, if the results are to be of value. There is imagination more or less fertile, but with it a knowledge of what has been done before, carried perhaps by the memory, together with a sense of the present or prospective needs in art or industry. Necessity is not always the mother of invention. It may be prevision.

Time's passage through the memory is like molten glass that can be opaque or crystalize at any given moment at will: a thousand days are melted into one conversation, one glance, one hurt, and one hurt can be shattered and sprinkled over a thousand days. It is silent and elusive, refusing to be damned and dripped out day by day; it swirls through the mind while an entire lifetime can ride like foam on the deceptive, transparent waves and get sprayed onto the conciousness at ragged, unexpected intervals.

Many a man fails as an original thinker simply because his memory it too good.

For the first time in living memory, the whole class of graduates faces a future of crushing debt, and a high probability, almost the certainty, of ad hoc, temporary, insecure and part-time work and unpaid 'trainee' pseudo-jobs deceitfully rebranded as 'practices' - all considerably below the skills they have acquired and eons below the level of their expectations.

In the morning, when the nothing vase casts a something shadow, like the memory of someone you've lost, what can you say about that?