Quotes About Memory

I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.

But pain may be a gift to us. Remember, after all, that pain is one of the ways we register in memory the things that vanish, that are taken away. We fix them in our minds forever by yearning, by pain, by crying out. Pain, the pain that seems unbearable at the time, is memory's first imprinting step, the cornerstone of the temple we erect inside us in memory of the dead. Pain is part of memory, and memory is a God-given gift.

You have to begin to lose your memory, if only in bits and pieces, to realize that memory is what makes our lives. Life without memory is no life at all... Our memory is our coherence, our reason, our feeling, even our action. Without it we are nothing.

We don’t constrain our mental powers when we store new long-term memories. We strengthen them. With each expansion of our memory comes an enlargement of our intelligence. The Web provides a convenient and compelling supplement to personal memory - but when we start using the Web as a substitute for personal memory, by bypassing the inner processes of consolidation, we risk emptying our minds of their riches.

I have been especially fortunate for about 50 years in having two memory banks available-whenever I can't remember something I ask my wife, and thus I am able to draw on this auxiliary memory bank. Moreover, there is a second way In which I get ideas ... I listen carefully to what my wife says, and in this way I often get a good idea. I recommend to ... young people ... that you make a permanent acquisition of an auxiliary memory bank that you can become familiar with and draw upon throughout your lives.

No woman should have a memory. Memory in a woman is the beginning of dowdiness. One can always tell from a woman's bonnet whether she has got a memory or not.

There is nothing higher and stronger and more wholesome and useful for life in later years than some good memory, especially a memory connected with childhood, with home.

The art and science of memory is about developing the capacity to quickly create images that link disparate ideas. Creativity is the ability to form similar connections between disparate images and to create something new and hurl it into the future so it becomes a poem, or a building, or a dance, or a novel. Creativity is, in a sense, future memory.

Memory belongs to the imagination. Human memory is not like a computer which records things; it is part of the imaginative process, on the same terms as invention.

A people's memory is history; and as a man without a memory, so a people without a history cannot grow wiser, better.

Why? Why does what was beautiful suddenly shatter in hindsight because it concealed dark truths? Why does the memory of years of happy marriage turn to gall when our partner is revealed to have had a lover all those years? Because such a situation makes it impossible to be happy? But we were happy! Sometimes the memory of happiness cannot stay true because it ended unhappily. Because happiness is only real if it lasts forever? Because things always end painfully if they contained pain, conscious or unconscious, all along? But what is unconscious, unrecognized pain?

To be a liar, you've got to have a great memory, and I don't have a memory.

Several sorts of memory exist in us; body and mind each possesses one peculiar to itself. Nostalgia, for instance, is a malady of the physical memory.

When women hear those words, an old, old memory is stirred and brought back to life. The memory is of our absolute, undeniable, and irrevocable kinship with the wild feminine, a relationship which may have become ghostly from neglect, buried by over-domestication, outlawed by the surrounding culture, or no longer understood anymore. We may have forgotten her names, we may not answer when she calls ours, but in our bones we know her, we yearn toward her, we know she belongs to us and we to her.

As a novelist, I mined my history, my family and my memory, but in a very specific way. Writing fiction, I never made use of experiences immediately as they happened. I needed to let things fester in my memory, mature and transmogrify into something meaningful.

Our capacity to move forward as developing beings rests on a healthy relationship with the past. Psychotherapy, that widespread method for promoting mental health, relies heavily on memory and on the ability to retrieve and organize images and events from the personal pastIf we learn not only to tell our stories but to listen to what our stories tell us—to write the first draft and then return for the second draft—we are doing the work of memory.

Dreams have consequences. There is no turning back. A revolution is not a painless march to the gates of freedom and justice. It is a struggle between rage and hope, between the temptation to destroy and the desire to build. Its temperament is desperate. It is a tormented response to the past, to all that has happened, the recalled and unrecalled injustices - for the memory of a revolution reaches much further back than the memory of its protagonists.

The most vital things in the look of a landscape endure only for a moment. Work should be done from memory; memory of that vital moment.

Absolutely, I think that is where a scent is so powerful because it harnesses our memory and our memory is a very emotional place. I do like the smell of excitement.

I believe... that our memories are part of one great memory, the memory of Nature herself.

Memory is a funny thing. It tricks you into believing that you've forgotten important moments, and then when you're raking your brain for a bit of information that might make sense of something else, it taps you on the head and says, "Remember when you told me to put that memory in the green rubbish bin? Well, I didn't, I put it in the black recycling tub, and it's coming your way again.

It is curious how sometimes the memory of death lives on for so much longer than the memory of the life that is purloined.

The first step in liquidating a people is to erase its memory. Destroy its books, its culture, its history. Then have somebody write new books, manufacture a new culture, invent a new history. Before long that nation will begin to forget what it is and what it was... The struggle of man against power is the struggle of memory against forgetting.

I'm aware of everything - it's my job - I keep up to speed, and I have a blessed memory. The brain chemistry I have is such that my memory is wonderful. And sometimes it's helpful, and other times it ends up being frustrating.

Of her own experience she had no memory of the thing happening; but in her instinct, which was the experience of all mothers of wolves, there lurked a memory of fathers that had eaten their new-born and helpless progeny.

A person's memory is everything, really. Memory is identity. It's you.

My favorite memory is my five years with the Nuggets. From my first day to my last day is a great memory. There wasn't a year that I was a Nugget that I didn't think we succeeded.

The one thing that's missing from the 9/11 Memorial & Museum, and I don't imagine we'll see it any time soon, is that there's no memorial to the hundreds of thousands of Iraqis who died because of how the memory of 9/11 was used. Memory is a very interesting thing. We very selectively curate our story and then stop when it begins to tell other people's stories and forces us to accept some kind of culpability. One reason I write is that there's not enough Muslims writing, Pakistanis writing, not enough people of faith writing about the complexities of our experiences.

I pulled myself from his mind, day by day, piece by piece, memory by memory, until there was nothing of Ruby left to weigh him down or keep him bound to my side.

Memory isn't the facts, it's just a record you keep to yourself. With the facts, memory is useless.

I started making work, and it's like, yes you are calling out all of these things that are part of your memory, your body's memory, things that have gone through your pores, what you've seen, what you've experienced, and you spill them out without thinking. I don't think so much about, "Okay, I'm going to make work, and it's going to be about this." It's just going to come out.

The only moment ever available to you is the present moment. Everything else is memory or imagination.

Nearly every taping or audition has to be in an American accent, so you don't have a choice; you just have to get good at it. I'm sure you can appreciate accents - it's like learning any skill, you have to work at it and work at it and it takes an awful lot of time, until it's muscle memory and you don't have to think about it anymore.

Today is not yesterday: we ourselves change; how can our works and thoughts, if they are always to be the fittest, continue always the same? Change, indeed is painful; yet ever needful; and if memory have its force and worth, so also has hope.

In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.

Gaiety is forgetfulness of the self, melancholy is memory of the self: in that state the soul feels all the power of its roots, nothing distracts it from its profound homeland and the look that it casts upon the outer world is gently dismayed.

Everyone has their dates. For me, it's 1991. I can place every memory of my life either before or after this date. It's the year I became an adult. My mother died, and I created my company shortly thereafter. I definitely would not have done it if she hadn't passed away.

Karma, memory, and desire are just the software of the soul. It's conditioning that the soul undergoes in order to create experience. And it's a cycle. In most people, the cycle is a conditioned response. They do the same things over and over again.

The grateful applause of the clergy has consecrated the memory of a prince, who indulged their passions and promoted their interest. Constantine gave them security, wealth, honours, and revenge; and the support of the orthodox faith was considered as the most sacred and important duty of the civil magistrate. The edict of Milan, the great charter of toleration, had confirmed to each individual of the Roman world the privilege of choosing and professing his own religion.

The most identifiable trait of Anglo-Saxons is that we always mistake a short memory for a clear conscience.

Memory is the way we keep telling ourselves our stories - and telling other people a somewhat different version of our stories.

The most important, the longest lasting, the strongest emotional, and the most practiced memories are the ones that are embedded the deepest in the brain, and because we have retrieved them so many times previously, they are the most able to be retrieved. We all hear about people who can remember their youth, their phone number, or street address from 70 years ago, but they cannot recall what they had for breakfast. The memory of this morning's breakfast wasn't rehearsed, and wasn't very important, so it fades away quickly.

Time's passage through the memory is like molten glass that can be opaque or crystalize at any given moment at will: a thousand days are melted into one conversation, one glance, one hurt, and one hurt can be shattered and sprinkled over a thousand days. It is silent and elusive, refusing to be damned and dripped out day by day; it swirls through the mind while an entire lifetime can ride like foam on the deceptive, transparent waves and get sprayed onto the conciousness at ragged, unexpected intervals.

We cannot hoard life as we can money. When a person tries to be a miser of his health, he usually makes himself miserable. Mental talents, if buried and not used, tend to deteriorate. Whoever would save his memory by not using it will lose it.

I would like my pictures to look as if a human being had passed between them, like a snail, leaving a trail of the human presence and memory trace of past events, as the snail leaves its slime.

A great memory does not make a mind, any more than a dictionary is a piece of literature.

Memory is redundant: it repeats signs so that the city can begin to exist.

The moment of inspiration can come from memory, or language, or the imagination, or experience - anything that makes an impression forcibly enough for language to form.