Quotes About Memory

I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.

We no longer see the evolution of the nervous system, but that of a certain individual. The role of the memory is very important but... not as important as we believe. Most of the important things that we do don't depend on memory. To hear, to see, to touch, to feel happiness and pain; these are functions which are independent of memory; it is an a priori thing. Thus, for me, what memory does is to modify that a priori thing, and this it does in a very profound way.

Memory is a part of the present. It builds us up inside; it knits our bones to our muscles and keeps our hearts pumping. It is memory that reminds our bodies to work, and memory that reminds our spirits to work to: it keeps us who we are.~Candle

It is curious how sometimes the memory of death lives on for so much longer than the memory of the life that it purloined. Over the years, as the memory of Sophie Mol ... slowly faded, the Loss of Sophie Mol grew robust and alive. It was always there. Like a fruit in season. Every season. As permanent as a government job.

As you may know, my motto is: "All memory is fiction." It could just as easily be: "All fiction is memory." Unpacked, these two statements defy the ease of logic, but offer some really important truths about narrative art, at the very least, and about memory. So I would say that all art is personal.

That is my major preoccupation, memory, the kingdom of memory. I want to protect and enrich that kingdom, glorify that kingdom and serve it.

And then in the FBI report it says that Hillary Clinton can't remember her exit interview from the FBI because of her concussion because she didn't have a memory. But she was acting as secretary of state at the time which means we had a secretary of state who was acting who doesn't have a memory of what she was doing.

Memory is identity....You are what you have done; what you have done is in your memory; what you remember defines who you are; when you forget your life you cease to be, even before your death.

If there is any realm where distinction is especially difficult, it is the realm of childhood memories, the realm of beloved images harbored in memory since childhood. These memories which live by the image and in virtue of the image become, at certain times of our lives and particularly during the quiet age, the origin and matter of a complex reverie: the memory dreams, and reverie remembers.

Hope and Memory have one daughter and her name is Art, and she has built her dwelling far from the desperate field where men hang out their garments upon forked boughs to be banners of battle. O beloved daughter of Hope and Memory, be with me for a while.

I don't know what's my first real memory. When you're little, you're always looking forward to days that are special, like Christmas, birthdays, the Fourth of July, and family gatherings. But I can't pinpoint my earliest memory.

Where there is a living memory of struggle, they have a living memory of the rebellion. Where there's no struggle afterward the rebellion is forgotten.

I could still smell her on my fur. It clung to me, a memory of another world. I was drunk with it, with the scent of her. I'd got too close. The smell of summer on her skin, the half-recalled cadence of her voice, the sensation of her fingers on my fur. Every bit of me sang with the memory of her closeness. Too close. I couldn't stay away.

I have an excellent memory, a most excellent memory.

I don't remember my childhood very well at all, but my earliest memory is holding a man's hand as I was walking down the street at about 1ВЅ. I can still remember the shoes I was wearing, but I don't know who the man was or what the memory relates to.

A scattered dream that's like a far-off memory... a far-off memory that's like a scattered dream. I want to line the pieces up... yours and mine.

Remembered memory is much more powerful than actually having your own memory.

But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland.

Absolutely, I think that is where a scent is so powerful because it harnesses our memory and our memory is a very emotional place. I do like the smell of excitement.

He smiles in my memory. A curled lip. Straight teeth. Light in his eyes. Laughing, teasing, more alive in memory than I m in reality. It was him or me. I chose me. But I feel dead too.

Memory is a funny thing. It tricks you into believing that you've forgotten important moments, and then when you're raking your brain for a bit of information that might make sense of something else, it taps you on the head and says, "Remember when you told me to put that memory in the green rubbish bin? Well, I didn't, I put it in the black recycling tub, and it's coming your way again.

It is curious how sometimes the memory of death lives on for so much longer than the memory of the life that is purloined.

That's grossing money for other people that has a multiplying factor, but the government doesn't see that. It doesn't see that making a film or culture or art is part of our economy. But the main reason is this, it's part of our identity. I think cinema is the memory and the imagination of the country. Take the memory and imagination out of an individual and he's stops being an individual.

A person's memory is everything, really. Memory is identity. It's you.

Keeping a slow hunch alive poses challenges on multiple scales. For starters, you have to preserve the hunch in your own memory, in the dense network of your neurons. Most slow hunches pass in and out of our memory too quickly, precisely because they possess a certain murkiness. You get a feeling that there's an interesting avenue to explore, a problem that might lead you to a solution, but then you get distracted by more pressing matters and the hunch disappears. So part of the secret of hunch cultivation is simple: write everything down.

As for my memory, I have a particularly good one. I never keep any record of my investigations or experiments. My memory files all these things away conveniently and reliably. I should say, though, that I didn’t cumber it up with a lot of useless matter.

The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful ... Love begins at the point when a woman enters her first word into our poetic memory.

One of the things people often say about America is that it's a such a young country, relatively, and its problem - Europeans say this - is that they have no memory. I don't agree with this. In the Balkans, the problem is that we cannot forget. The problem is we have great memory.

For it is only habit and memory that dulls the physical passion. Without memory, each night is the first night, each morning is the first morning, each kiss and touch are the first.

A good liar must have a good memory. Kissinger is a stupendous liar with a remarkable memory.

[Harold Pinter] is a British playwright and is one of my favorite writers. Harold was very obsessed with when memory becomes mythology, that at some point you change your memory to fit who you believe you are.

Without memory, there is no culture. Without memory, there would be no civilization, no society, no future.

I love that the idea of examining memory, and the way memory is edited was made more interesting because it was being filtered through a writer.

It seems to me, that this, too, is how memory works. What we remember of what was done to us shapes our view, molds us, sets our stance. But what we remember is past, it no longer exists, and yet we hold on to it, live by it, surrender so much control to it. What do we become when we put down the scripts written by history and memory, when each person before us can be seen free of the cultural or personal narrative we've inherited or devised? When we, ourselves, can taste that freedom.

A retentive memory may be a good thing, but the ability to forget is the true token of greatness.

Memory offers up its gifts only when jogged by something in the present. It isn't a storehouse of fixed images and words, but a dynamic associative network in the brain that is never quiet and is subject to revision each time we retrieve an old picture or old words.

As long as the mind is there, your body and your world are there. Your world is mind-made, subjective, enclosed within the mind, fragmentary, temporary, personal, hanging on the thread of memory.

I still have in my memory, almost agonizing impressions of a serious illness which I had when I was about eight years old. Those about me called it scarlet fever, and its very name seemed to have a diabolical quality.

Memory and the imagination are almost identical. It's the same place in the brain and the same thing is happening. When you think about your own life, there are no memories without place. You are always situated somewhere. I think the imagination - the narrative imagination at least - situates you in a specific space when you start to think of a story. I often use places I know. I put my characters inside rooms and houses that I'm familiar with - sometimes the houses of my parents or grandparents or previous apartments I've lived in.

When I dig back through memory cells, I get one particularly distinctive feeling-and that's one of warmth, comfort and well-being. For whatever else I may have had, or lost, or will find-I've still got a hometown. This, nobody's gonna take away from me.

If you’re so forgetful that you’re incapable of remembering that a co-worker isn’t pregnant on three separate occasions in as many months, I worry about your memory and cognition skills.

I watched a film with a very famous, great, great actor, I won't mention his name because everyone loves his memory, but I thought, "God he was acting a lot." Great actor, but nonstop acting. Wall to wall, fitted-carpet acting.

Hope is the forward-looking part of memory.

Books are not men and yet they are alive. They are man's memory and his aspiration, the link between his present and his past, the tools he builds with.

The moment of inspiration can come from memory, or language, or the imagination, or experience - anything that makes an impression forcibly enough for language to form.

I really thought I was on the way out. My husband Blake saved my life. Often I don't know what I do, then the next day the memory returns. And then I am engulfed in shame.

We can tell people abstract rules of thumb which we have derived from prior experiences, but it is very difficult for other people to learn from these. We have difficulty remembering such abstractions, but we can more easily remember a good story. Stories give life to past experience. Stories make the events in memory memorable to others and to ourselves. This is one of the reasons why people like to tell stories.

...yet a memory cannot be trusted, for so much of the experience of the past is determined by the experience of the present.