Quotes About Metaphor

Comic strips introduced me to metaphors. They are pure metaphor, so you learn how to tell a story with symbols, which is a very valuable thing to learn. And I learned that from motion pictures, too, and from poetry. Poetry is mainly metaphor. If it doesn't have a metaphor, it doesn't work.

Now, that can be a traditional form or it can be something you're inventing. It can be the development of a metaphor, the working through of a metaphor.

An epithet or metaphor drawn from nature ennobles art; an epithet or metaphor drawn from art degrades nature.

Human beings, you see, do absolutely two primary things. We see like and unlike. Like becomes, in literature, simile and metaphor. Unlike becomes uniqueness and difference, from which I believe, the novel is born.

It's no use telling us that something was 'mysterious' or 'loathsome' or 'awe-inspiring' or 'voluptuous.' By direct description, by metaphor and simile, by secretly evoking powerful associations, by offering the right stimuli to our nerves (in the right degree and the right order), and by the very beat and vowel-melody and length and brevity of your sentences, you must bring it about that we, we readers, not you, exclaim, 'how mysterious!' or 'loathsome' or whatever it is. Let me taste for myself, and you'll have no need to tell me how I should react.

Metaphor is no argument, though it be sometimes the gunpowder to drive one home, and imbed it in the memory.

Flying has always been to me this wonderful metaphor. In order to fly you have to trust what you can't see. Up on the mountain ridges where very few people have been I have thought back to what every flyer knows. That there is this special world in which we dwell that's not marked by boundaries, it's not a map. We're not hedged about with walls and desks. So often in an office the very worst thing that can happen is you could drop your pencil. Out there's a reminder that are a lot worse things, and a lot greater rewards.

If there's a silver bullet in the battle to recapture Albany, it is the re-engagement of our citizens. This capital has become a physical metaphor for the isolation and alienation of our people.

Metaphor is embodied in language.

Ever since we crawled out of that primordial slime, that's been our unifying cry: "More light." Sunlight. Torchlight. Candlight. Neon. Incandescent. Lights that banish the darkness from our caves, to illuminate our roads, the insides of our refrigerators. Big floods for the night games at Soldier's field. Little tiny flashlight for those books we read under the covers when we're supposed to be asleep. Light is more than watts and footcandles. Light is metaphor... Light is knowledge. Light is life. Light is light.

Our sense of justice depends on our sense of time. Justice is a phenomenon only of consciousness, because time spread out in a spatial succession is its very essence. And this is possible only in a spatial metaphor of time.

For the perception of the beautiful we have the term "taste"--a metaphor taken from that which is passive in the body and transferred to that which is active in the mind.

I watched as Humphrey Bogart’s character used beans as a metaphor for the relative unimportance in the wider world of his relationship with Ingrid Bergman’s character, and chose logic and decency ahead of his selfish emotional desires. The quandary and resulting decision made for an engrossing film. But this was not what people cried about. They were in love and could not be together. I repeated this statement to myself, trying to force an emotional reaction. I couldn’t. I didn’t care. I had enough problems of my own.

Ghosts are a metaphor that can be interpreted so many different ways. There's no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.

A system of metaphor (pointing to a higher power) that one takes inside oneself as the truth and through its rules one aligns ones inner and outer behavior, submitting ones ego or will to the will of a higher power.

I am completing a book I began back in 2002 called 'Poems in the Manner of.' 'The Matador of Metaphor' is from this manuscript. It is an homage to Wallace Stevens that appropriates certain of his techniques.

But in fact if you look at film as a metaphor, only through the negative can you have the positive print. What I'm trying to get to is the positive value of negation.

We must, therefore, emphasize that 'we' are not the government; the government is not 'us.' The government does not in any accurate sense 'represent' the majority of the people. But, even if it did, even if 70 percent of the people decided to murder the remaining 30 percent, this would still be murder and would not be voluntary suicide on the part of the slaughtered minority. No organicist metaphor, no irrelevant bromide that 'we are all part of one another,' must be permitted to obscure this basic fact.

Reality is a cliché from which we escape by metaphor.

A society that could heal the dismembered world would recognize the inherent value of each person and of the plant, animal and elemental life that makes up the earth's living body; it would offer real protection, encourage free expression, and reestablish an ecological balance to be biologically and economically sustainable. Its underlying metaphor would be mystery, the sense of wonder at all that is beyond us and around us, at the forces that sustain our lives and the intricate complexity and beauty of their dance.

Saving Greenland is both a metaphor and a precondition for saving civilization. If its ice sheet melts, sea levels will rise 23 feet. Hundreds of coastal cities will be abandoned. The rice growing river deltas of Asia will be under water. There will be hundreds of millions of rising-sea refuges. The word that comes to mind is chaos. If we cannot mobilize to save the Greenland ice sheet; we probably cannot save civilization as we know it.

The desktop metaphor was invented because one, you were a stand-alone device, and two, you had to manage your own storage. That's a very big thing in a desktop world. And that may go away. You may not have to manage your own storage. You may not store much before too long.

The greatest thing by far is to have a command of metaphor. This alone cannot be imparted by another; it is the mark of genius, for to make good metaphors implies an eye for resemblances.

The reappearance of the crescent moon after the new moon; the return of the Sun after a total eclipse, the rising of the Sun in the morning after its troublesome absence at night were noted by people around the world; these phenomena spoke to our ancestors of the possibility of surviving death. Up there in the skies was also a metaphor of immortality.

If you’re looking for a spiritual allegory in the style of C.S. Lewis, I guess you could piece something together with Lorne Michaels as a symbol for God and my struggles with hair removal as a metaphor for virtue

Metaphor is the energy charge that leaps between images, revealing their connections.

When you talk about "infertility" you're already using a land-based metaphor - a woman's body compared to property, to be considered fruitful or barren. And "estate" encompasses both legacy and landscape. Think of Emerson, referring to his son's death as "the loss of a beautiful estate."

I believe a good memoir should have all of the narrative elements of a novel: character development, dialogue, descriptive language, and metaphor.

There are things that I love in Iranian cinema and things that I don't. In Iranian cinema, you have to use metaphor because you are living under a dictatorship.

Dancing is surely the most basic and relevant of all forms of expression. Nothing else can so effectively give outward form to an inner experience. Poetry and music exist in time. Painting and architecture are a part of space. But only the dance lives at once in both space and time. In it the creator and the thing created, the artist and the expression, are one. Each participates completely in the other. There could be no better metaphor for an understanding of the mechanics of the cosmos.

Shoes are money well spent and a good metaphor for life: everything else in life may be awful but a shoe will cheer me up, lift my body and take an outfit up five levels. Plus, shoes are easy to carry and fun to collect.

Metaphor is the lifeblood of all art.

The debt ceiling debacle is almost a horrible metaphor: It's as if a bomb went off at 800 Pennsylvania Avenue and sent shrapnel flying in every direction. I don't know what these guys think they're doing, but it looks like they're committing political suicide.

I think zombies have always been an easy metaphor for hard times. Because they're this big, faceless, brainless group of evil things that will work tirelessly to destroy you and think of nothing else.

It is by metaphor that language grows.

Metaphor impinges on everything, allowing us - poets and non-poets alike - to experience and think about the world in fluid, unusual ways.

The traditional metaphor for a spiritual investigation is that of the voyage or the journey. From this image I must dissociate myself. I do not consider myself a voyager, I have preferred to stand still.

I think that metaphor really is a key to explaining thought and language. The human mind comes equipped with an ability to penetrate the cladding of sensory appearance and discern the abstract construction underneath - not always on demand, and not infallibly, but often enough and insightfully enough to shape the human condition. Our powers of analogy allow us to apply ancient neural structures to newfound subject matter, to discover hidden laws and systems in nature, and not least, to amplify the expressive power of language itself.

Let us not mock God with metaphor, Analogy, sidestepping, transcendence; Making of the event a parable, a sign painted in the Faded credulity of earlier ages: Let us walk through the door.

I also find the desert a wonderful metaphor for desolation and yet the exact counterpart of the ocean with its hidden depths. Both are vast, harsh, implacable, homogenous to the untrained eye, and beautiful. Bothallow the wind to roam on the surface. And both serve as wonderful vehicles for human survival stories.

A world ends when its metaphor has died.

William Ewart Gladstone is credited with the credo that a prime minister must be a "good butcher." The metaphor is apt insofar as the root of the word "decision" is "to cut."

I would say to those who don't like the metaphor This is reality.

I think that 'Elysium' the movie is unrealistic, with the space station and everything. I think 'Elysium' the metaphor is completely realistic: it's exactly where we're going.

I elbowed my way into the grubby café, bought a pie that tasted of shoe polish and a pot of tea with cork crumbs floating in it, and eavesdropped on a pair of Shetland pony breeders. Despondency makes one hanker after lives one never led. Why have you given your life to books, TC? Dull, dull, dull! The memoirs are bad enough, but all that ruddy fiction! Hero goes on a journey, stranger comes to town, somebody wants something, they get it or they don't, will is pitted against will. "Admire me, for I am a metaphor.

Did you ever think about life as a metaphor for television?

There is something about the way that Greek poets, say Aeschylus, use metaphor that really attracts me. I don't think I can imitate it, but there's a density to it that I think I'm always trying to push towards in English.

Often in winter the end of the day is like the final metaphor in a poem celebrating death: there is no way out.