Quotes About Metaphor

Moreover, metaphor is typically viewed as characteristic of language alone, a matter of words rather than thought or action. For this reason, most people think they can get along perfectly well without metaphor. We have found, on the contrary, that metaphor is pervasive in everyday life, not just in language but in thought and action. Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature.

But to say that the race is the metaphor for the life is to miss the point. The race is everything. It obliterates whatever isn't racing. Life is the metaphor for the race.

Physicists use 'God' as a metaphor more often than other scientists-- especially in popular writing, but in the technical literature as well. Of course, this is just a metaphor for order at the heart of confusion. A rational or aesthetic pattern underlying reality is far from a theistic God.

Now, that can be a traditional form or it can be something you're inventing. It can be the development of a metaphor, the working through of a metaphor.

Yes, metaphor. That's how the whole fabric of mental interconnections holds together. Metaphor is right at the bottom of being alive.

I think that as poets, we can get away with stuff because we can ride on the melt of metaphor. We cover a lot of terrain psychically and temporally and linguistically via metaphor, and that can be a stand-in for an argument, whereas in prose, you have to make the argument, and you have to be convincing because the sequence must make sense in time and purpose.

The metaphor is perhaps one of man's most fruitful potentialities. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him. All our faculties keep us within the realm of the real, of what is already there. The most we can do is to combine things or break them up. The metaphor alone furnishes an escape; between the real things, it lets emerge imaginary reefs, a crop of floating islands.

Clay can be a metaphor for many things. I made it a metaphor for flesh and earth, and these are two kinds of generic givens of life, if you look at it poetically, biblically, the idea of the life of beings, of man, being transitory, the earth abides-ashes to ashes, dust to dust-man returns to earth, grows out of earth like a flower, wilts, goes back to the earth... We are frail, transitory creatures with aspirations of immortality, conscious of our inevitable death, and we have to deal with it somehow.

Frankenstein can be a metaphor for abandonment, or wanting to be accepted for who you are, or not liking who you are and wanting to actually change that.

We're living history all the time, in the papers, in the news, you think about stuff and it goes into your brain and you think about it and it comes out somehow. You have an idea; you've heard a phrase, or you're angry, or something disturbs you, or something seems paradoxical to you, you explore that idea, much like a writer would explore maybe an idea through metaphor. Maybe artists use their vehicle to explore ideas, so I think the things that interest me are the kind of idea of continuous change and how nothing stays the same and it's always disintegrating into something more.

No metaphor reinvents the job of the nurture of children except to muddy or mock.

The recognition that no knowledge can be complete, no metaphor entire, is itself humanizing. It counteracts fanaticism. It grants even to adversaries the possibility of partial truth, and to oneself the possibility of error.

Some people may say my curved panels look like sails. Well, I am a sailor, so I guess I probably do use that metaphor in my work - though not consciously.

One metaphor for how we are living is that you see so may people with cell phones. In restaurants, walking, they have cell phones clamped to their to heads. When they are on their cell phones they are not where their bodies are...they are somewhere else in hyperspace. They are not grounded. We have become disembodied. By being always somewhere else we are nowhere.

Bill Clinton sitting on Air Force One getting his hair cut while people around the country cooled their heels and waited for him, became a metaphor for a populist president who had gotten drunk with the perks of his own power and was sort of, you know, not sensitive to what people wanted.

Fantasy and science fiction can be literal as well as allegorical and there’s nothing wrong with enjoying a monster like a giant squid for what it is, as well as searching for metaphor.

The photograph contains and constrains within its own boundaries, excluding all else, a microcosmic analogue of the framing of space which is knowledge. As such it becomes a metaphor of power, having the ability to appropriate and decontextualize time and space and those who exist within it.

Consider, if you will, the morning boner. What a metaphor of hope and renewal! How can anyone give way to despair when one’s groin greets each day with such a gala spectacle of physical optimism?

It's a wonder you don't see the zebra being trotted out as a metaphor for racial harmony more often.

Galway Kinnell came out with that wonderful big, breathy, hollow voice of his and read, for the first time in public, "The Bear." That poem impressed me so much that I memorized it. I used it for years when I taught in prisons. It's a powerful extended metaphor for what the writing life is really all about. It's a uniquely powerful poem about self-transformation, and that's what we're asking, really, beyond even our objection to the war. We're asking people to look at themselves and think about what might be possible with a little self-transformation.

Cities have often been compared to language: you can read a city, it's said, as you read a book. But the metaphor can be inverted. The journeys we make during the reading of a book trace out, in some way, the private spaces we inhabit. There are texts that will always be our dead-end streets; fragments that will be bridges; words that will be like the scaffolding that protects fragile constructions.

Sci-fi is often a metaphor. I think it's more the themes and questions that science fiction raises rather than the exact predictions that should guide us.

Detroit is a metaphor for America, for America's challenges and America's opportunities. It is a hothouse for new innovation, for ingenuity and risk taking. That doesn't happen in a lot of American cities. We need to be in Detroit because of that.

I think working with actors is a little bit how a chef would work with a potato or a piece of meat. You have to kind of have a look at the potato or the piece of meat and see what kind of possibilities are in the ingredient. I know I'm using the wrong metaphor. I think my job is to see what potato is there and from there, just work under their conditions.

Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.

But in fact if you look at film as a metaphor, only through the negative can you have the positive print. What I'm trying to get to is the positive value of negation.

Saving Greenland is both a metaphor and a precondition for saving civilization. If its ice sheet melts, sea levels will rise 23 feet. Hundreds of coastal cities will be abandoned. The rice growing river deltas of Asia will be under water. There will be hundreds of millions of rising-sea refuges. The word that comes to mind is chaos. If we cannot mobilize to save the Greenland ice sheet; we probably cannot save civilization as we know it.

It has always seemed to me that if you could talk about your work in fully-formed phrases, you wouldn't write it. The writing is the statement, you see, and it seems to me that the poem or the story or the novel you write is the kind of metaphor you cast on life.

I think the central metaphor of the movie is this notion of what the advertising industry does. In order to make someone want to buy something, they first have to make them feel bad about who they are in order to sell them that thing which will make them whole again, and happy again.

Only simple ideas can be held by large groups of people. Commonly held ideas are almost always dumbed down until they are practically lies... and often dangerous ones. Once vast numbers of people have come to believe the lie, they adjust their own behavior to bring themselves into sync with it, and thereby change the world itself. The world, then, no longer resembles the one that gave rise to the original insight. Soon, a person's situation is so at odds with the world as it really is that a crisis develops, and he or she must seek a new metaphor for explanation and guidance.

Maybe happiness too is a metaphor invented on a day of boredom

I was tied down in that chair for 10 minutes and experienced what it was like to be completely powerless while someone else has complete dominance. It's sadistic, even though I find Richard to be a really lovely human being. That's what the whole film "Tickled" is about. It's not a film about tickling, but I think tickling offers a really good visual metaphor for the much bigger ideas that we were trying to get at about power and control - by people who have a lot of money - over people without money and who have no power in the relationship.

I was really interested in this ability for others to create virtual memories for us. In "The Cartographers" I explore this through Adam Woods, and the company he works for, which produces virtual memories that people can beam into their consciousness. While the technology is sci-fi, the story is also a metaphor for the way love relationships create memories in our minds.

Most people like to read about intrigue and spies. I hope to provide a metaphor for the average reader's daily life. Most of us live in a slightly conspiratorial relationship with our employer and perhaps with our marriage.

I believe a good memoir should have all of the narrative elements of a novel: character development, dialogue, descriptive language, and metaphor.

A certain number of people have to live their lives outdoors between 8 a.m. and 8 p.m., and a certain number of people can only leave their homes between 8 p.m. and 8 a.m. So basically, public life has to be lived in these shifts, in order for everyone to fit on the streets because there's just no more room for any more infrastructure, any more highways. So it polarizes the community into day people and night people, and it becomes sort of a metaphor for racism and classism.

Ask yourself... If my body were a metaphor for my life, what would the message be?

You can't completely control the sport - Tiger Woods comes close. The test is against yourself and nature's own way. I find golf a particularly good metaphor for this story.

The metaphor ( coaching) with sports is meant quite seriously... the coach stands back , observes the performance, and provides guidance. The coach applauds strengths, identifies weaknesses, points up principles, offers guiding and often inspiring imagery, and decides what kind of practice to emphasize.

The metaphor is perhaps one of man's most fruitful potentialities. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him.

This is a nice metaphor, too, about mothers and daughters - that when it came time for me to make my own, I was making a completely different garden than the one that my mom has. They don't look like they came from relatives. Hers is a very productive and pragmatic vegetable garden, and mine is a ridiculous overabundance of useless plants. It doesn't feed anybody, it doesn't serve any purpose.

I still think that there's some kind of psychological investment in black athletes carrying the flag for "us" at times. So, sports [remains a] metaphor for struggle and triumph and flair.

There, at the centre, are the artists who really form the consciousness of their time; they respond deeply, intuitively to what is happening, what has happened, and what will happen, and their response is expressed in metaphor, in image and in fable.

Movement is my medium and my metaphor. I know that if a wave of energy is allowed to complete itself, it yields a whole new wave, and in fact that is all I really know. Riding these waves means joining the cosmic dance that, as Dante says, 'moves the sun and the other stars.'

The practice of employing metaphor and image and composition and linguistic choices to move the reader through the content.

Creativity itself doesn't care at all about results - the only thing it craves is the process. Learn to love the process and let whatever happens next happen, without fussing too much about it. Work like a monk, or a mule, or some other representative metaphor for diligence. Love the work. Destiny will do what it wants with you, regardless.

As a child I always loved traditional Korean masked dances. There is something magical about a mask because we all wear or hide behind a metaphoric mask, and ultimately underneath this metaphor is our true vulnerable core. I think we all want to reveal ourselves but can only do so when we feel we are safe.

As a direct line to human feeling, empathic experience, genuine language and detail, poetry is everything that headline news is not. It takes us inside situations, helps us imagine life from more than one perspective, honors imagery and metaphor - those great tools of thought - and deepens our confidence in a meaningful world.