Quotes About Monsters

Oh," the girl said, shaking her head. "Don't be so simple. People adore monsters. They fill their songs and stories with them. They define themselves in relation to them. You know what a monster is, young shade? Power. Power and choice. Monsters make choices. Monsters shape the world. Monsters force us to become stronger, smarter, better. They sift the weak from the strong and provide a forge for the steeling of souls. Even as we curse monsters, we admire them. Seek to become them, in some ways." Her eyes became distant. "There are far, far worse things to be than a monster.

Have you ever asked yourself, do monsters make war, or does war make monsters?

When I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have. But I never let them get in the way of the monsters.

Boo, I think I no longer believe in monsters as faces in the floor or feral infants or vampires or whatever. I think at seventeen now I believe the only real monsters might be the type of liar where there's simply no way to tell. The ones who give nothing away.

I love monsters. If I go to a church, I'm more interested in the gargoyles than the saints. I really don't care much about the idea of normal - that's very abstract to me. I think that perfection is practically unattainable but imperfection is right at hand. So that's why I love monsters: because they represent a side of us we should actually embrace and celebrate.

Oh, monsters are scared. That's why they're monsters.

The Nephilim - the bogeyman for monsters, and all those who could be monsters.

If the seminary is too large, it ought to be divided into smaller communities with formators who are equipped really to accompany those in their charge. Dialogue must be serious, without fear, sincere. It is important to recall that the language of young people in formation today is different from that in the past: we are living through an epochal change. Formation is a work of art, not a police action. We must form their hearts. Otherwise we are creating little monsters. And then these little monsters mold the People of God. This really gives me goose bumps.

You could run from someone you feared, you could try to fight someone you hated. All my reactions were geared toward those kinds of killers – the monsters, the enemies. When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give your beloved, how could you not give it? If it was someone you truly loved?

I liked the monsters, I liked them because I couldn't understand how something so scary could also be so good. It got me thinking as a very early age, and I had a lot of rehearsal.

Not all people who inspire devotion are monsters.

I believe these stories exist because we sometimes need to create unreal monsters and bogies to stand in for all the things we fear in our real lives: the parent who punches instead of kissing, the auto accident that takes a loved one, the cancer we one day discover living in our own bodies. If such terrible occurrences were acts of darkness, they might actually be easier to cope with. But instead of being dark, they have their own terrible brilliance. . . and none shine so bright as the acts of cruelty we sometimes perpetrate in our own families.

'Are you guys busy?' Juniper asked. 'Well,' I said, 'we're in the middle of this game against a bunch of monsters and we're trying not to die.' 'We're not busy,' Annabeth said.

The kind of poetry that interests me is intellectual and moral and political and sexual and sensual - all of that fermenting together. It can speak to people who have themselves felt like monsters and say: you are not alone, this is not monstrous. It can disturb and enrapture.

Single vision produces worse illusions than double vision or many-headed monsters.

If it wasn't for good," my mother says, "we human beings would have been wiped out a long time ago. Either the monsters would have gotten us or we would have killed each other off with greed and jealousy and anger. So we have to believe in good. We have to look for the good in ourselves.

There is no denying that Hitler and Stalin are alive today... they are waiting for us to forget, because this is what makes possible the resurrection of these two monsters.

The monsters are in your own head

In recent weeks it has come to my attention that many caravans have met with disaster; they have not gotten through." I grunted wisely. "Probably ran out of water. That's the thing about deserts. Dry." "Indeed. A fascinating analysis. But survivors reaching Hebron report differently: monsters fell upon them in the wastes." "What, fell upon them in a squashed-them kind of way?" "More the leaped-out-and-slew-them kind. (...)

What does it mean when the monsters are so afraid of you that you make them cry? That maybe monster depends on which end of the gun your on, or that I was just that good at my job.

War makes monsters out of men.

I just don't think CGI is up to manipulating the human face yet. I feel like you can get away with it with aliens or monsters or something that's intentionally foreign, but I have yet to see anything digital to do with the human face that doesn't just look ridiculous.

Why does reading freak people out so much? Sure, I could be pretty anti-social when we were on the road, but if I was playing a Gameboy hour after hour, no one would be on my case. In my social circle, blowing up space monsters is socially acceptable in a way that American Pastoral isn't.

Imaginative writers often project their own monsters and meanings on basic facts.

Monsters almost always are culture's way of working out their fears.

You know, my basic theory about kids: they are monsters in children ziploc suits, which they discard when they go to school each day.

Sylvia Day spins a gorgeous adventure in A Touch of Crimson that combines gritty, exciting storytelling with soaring lyricism. Adrian is my favorite kind of hero--an alpha male angel determined to win the heart of his heroine, Lindsay, while protecting her from his lethal enemy. Lindsay is a gutsy, likable woman with paranormal abilities of her own, as well as a dedication to protecting humanity against a race of demonic monsters. This is definitely a book for your keeper shelf.

If we read the Western Canon in order to form our social, political, or personal moral values, I firmly believe we will become monsters of selfishness and exploitation.

Yes, yes, I'm coming. Right up the top of the house. One moment I'll linger. How the mud goes round in the mind-what a swirl these monsters leave, the waters rocking, the weeds waving and green here, black there, striking to the sand, till by degrees the atoms reassemble, the deposit sifts itself, and a gain through the eyes one sees clear and still, and there comes to the lips some prayer for the departed, some obsequy for the souls of those one nods to, the one never meets again.

Monsters remain human beings. In fact, to reduce them to a subhuman level is to exonerate them of their acts of terrorism and mass murder — just as animals are not deemed morally responsible for killing. Insisting on the humanity of terrorists is, in fact, critical to maintaining their profound responsibility for the evil they commit. And, if they are human, then they must necessarily not be treated in an inhuman fashion. You cannot lower the moral baseline of a terrorist to the subhuman without betraying a fundamental value.

He gave me the brochure. It was about the Hunters of Artemis. The front read, A WISE CHOICE FOR YOUR FUTURE! Inside were pictures of young maidens doing hunter stuff, chasing monsters, shooting bows. There were captions like: HEALTH BENEFITS: IMMORTALITY AND WHAT IT MEANS FOR YOU! and A BOY-FREE TOMORROW! "I found that in Annabeth's backpack," Grover said. I stared at him. "I don't understand." "Well, it seems to me… maybe Annabeth was thinking about joining." I'd like to say I took the news well. The truth was, I wanted to strangle the Hunters of Artemis one eternal maiden at a time.

My friend is going to save a little girl from monsters. I am going with him. That's what friends do.

Addictions [...] started out like magical pets, pocket monsters. They did extraordinary tricks, showed you things you hadn't seen, were fun. But came, through some gradual dire alchemy, to make decisions for you. Eventually, they were making your most crucial life-decisions. And they were [...] less intelligent than goldfish.

I've been reading Greek mythology since I was a kid. I also taught it when I was a sixth grade teacher, so I knew a lot of mythological monsters already. Sometimes I still use books and Web sites to research, though. Every time I research Greek mythology, I learn something new!

Horror itself is a bit of a bullied genre, the antagonist being literary snobbery and public misconception. And I think good horror tackles our darkest fears, whatever they may be. It takes us into the minds of the victims, explores the threats, disseminates fear, studies how it changes us. It pulls back the curtain on the ugly underbelly of society, tears away the masks the monsters wear out in the world, shows us the potential truth of the human condition. Horror is truth, unflinching and honest. Not everybody wants to see that, but good horror ensures that it's there to be seen.

They rode like men invested with a purpose whose origins were antecedent to them, like blood legatees of an order both imperative and remote. For although each man among them was discrete unto himself, conjoined they made a thing that had not been before and in that communal soul were wastes hardly reckonable more than those whited regions on old maps where monsters do live and where there is nothing other of the known world save conjectural winds.

It was modesty that invented the word "philosopher" in Greece and left the magnificent overweening presumption in calling oneselfwise to the actors of the spirit--the modesty of such monsters of pride and sovereignty as Pythagoras, as Plato.

Don't Stop ...down, ...Down there ...down where ...monsters, ...Run!

Sometimes human places, create inhuman monsters.

I'll just have them change the entry in the demonology textbook from 'almost extinct' to 'not extinct enough for Alec. He prefers his monsters really, really extinct.' Will that make you happy?

If we continue...to consume the world until there's no more to consume, then there's going to come a day, sure as hell, when our children or their children or their children's children are going to look back on us - on you and me - and say to themselves, "My God, what kind of monsters were these people?"

"Something was wrong with Luke," Annabeth muttered, poking at the fire with her knife. "Did you notice the way he was acting?" "He looked pretty pleased to me," I said. "Like he'd spent a nice day torturing heroes." "That's not true! There was something wrong with him. He looked... nervous. He told his monsters to spare me. He wanted to tell me something." "Probably, 'Hi, Annabeth! Sit here with me and watch while I tear your friends apart. It'll be fun!"

The extremes to which Western elites will go to avoid blaming radical Islam for terrorism cripples our efforts to protect innocent Muslims. Terrified of offending butchers, we insist that we're the bigots, not them. We make excuses for monsters.

Much of the research on the Nazi era makes a science out of distancing oneself from it or conjuring its demons. The conceit is that people were monsters then - as if they were completely different from people today.

Every time that a people which has long crouched in slavery and ignorance is moved to its lowest depths there appear monsters and heroes, prodigies of crime and prodigies of virtue.

Battle not with monsters, for then you become one.

I define science fiction as fiction in which things happen that are not possible today - that depend, for instance, on advanced space travel, time travel, the discovery of green monsters on other planets or galaxies, or that contain various technologies we have not yet developed.

I go fishing for a thousand monsters in the depths of my own self