Quotes About Movies

There are a bunch of different movies I feel that way about. However, there is a debate because as you may know after MST3K ended there have been things like Cinematic Titanic that are the children and the grandchildren of this way of dissecting movies and making fun of them and in a way celebrating the absurdity of those movies as well. There are certain movies that sort of fit into the MST3K paradigm which is hidden gems, these weird horror/sci-fi/fantasy movies.

I just remember saying to myself that I'd much rather do movies than modeling, and that it was worth a try. I didn't really know anything about it. I hadn't seen many movies, or so-called, good movies. When I was a kid, I was obsessed with Star Wars and Night of the Living Dead. When I got more curious about the movies, I thought they were something you had to learn about and go to school for and read every book.

Studio movies are looking more like independent movies and independent movies are looking more like studio movies, and I think cinema is better now because of it.

Mainly horror movies and exploitation movies and a lot of stuff comes from those press books from those old movies. Lines out of old movies, comic books that we collect, all the old horror comics of the 50s, probably about the only comics that we collect are obscure horror comics, the real sick ones from the 50s. Some stuff comes from there but mainly just old records, old rockabilly records and that stuff, singles mainly, 45s.

Mainstream Hollywood makes a few good movies a year. And in order to be in one of those, you have to be one of five people. Hollywood makes many bad movies too, which I'm not interested in being a part of. But there are only a few good independent movies a year, and many, many bad ones. I want to be in good movies, and I want people to see them.

I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful.

I think there are things that aren't represented in movies that are a big part of everyone's life. We romanticize everything about people in movies. One of the things I don't like in movies is that people feel alone with their bodily functions in the real world, as if people in the movies don't do these things.

I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.

I watched a lot of pot movies before we did this [Pineapple Express]. My favorites were always the characters in movies that weren't necessarily in stoner movies.

When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural

I've been in silly movies and romantic movies and historic movies.

Cinema Paradiso, because it reminds me of why I make movies, the magic of movies, the romance of movies.

But strangely, [in] the original Matt Helm books, he's just this super hardass assassin. They sort of made it into a sexy romp for the movies. The books are very, very dark. I also watched 'OSS 117: Cairo, Nest Of Spies,' which is a French film. They just made a second one, I think, which is based on like, 100 novels. They're just fantastic. They're set in the '60s. A lot of the visual inspiration definitely came from 1960 James Bond movies and 'OSS 177' and also 'Pink Panther' movies.

Ultimately, if you want to make movies, you've got to want to make movies every day, when people are paying you to make movies and when they're not, because you're going to get a lot more no's on this business, no matter what it is, than you are going to get yeses.

I love Hitchcock movies. I took a Hitchcock class in college, so I saw all his movies. I wrote papers on his movies.

Having come up in the era where movies are only movies if they're released in the theater... I don't know if that holds true anymore. I've been involved in some movies that have gone 'direct-to-video,' and that used to not be a good thing, but now it's different.

It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.

I think sport in general affects what people see in movies. I always try to explain to people in Hollywood that we have to make movies more like sport because, in sport, everything can happen and it's so much better than movies in some ways.

I also wonder why is it that so many of the movies and books that are detective stories are also the most aesthetically interesting? From Hollywood noirs to horror movies like The Shining [1980].

Movies are not the book. Movies are not even the screenplay. They are the movie.

I think that the reason that people are so up in arms about movies that have historical inaccuracies is because now that we've trashed our education institutions beyond repair, people fear that the only people are getting their histories is through the movies, so the elephant in the room is that no one wants to talk about why we're so passionately obsessed with accuracy.

I don't see that many movies where people are depicting middle-class suburban life in a more textured way. My feelings about the suburbs are not so wonderful, so my movies tend to be a little melancholy.

The movie business is based on criminals. Some of them are in movies and some of them make movies.

Most people are interested in seeing 27-year-old women who are in movies somehow connected to sex. It's interesting to everyone. Especially little movies that are having trouble getting made, there's always sex.

In growing up, I was a child of the movies. I went to the movies every given opportunity, and that's pretty much what has informed a lot of my choices.

Ive always loved movies since I was a kid. I loved how they could make me happy, sad, or just show me different parts of the world and people. So when I was about six, I decided that that was what I wanted to do: make movies.

I really like romantic comedies and light movies and everything but I think - I don't know where it comes from - but when you're doing violent movies, you're closer to reality.

I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.

I always wanted to do a movie, because I love the movies. They give you a chance to have an intimacy with your audience that is different from stand up. With movies, you can bring the audience in with a close up, and emote in a different way.

We live in an age now where people go to the movies and, even the biggest movies are in the theaters six, eight weeks and then gone. And then for the rest of time now people are watching them on their phones, or computers, or TVs. And that's how the films gonna live.

I have lots of favorites movies. I say this only because it's a favorite movie because it's a sport I love. I'm a huge baseball fan. There are movies I like as much as this, but I sort of single this movie out because I'm a baseball nut, and that's 'Field of Dreams.'

I believe that the process could be fun, I just think that making movies is really tough. And it's stressful as it is, and I think that most of us got in this business because it's fun to make movies.

I just like movies, not one particular kind or genre. In fact, movies that are harder to classify I like more.

I don't have this crazy dream about going to Hollywood, because I really love to watch movies and do movies that are complicated, and I want more strange things and complicated things.

Back 20 years ago, there was a division between movie actors and TV actors. That's kind of gone away. People who have had a lot of success in movies in the past now want to be on TV. There used to be much more of a quality division between TV and movies, and that's kind of not the case anymore.

In the past that you should choose a list of female action superhero movies that haven't worked. I don't believe they haven't worked because they had a female in the lead, I believe they didn't work because they weren't good. They weren't technically well done movies.

I like the idea of sitting in a theater with a bunch of people. With technology now, people are getting more and more isolated. I like the community coming around the story. You don't have that with a DVD. People go home, they're tired from work, they can turn it off. It doesn't make you commit the same way, if you can control the movie. More difficult movies, it's too easy to turn them off. All the time, I see movies I know if I had seen it on DVD, I wouldn't have hung with it. If you see it on the screen, you hang with it and it pays off better than a movie you can easily sit through on DVD.

I loved old movies as a kid, so I always watched old movies.

You know, I think the film business is its own worst enemy, because it sells movies on 'behind the scenes' footage. It's seeing the secrets of how the movies are made, and now it's a real struggle trying to keep storylines and plots a secret.

Every year I hear people complain that the quality of screenplays and movies is declining. In my opinion, the vast majority of scripts written - as well as most movies that are released - are not very original, well-written, or interesting. It has always been that way, and I think it always will be.

An awful lot of good movies have gone unrecognized, and an awful lot of bad movies have had tremendous recognition. As long as you keep that in mind, you are never really disappointed.

If you make action movies, the critics will savage you, and then your movies are outdated the following week with the new wave of special effects.

If I read a script and the subject stays with me - then that's when I want to go to work. Before, I was very addicted to being on set, and I was doing three or four movies a year for many years. Now, fortunately, I can go to work only when I am passionate about a project, and the rest of the time, I can live my life. I'm not interested in doing movies just as a marathon. When I go to work now, I have much more to give. But the other way, you get empty.

I don't have a passion for TV or movies or acting. I have a passion for wrestling and I find it hard to leave that for TV and movies. But if it is a thing that is a short amount of time I would consider it, but wrestling is what I love to do!

I made a few movies in Holland for a lot of TV series. I came to Los Angeles and for the last 10 years, I made a lot of feature films - all kinds of low budget action movies for the studios.

You can shave your head, but I've had to gain a lot of weight for movies, I've had to drop weight really fast for movies. I've had to learn accents or embody physical behaviors or twitches and things like that. And sometimes you take to some things easily and sometimes [not]. That's the challenge of the job.

Singin' in the Rain was most excellent if you like movies where people burst into song and tap-dance. Which I do, though not as much as I like movies where people don't.

The most difficult thing has definitely been movies. From a comedian's standpoint, you think being real big is the best thing, but with movies, the screen is huge, you're big anyway! Also, coming from a TV personality - MTV was all about high energy and selling the hottest video - I had to learn to [take it down]. A lot of characters I'm playing are not necessarily that kind of guy.