Quotes About Movies

I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.

I just remember saying to myself that I'd much rather do movies than modeling, and that it was worth a try. I didn't really know anything about it. I hadn't seen many movies, or so-called, good movies. When I was a kid, I was obsessed with Star Wars and Night of the Living Dead. When I got more curious about the movies, I thought they were something you had to learn about and go to school for and read every book.

Nowadays the movies that people are going to see in the theaters are the big-event movies, like Spider-Man or something, or they're 25-year-old models who are vampires, or they're very broad comedies, or they're standard action movies. So if you're going to work for a studio and do a movie for the budget that the movie needs, those are the kinds of movies you'll be in.

I think I'm pretty committed to staying. I'm not committed to not doing big movies, but I am committed to continuing to make smaller movies, not for the sake of making smaller movies, but because I think it's really invigorating to just go work with people and know that it might be awful.

There are movies that require fantasy and slightly more fantastical acting. Lines that are good for certain movies, in real life circumstances, would be absolutely unbelievable things to really say, and you would look at these people like they're freaks for conversing that way. But somehow for certain styles of movies, it works, and it seems fine.

I like action movies, even though I think action movies are kind of derided now. But there is something extraordinary about action movies, which is absolutely linked to the invention of cinema and what cinema is and why we love it.

If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago.

I've written a lot of movies with smoking, and the some of those movies absolutely gloried in the smoking and I wasn't concerned when I wrote them who would see them and how those movies would especially affect young people.

I would say the film world has stopped operating as one. We have divided it into Hindi movies, Bengali movies, Tamil movies and so on. Earlier, there was only one channel and we all knew what was going on. Today, it is hard to keep track of programmes due to the advent of regional channels.

I grew up looking at... going to the movies a lot, as much as they'd let you. I grew up in Manchester in the north of England in the '40s and '50s. I saw a lot of movies. They were all Hollywood and British movies. I didn't see a film that wasn't in English until I was 17 when I went to London to be a student.

I've been in silly movies and romantic movies and historic movies.

Of course you're nervous, but we're really excited to be able to share what we're going to share. And it's cool, because what we're going to be doing, I think for fans especially, we think is really cool, because part of the process that most people don't ever get to see [is] that before these movies are movies starring photo-real apes, they're movies starring the image of Andy Serkis and the other actors, who are playing apes.

I feel like there's a randomness in real life that too many Hollywood movies just shave off. It feels too intentional, and life just isn't that intentional. I like popcorn movies. I like entertaining movies. But, I feel like I could do something more in the real world.

I like movies. Movies have afforded me a modicum of luxuries. The thing about the movies is, if you're bad in a movie, you're bad forever.

I aim my movies, as much as I can, at myself. I think that those movies have an interesting quality. They're very movieish. They are movie movies. Like I think Watchmen is a very self-aware movie. 300. Dawn of the Dead definitely. That's really where I've ended up.

Movies are not the book. Movies are not even the screenplay. They are the movie.

'Avatar' was gorgeous. There are good stories in there, but when used in other movies they're similar to those violent video games. Characters using deadly weapons. The children follow these movies.

Great movies are rarely perfect movies.

Oh, I was completely hooked on movies and plays and theater from the time I was a day old; I was very, very early on in love with movies and I loved plays.

Write comic books if you love comic books so much that you want to write them. Don't write them like movies. Comics can do a lot of things that movies can't do, and vice versa.

I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.

I think of movies as depicting moments of change. Change is growth, and that change also possesses the same dynamism that movies do.

All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.

In the theater, you act more of the time. In the movies, you get to act maybe 20 or 30 minutes of the day. I love acting in movies. It's just different.

I think movies are expressions of our imagination; they are expressions of our conscious and of our subconscious. I think that movies can be analyzed the way dreams are analyzed, and sometimes I feel that the viewers or the journalists I discuss the film with are psychoanalysts who are trying to make sense of my dreams.

I haven't done a lot of studio movies, but studio movies and independent films are always just as fun as each other.

It's more important you learn what to make movies about than how to make movies

There are conservatives in Hollywood who make good movies. They just don't make conservative movies because that's not what gets funded.

3D is quite a lot more advanced in animated movies; for live-action movies we're just taking baby steps, we're just in the beginning. So when I think of doing that I was very excited. It didn't go as far as I think it should, I'm still a novice, but I think it's fair to say it's a new cinematic medium, experience.

I stopped reading reviews about my own movies. I read stuff about other people's movies.

I'm an actor because I love movies, and always have loved movies. I'm a film buff. So, getting to work with those kinds of directors and getting to tell those stories is what I want to do.

I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.

In the vast majority of movies, everything is done for the audience. We are cued to laugh or cry, be frightened or relieved; Hitchcock called the movies a machine for causing emotions in the audience. Bresson (and Ozu) take a different approach. They regard, and ask us to regard along with them, and to arrive at conclusions about their characters that are our own. This is the cinema of empathy.

I love movies to death. I spent my entire youth in front of a TV watching old movies.

I hated Shallow Grave, that movie made me angry. And I hated Happiness. I generally hate movies that use extreme violence or gratuitous shock value in place of having a heart. For example: movies that combine extremely sadistic violence with humor I find offensive.

I want to be someone who is doing something solid. And I am doing my thing. You can like it or not, but I know that now I have a really nice group of really cool and talented actors that follow me. It's the same for them. They have a special connection with my movies because we do these movies differently.

I'm at a point in my life where I could make 20 more movies, but I want to make 20 more movies that matter to me.

They say the movies should be more like life; I think life should be more like the movies.

3D is quite a lot more advanced in animated movies; for live-action movies we're just taking baby steps, we're just in the beginning.

If you were buying products or going to movies based upon the politics of the people involved, well I probably couldn't go to half the movies I go to.

I want to try and work in different genres with different types of actors, on small movies and big movies.

My dad's a prominent theatre director in Toronto, so I grew up in that world, directing and producing theater since I was a teenager. I always loved movies but they seemed too complicated until I got a job as an assistant on a movie-of-the-week and the technical process became demystified, like peeking behind a magician's curtain. Not long after that I switched to movies and never looked back.

If you make action movies, the critics will savage you, and then your movies are outdated the following week with the new wave of special effects.

I liked writing, and I loved movies, obsessively loved movies, but I had never made the leap of thinking I would actually come out here and write stuff.

I made a few movies in Holland for a lot of TV series. I came to Los Angeles and for the last 10 years, I made a lot of feature films - all kinds of low budget action movies for the studios.

In making a movie, you're part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make. There is so much more invested in it for a lot of different people, so much money is sunk into it that they usually want some guarantee or promise that it's going to be able to do something on a financial level. There's just a lot more messing with you in film. I love movies and I love to watch movies and being a part of the whole film experience.

I don't really have any great interest in writing for movies. Comics, to me, is a much more promising field. There's still a lot of ground to be broken in comics, whereas movies, to a degree... I don't know. They're a wonderful art form, but they're not my favorite art form. They might not even be in the top five of my favorite art forms.

Sometimes, the smaller roles in movies can be the most interesting. If you only take the stance that you'll only play central characters in movies, you'll find yourself not being able to indulge in that morally grey terrain that makes support characters so rich and interesting.