Quotes About Myself

I’m more comfortable with myself than when I was younger. I hated myself then. Wait, I didn’t hate myself – that’s a strong word. But I was so diffident. I didn’t know how to act, for one. I had no confidence in that area or in myself at all, really. I had a big inner critic and still do. I just don’t listen to it so much.

The third doorway is the Doorway of Unconditional Self-love, which corresponds to the energy center located in the solar plexus area. As I said earlier, the key to feeling love and living in love is having self-love. I mean real unconditional self-love, not "I love myself because I'm a good wife" or "I love myself because I do a good job at work" or "I love myself because I look a particular way." It's because I love myself no matter what. That's where our real power lies, in the ability to love ourselves unconditionally.

I need to learn how to stop destroying myself, stop being hard on myself and be nice to myself. I need to keep telling myself that I need to keep wanting something, something nice, something warm[so] I can make other people happy. I can understand other people's pain because I can love even after all that is left of me is gone because I have that strength.

I do not wish to quarrel with any man or nation. I do not wish to split hairs, to make fine distinctions, or set myself up as better than my neighbors. I seek rather, I may say, even an excuse for conforming to the laws of the land. I am but too ready to conform to them. Indeed, I have reason to suspect myself on this head; and each year, as the tax-gatherer comes round, I find myself disposed to review the acts and position of the general and State governments, and the spirit of the people, to discover a pretext for conformity.

I grew up never seeing myself on-screen, and it's really important to me to give people who look like me a chance to see themselves. I want to see myself as the hero of any story. I want to see myself save the world from the bomb.

The closest Ive come to knowing myself is in losing myself. Thats why I loved football before I loved music. I could lose myself in it.

I don't like to hear anybody in show business complain, because I just find it to be such a grateful business. Because there are so many wonderful, creative souls out there and there are so few jobs. And, so, I just find myself thinking to myself "wow, if I could get into a show of any kind and have it last for a while" - that's when I find myself really happy.

I make some movies for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine that I'm an audience member. I would lose myself too much if I thought of myself as the audience. There are other types of genre films that I need to be able to direct from the audience, to be right next to you watching the picture being made.

Actually, when John died, for the first time I thought - for the first time I realized how old I was, because I'd always thought of myself - when John was alive I saw myself through his eyes and he saw me as how old I was when we got married - and so when he died I kind of looked at myself in a different way. And this has kept on since then. The yellow corvette. When I gave up the yellow corvette, I literally gave up on it, I turned it in on a Volvo station wagon.

I get an audience personally involved in a song - because I'm involved myself. It's not something I do deliberately: I can't help myself. If the song is a lament at the loss of love, I get an ache in my gut. I feel the loss myself and I cry out the loneliness, the hurt and the pain that I feel.

I have never judged myself by other people’s standards. I have always expected a great deal of myself, and if I fail, I fail myself.

As I began to love myself I freed myself of anything that is no good for my health - food, people, things, situations, and everything that drew me down and away from myself. At first I called this attitude a healthy egoism. Today I know it is Love of Oneself.

I have packed myself into silence so deeply and for so long that I can never unpack myself using words. When I speak, I only pack myself a little differently.

I used the diabetes as my weapon. Of course, I was only hurting myself and making myself sicker, but I guess it was something I had to go through. I never went overboard so much that I really hurt myself, but my early teenage years were very tough.

My big complaint with myself is that I get tired. But, I forgive myself because it's human to get tired. But, I didn't always feel like I could forgive myself. There's a certain [drive], I think. But, now I feel like, "OK, you can be tired. People should let you be tired. Then you should go and take a nap, and you should sleep." That's about it.

Then very slowly I go to slightly lighter colors until little by little, the forms begin to take shape and I start to see what is happening. Since I never plan in advance, I simply let myself be led by instinct, taste and intuition. And it is in this manner that I find myself creating visions that I have never before imagined. And little by little certain color effects develop that excite me and I find the painting itself leading me on and I become only an instrument of a greater, wiser force...or being...or intelligence than I myself am.

Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.

I like acting for myself as a director. I act and I know that I'll have a chance to have some say in what gets used and that I'll be able to give myself enough takes and be on the same page as myself about how the scene should play.

I'm finding things out about myself as a person - as a writer - as I write, and so are the people who listen to what I do. But they have this additional aspect of how they take the stuff that I do, and so it broadens the work and it creates this strange connection. It's really a way of strangers communicating through this third thing, which is a body of work. But really, I know it's a cliché to say I write for myself, but I write for myself.

How much better is silence; the coffee cup, the table. How much better to sit by myself like the solitary sea-bird that opens its wings on the stake. Let me sit here for ever with bare things, this coffee cup, this knife, this fork, things in themselves, myself being myself.

Find myself £43 worse than I was the last month ... chiefly arisen from my layings-out in clothes for myself and wife; viz., for her, about £12, and for myself, £55 or thereabouts.

The pressure to be pretty? I set, you know, boundaries and goals for myself. I try not to compare myself to anyone else because I will never be anyone else except myself. So I try and stay true to me, and hopefully the right projects will come my way.

I don't consider myself a musician who has achieved perfection and can't develop any further. But I compose my pieces with a formula that I created myself. Take a musician like John Coltrane. He is a perfect musician, who can give expression to all the possibilities of his instrument. But he seems to have difficulty expressing original ideas on it. That is why he keeps looking for ideas in exotic places. At least I don't have that problem, because, like I say, I find my inspiration in myself.

For a moment the feeling crept over me that my work, my vision, is going to destroy me, and for a fleeting moment I let myself take a long, hard look at myself, something I would not otherwise do--out of instinct, on principle, out of self-preservation--look at myself with objective curiosity to see whether my vision has not destroyed me already. I found it comforting to note that I was still breathing.

I wrote myself back together. I wrote myself toward a stronger version of myself . . . Through writing and feminism, I also found that if I was a little bit brave, another woman might hear me and see me and recognize that none of us are the nothing the world tries to tell us we are.

I try to keep myself on an even keel by trying to be as critical of myself as I am of other people. I try to separate my performance from myself.

I dont really ever compare myself to other people, I dont even measure myself in terms of anyone but myself.

I tend to write pretty much by myself. I always did that anyway. I used to write with Ron Strykert 'cause he was the only guitarist and we played well together. We lived in the same place. I would play a certain style and he would kind of dance around what I did, in a sense. I learned from him and also vice-versa. With this band, I think I bounce ideas off everybody. Perhaps on the next album they'll be more collaborative stuff, but for the last 2-3 years, I've been pretty well writing by myself.

"Why is it that at a bachelor's establishment the servants invariably drink the champagne? I ask merely for information." "I attribute it to the superior quality of the wine, sir. I have often observed that in married households the champagne is rarely of a first-rate brand." "Good Heavens! Is marriage so demoralizing as that?" "I believe it is a very pleasant state, sir. I have had very little experience of it myself up to the present. I have only been married once. That was in consequence of a misunderstanding between myself and a young person."

Nobody loves me. No, everybody wanted me to do this one by myself, and I wanted to do it by myself. So, this is sorta like my first solo album. I didn't pull any tricks out of my hat, and just went with the natural flow of the film.

If somebody tells me I'm famous I say, 'I'm not.' I can't see myself as famous and I don't think I'll ever call myself famous. I definitely don't feel famous. To me, this is just a job.

I had no epiphany, no singular revelation, no moment of truth, but a steady accumulation of a thousand slights, a thousand indignities and a thousand unremembered moments produced in me an anger, a rebelliousness, a desire to fight the system that imprisoned my people. There was no particular day on which I said, Henceforth I will devote myself to the liberation of my people; instead, I simply found myself doing so, and could not do otherwise.

The thing about humour is that the super-ego is also at play, so what interested me, particularly in the last chapter which is key to the book -and no one seems to have picked this up in writings on Freud - is that, in the later Freud, the essence of humour is the ability to look at myself and find myself ridiculous. That makes me laugh.

In that moment, I could not write anything about flowers because I myself had turned into a flower, I myself had a stem and a lymph.

I always take the same perspective with each new adventure. I put myself in the position of being at the end of my life looking back. Then I ask myself if what I am doing is important to me.

As things grew for me I felt like I was losing myself and wanted to stay true to myself as well. I didn't want to lose any connection I had with the audience. I felt small on a big stage and I felt like I was peaking generically to an audience.

I celebrate myself, and sing myself.

With reference to the narrative of events, far from permitting myself to derive it from the first source that came to hand, I did not even trust my own impressions, but it rests partly on what I saw myself, partly on what others saw for me, the accuracy of the report always being tried by the most severe and detailed tests possible. My conclusions have cost me some labour from the want of coincidence between accounts of the same occurrences by different eye-witnesses, arising sometimes from imperfect memory, sometimes from undue partiality for one side or the other.

Salvation is an individual relationship with God. I've always considered myself to be a devotional poet, and I consider myself to be a devotional novelist.

I can't explain myself, I'm afraid, sir,' said Alice, 'Because I'm not myself you see.

I talk to myself on paper about my characters - sometimes writing in first person... I keep lists of unanswered questions that I can always turn to in order to get myself going.

I know what I should love to do - to build a study; to write, and to think of nothing else. I want to bury myself in a den of books. I want to saturate myself with the elements of which they are made, and breathe their atmosphere until I am of it. Not a bookworm, being which is to give off no utterances; but a man in the world of writing - one with a pen that shall stop men to listen to it, whether they wish to or not.

In failing to confess, Lord, I would only hide You from myself, not myself from You.

I am preparing myself for death. When I go to sleep, I try to keep myself smiling. So that when I die, I have a smile on my lips. I want an electric cremation. I don't want any poems or fuss after that. And for heaven's sake, don't bring back my ashes. Flush them down the toilet if the crematorium refuses to keep them. If they tell you that I am dead, I want you to give a big laugh.

I care not so much what I am to others as what I am to myself. I will be rich by myself, and not by borrowing.

I want to dedicate myself to training and discipline. I want to spend every moment of every day working to improve myself.

I'm not playing myself. It's a symbolic situation, where I want to introduce a fascist behind the table. I couldn't have had anybody else do that; for it to be successful, I had to do it myself.

You make me tremendously happy to hold me undivided - to let me be the artist, as it were, and yet not forgo the man, the animal, the hungry, insatiable lover. No woman has ever granted me all the privileges I need - and you, why you sing out so blithely, so boldly, with a laugh even - yes, you invite me to go ahead, be myself, benture anything. I adore you for that. That is where you are truly regal, a woman extraordinary. What a woman you are! I laugh to myself now when I think of you. I have no fear of your femaleness.