Quotes About Myth

We must remember that there is a great difference between a myth and a miracle. A myth is the idealization of a fact. A miracle is the counterfeit of a fact. There is the same difference between a myth and a miracle that there is between fiction and falsehood -- between poetry and perjury. Miracles belong to the far past and the far future. The little line of sand, called the present, between the seas, belongs to common sense to the natural.

Here is a myth for you if myths are your pleasure: "There is no more opportunity in this world." Most people held this false belief fifty years ago, the majority agreed with it five years ago, and practically everyone clings to it today. Clearly, this myth will also be the screaming rage in the future. Hang on to this myth, and you are destined to miss great opportunities for the rest of your life.

Now that Scotty has entered the realm of myth, everyone wants to own him. And maybe they should. Doesn't a myth belong to everyone?

I was the British spy who had come out of the woodwork and told it how it really was, and anything I said to the contrary only enforced the myth. And since I was writing for a public hooked on Bond and desperate for the antidote, the myth stuck.

A myth... is a metaphor for a mystery beyond human comprehension. It is a comparison that helps us understand, by analogy, some aspect of our mysterious selves. A myth, in this way of thinking, is not an untruth but a way of reaching a profound truth.

History is the myth, the true myth, of man's fall made manifest in time.

This is our dilemma--either to taste and not to know or to know and not to taste--or, more strictly, to lack one kind of knowledge because we are in an experience or to lack another kind because we are outside it. [. . .] Of this tragic dilemma myth is the partial solution. In the enjoyment of a great myth we come nearest to experiencing as a concrete what can otherwise be understood only as an abstraction.

The myth that everyone once read great literature is just a myth.

The costliest myth of our time has been the myth of the Communist monolith.

The reason I wouldn't dare to write a Western is simply because that seems to be so much a part of American culture. Maybe if I want to write a Western enough I should try to overcome that fear, but I'll certainly feel like I'm trespassing. I feel that that is so much a part of American foundation myth, it's part of the myth of America, the American vision of what America is, which people have glorified and then challenged and then vilified.

John Calvin's theology emphasizes the sanctity of conscience, the sanctity of companionate marriage, and the obligation of those in power to attend to the well-being of the people in general, especially the poor. Interestingly, for the interpretation of Hamlet, for example, he forbids even the thought of revenge. This is not the Calvin of myth, but when the Elizabethans read him there was no such myth, nor would there be now, if he were read.

Children are much more understanding of the suddenness and arbitrariness of death than we are. The old fairy tales contain a lot of that, and we've stolen from them, just as they stole from Greek myth, which has that same mixture of pre-Christian chaos.

I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women. I'd been thinking about what I would want to do with that if I was going to write on that theme, and one morning I woke up and Calvin and Ruby Sparks were in my head.

Some tropes are universal. Boy meets girl. Betrayal and revenge. The search to discover a hidden truth.... A mother's love isn't cliché, it's universal. These things are archetypes. They're the building blocks of myth and legend. They are a big part about what it means to be human.

as for the possibility of 'having it all,' career and family with no sacrifice to either, that is a myth we would do well to abandon, together with the pernicious notion that a woman who chooses one of the other is somehow deficient.

There's an elegiac quality in watching [American wilderness] go, because it's our own myth, the American frontier, that's deteriorating before our eyes. I feel a deep sorrow that my kids will never get to see what I've seen, and their kids will see nothing; there's a deep sadness whenever I look at nature now.

I've always been interested in the Southwest. There isn't a place in the world you can go where they don't know about cowboys and Indians and the myth of the West.

You know, equality is a myth, and for some reason, everyone accepts the fact that women don't make as much money as men do. I don't understand that. Why do we have to take a backseat? I truly believe that women should be financially independent from their men. And let's face it, money gives men the power to run the show. It gives men the power to define value. They define what's sexy. And men define what's feminine. It's ridiculous.

The Rising was mainly a piece of streat theatre designed by poets for dramatic effect. For better or worse, it became part of the founding myth which states need - but which they should move on from after a time. Major John MacBride, in a cameo performance in which he left Jacobs Mill, as he had entered it, immaculately dressed down to the white spats, told his colleagues Next time lads, don't shut yourself up behind four walls. It was good advice.

Holly Black is the Real Thing: a gifted writer with a solid grounding in what matters. Her stories are dark and splendid blooms rising from roots sunk deep in myth and tradition.

The second thing that happened is, DNA analysis is much more sophisticated. All you have to do now is spit in a test tube and you find out all kind of things in six weeks - where they are from in Africa or Europe. You can prove or disprove the fundamental African-American myth that you descended from a Cherokee great, great grandmother.

Bands that I've loved over the years are the ones that have a certain myth around them.

You know, I didn't write my books for critics and scholars. I wrote them for students and artists. When I hear how much my work has meant to them--well, I can't tell you how happy that makes me. That means that this great stuff of myth, which I have been so privileged to work with, will be kept alive for a whole new generation. That's the function of the artists, you know, to reinterpret the old stories and make them come alive again, in poetry, painting, and now in movies.

The person who experiences greatness must have a feeling for the myth he is in. He must reflect what is projected upon him. And he must have a strong sense of the sardonic. This is what uncouples him from belief in his own pretensions. The sardonic is all that permits him to move within himself. Without this quality, even occasional greatness will destroy a man.

When we start making distinctions between soul and spirit, we're in very, very murky waters. There is the whole issue of the English language, which has a rather limited vocabulary when it comes to psychological descriptions, not to speak of spiritual descriptions. We're good mythically - the English language is superb for myth. But we're not very good for psychology or spirituality.

Arthuriana has become a genre in itself, more like TV soap opera where people think they know the characters. All that's fair enough, but it does remove the mythic power of the feminine and masculine principles. So I prefer it in its original form, even if you have to wade through Mallory's 'Le Morte d'Arthur' - people smashing people for pages and pages! It still has the resonances of myth about it, which makes it work for me. I don't want to know if Mordred led an unhappy childhood or not.

We have the kind of self-made-man myth, which says that super-successful people did it themselves.

If this country [America] is to survive, the best-fed-nation myth had better be recognized for what it is: propaganda designed to produce wealth not health.

Some of us do not accept the Establishment myth that bad laws must be obeyed.

No, I don't think about the myth of the West. It's not the kind of thinking I do. That's more suited to people who live in big towns on the West Coast or East Coast, people who stay under a roof, in a room, all the time.

A myth is the name of a terrible lie told by a smelly little brown person to a man in a white suit with a pair of binoculars.

We're not the paragons of virtue that we'd all like to think we are. And so, to shatter that myth, God will use suffering to expose the stuff of which we're made.

The West Wing seems to be feeding the myth about how presidential politics are.

In the science, Evolution is a theory about changes; in the myth it is a fact about improvements.

Myth must be kept alive. The people who can keep it alive are the artists of one kind or another.

After listening to the radio, I learned what the North Korean government had been telling us about the war was not true. This myth allowed the North to hold the South responsible for the war.

Essentially, not only do we believe in this myth of 'de-risking', but it has become the one overriding goal; de-risking above growth, de-risking above innovation, de-risking above everything else. And we've reached the point where the Fed is using $70 Billion a month to 'de-risk' a largely insolvent banking system. And this can only end badly. The idea that you can do capitalism without risk is ridiculous on its face.

It is only myth that attempts to say how the universe came to be, either four thousand or twenty billion years ago.

I've always loved King Kong. He's like a modern-day myth, an icon of the cinema.

By myth I mean the arrangement of the incidents

All artists, they say, are a little mad. This madness is, to a certain extent, a self-created myth designed to keep the generality away from the phenomenally close-knit creative community. Yet, in the world of the artists, the consciously eccentric are always respectful and admiring if those who have the courage to be genuinely a little mad.

The rising productivity of labor is a myth, a statistical illusion created by measuring combined output in terms of labor input.

Images are not quite ideas, they are stiller than that, with less implication outside themselves. And they are not myth, they do not have the explanatory power; they are nearer to pure story. Nor are they always metaphors; they do not say this is that, they say this is.

Every myth is psychologically symbolic. Its narratives and images are to be read, therefore, not literally, but as metaphors.

The "October Revolution" is a myth generated by the winners, the Bolsheviks, and swallowed whole by progressive circles in the West.

The conspiracy behind the Anthropogenic Global Warming myth (aka AGW; aka ManBearPig) has been suddenly, brutally and quite deliciously exposed after a hacker broke into the computers at the University of East Anglia's Climate Research Unit (aka Hadley CRU) and released 61 megabytes of confidential files onto the internet. (Hat tip: Watts Up With That)

I do notice that I spend a lot of all my time steeped in different forms of myth, such as English folk music, for example, not really studying it necessarily, but just trying to experience it so I can recall it later.

The great enemy of truth is very often not the lie--deliberate, contrived and dishonest--but the myth--persistent, persuasive and unrealistic. Too often we hold fast to the cliches of our forebears. We subject all facts to a prefabricated set of interpretations. We enjoy the comfort of opinion without the discomfort of thought.