Quotes About Opera

I didn't grow up imagining myself as an opera composer. Only once in my entire adolescence did I attend an opera. I went and saw Aida at the old Met, didn't understand a thing about it, and thought it was pretty awful. But I think I had it in my genes without even realising it.

I have never heard enough classical music to be able to enjoy it; & the simple truth is, I detest it. Not mildly, but will all my heart. To me an opera is the very climax & cap-stone of the absurd, the fantastic the unjustifiable. I hate the very name of opera - partly because of the nights of suffering I have endured in its presence, & partly because I want to love it and can't.

Opera is complex for those who perform it, but also for those who listen to it. It takes more time, more patience and more spirit of sacrifice. All this is well worth it because opera offers such deep sensations that they will remain in a heart for a lifetime.

I read a story about some old opera singer once, and when a guy asked her to marry him, she took him backstage after she had sung a real triumph, with all the people calling for her, asked, 'Do you think you could give me that?' That story hit me right, man. I know no guy ever made me feel as good as an audience. I'm really far into this now, really committed. Like, I don't think I'd go off the road for long now, for life with a guy no matter how good. Yeah, it's the truth. Scary thing to say though, isn't it?

Suddenly I realized that I wanted everything to be as it was when I was younger. When you're young enough, you don't know that you live in a cheap lousy apartment. A cracked chair is nothing other than a chair. A dandelion growing out of a crack in the sidewalk outside your front door is a garden. You could believe that a song your parent was singing in the evening was the most tragic opera in the world. It never occurs to you when you are very young to need something other than what your parents have to offer you.

A show like Knots or any other show that can be called a soap opera does terribly in syndication because if you're a viewer and you miss a week you don't know what's going on.

Now that I've relinquished my fantasies of all the people I wish I could be, and stopped feeling guilty about not going to the opera or pretending that I want to attend a foreign policy lecture, I have more time for the things that I truly enjoy.

I think of myself as a realistic writer, not a creator of soap opera or melodrama.

I'm very musically inclined. My parents were opera singers. As a young child, I could hear operas and I knew if they were sad, or if they reminded me of something, or they brought back a memory.

One of my first jobs was in a soap opera, five days a week. And what I found is, although there are different directors coming in and different crews, you just lived in your character. It's the nature of the story, the ongoing story, and it can get deeper and deeper.

He believed that life, true life, was something that was stored in music. True life was kept safe in the lines of Tchaikovsky's Eugene Onegin while you went out in the world and met the obligations required of you. Certainly he knew (though did not completely understand) that opera wasn't for everyone, but for everyone he hoped there was something. The records he cherished, the rare opportunities to see a live performance, those were the marks by which he gauged his ability to love.

Whenever I go to an opera, I leave my sense and reason at the door with my half-guinea, and deliver myself up to my eyes and my ears.

Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.

Hey yogurt, if you're so cultured, how come I never see you at the opera?

You're always in a tunnel that you can't see the end of. But there's something that took place on this movie that I don't think we expected and that was that once we decided that the entire cast would be real retired opera singers and retired musicians... and these people the phone hadn't rung for them for 20 or 40 years even though they can deliver.

What's an opera if everyone is dead in it?

Science fiction is for real, space opera is for fun.

It's all one to me: opera, painting, drawing, faxes.

I love classical music and often listen to symphonies or opera in the morning.

I belong to the givers. I want to give a little happiness even if I haven’t had much for myself. Music has enriched my life and, hopefully - through me, a little - the public’s. If anyone left an opera house feeling more happy and at peace, I achieved my purpose.

I know one thing - very few writers in Southern California get to write what they want to write. We are more or less worker ants, working for either film companies or tv companies or Internet companies. We do a lot of assigned work. Feelings hardly ever enter into it. If they do, they tend to be on a sort of soap opera level.

I don't have a rock voice. I have to force it. I am like an opera singer.

Man's deliberate destruction of his own habitat -- planet Earth -- could serve as a mighty theme for a mighty book worthy of a modern Melville or Tolstoy. But our best fictioneers confine themselves to domestic drama -- soap opera with literary trimmings.

Soaps taught me the fundamentals of the game. You know, how to show up, hit your mark, how to be on time. That soap opera world is a microcosm of the entertainment culture.

My grandmother was this unbelievably smart, phenomenally cool woman and [soap operas] were just always on in her house. I just realized that I live in a soap opera, and it's awesome.

I went to film school when I was 17, and of course when you are very young you think that there is nothing else in the world except film. At some point I started getting hungry to see something else. For five years I didn't make any films, I was traveling around the world, writing for newspapers, working in theater, working in opera, I thought I would never return to film.

We recognize the touch of the Opera ghost.

You can learn more by going to the opera than you ever can by reading Emerson. Like that there are two sexes.

It's very difficult to photograph an opera. And they messed up on it. It just wasn't there. And I don't blame the Gershwins for taking it away. Of course, if they had gotten the original company to have done it, it would have been very good

New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.

Everyone has their own taste: some like theatre, some don't, some like opera, some don't, some like pantomimes, and some don't.

An operetta is simply a small and gay opera.

Ever since 1980, sci-fi has generally been more Bladerunner than Star Wars. People talk about Star Wars being the most influential movie of all time and creating the blockbuster along with Jaws and that sort of thing, but really there's not been a space opera that anyone can go and see.

There were a few things that went into it. When you're doing something you're trying to be your audience at the same time, so if somebody tells me that this is a movie about retired opera singers, you think 'maybe I'll wait for it to come to DVD'. You're not rushing off to see it.

Bel canto is to opera what pole-vaulting is to ballet.

Love in France is a comedy; in England a tragedy; in Italy an opera seria; and in Germany a melodrama.

Opera is credible drama now, and it costs less than going to a football match. What have you got to lose?

I was a kid, and I remember my mother singing. She was also a radio soap opera actress, but my mother sang.

I was nostalgic even as a young man. Preferred listening to Opera not Bing Crossby.

I'd hate this to get out but I really like opera.

My dream is to put together a performance of the evolution of black music with Cirque du Soleil . I would also like to do street opera and children's books. But even as I work toward these things, I want to simplify my life.

My interest in women's voices started when I was in the boys' choir and we were singing in opera choruses. That was my first close-up experience with the female soprano voice. I was amazed at how it could be within the same scale but so different in quality.

Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.

I had classical training but I don't consider myself an opera singer though.

It's much easier for me to be silly than it is to be serious on soap opera.

At the moment I'm enjoying a new challenge at the Royal Opera House, but I'm also keen to pursue my interest in television and particularly in science.

Old Americana vintage gangster stuff has a fantastical feel; it feels less dirty in a way. It feels like the opera of crime.

I'd done two years on a soap opera where I was shooting things every day and they gave me a hard time about that, which I think is the wrong way to teach a young actor. They just made me really, really self-conscious about everything I did, which is the opposite of what you need to be when you're filming.