Quotes About Paris

It is no accident that propels people like us to Paris. Paris is simply an artificial stage, a revolving stage that permits the spectator to glimpse all phases of the conflict. Of itself Paris initiates no dramas. They are begun elsewhere. Paris is simply an obstetrical instrument that tears the living embryo from the womb and puts it in the incubator.

Mortal beauty often makes me ache, and mortal grandeur can fill me with that longing...but Paris, Paris drew me close to her heart, so I forgot myself entirely. Forgot the damned and questing preternatural thing that doted on mortal skin and mortal clothing. Paris overwhelmed, and lightened and rewarded more richly than any promise.

I spent 80% of my time working on this, and 20% of my time working on music. Why do you think the song 'Niggas in Paris' is called 'Niggas in Paris?' 'Cause niggas was in Paris!

There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy.

I've been to Paris, France, and I've been to Paris, Paramount. I think I prefer Paris, Paramount

Let me tell you, though - there’s a huge difference between Flanders and Paris–Roubaix. They’re not even close to the same. In one, the cobbles are used every day by the cars, and kept up, and stuff like that. The other one - it’s completely different … The best I could do would be to describe it like this - they plowed a dirt road, flew over it with a helicopter, and then just dropped a bunch of rocks out of the helicopter! That’s Paris–Roubaix. It’s that bad - it’s ridiculous.

I think there's tons of life and excitement in Paris. There are lots of old people and young people creating sexy new culture, but they're having to do it in the middle of a theme park. Paris is so dedicated to preserving its sense of itself, "we were great once upon a time," that it's hard for people who are making work right now to have to struggle in this sort of museum.

Many European countries are fascinated with minorities from the United States. They still see this country as a world power and they covet that power...I was approached by a professor once at the Sorbonne in Paris and asked about racism in this country, and when I reflected on racism on the streets of Paris - you know, I'd be considered an Arab there -well, she didn't want to address that...It just goes to show it was easier for Europeans to study racism in the United States than it is from within the belly of the beast.

The best of America drifts to Paris. The American in Paris is the best American. It is more fun for an intelligent person to live in an intelligent country. France has the only two things toward which we drift as we grow older—intelligence and good manners.

Paris had more sex than most church-laden places, and more church than most sex-laden places. Parisians crowed about Travail-Famille-Patrie while frequenting brothels. They enjoyed visiting drag shows while clamping down on homosexuality. They celebrated romance while treating women like dirt. Many of these contradictions existed elsewhere, but I do think Paris ruled the hypocrisy championships.

Paris is my favorite city in the world. The men are so beyond gorgeous, especially the humpy Arab men. But I could never live in Paris, it's a boutique city.

My favorite place in the whole world is the city of Paris. to me, Paris stands at the frontier of every major category of travel - in food, art, theater, history, in so many different areas that I simply don't get tired of it.

I have a picture of a rainy Paris street scene which I bought when I was 33 and on my first trip to Paris. I go past it when I go upstairs every night and it reminds me of that trip and makes me happy

I would love to go to Paris. I have to go to Paris. I would love to go there, that's like my dream.

To study in Paris is to be born in Paris!

What we think about Paris is a part of how we feel about it. Our idea of Paris is our idea and we don't know that that's not necessarily the way it really is. It feels so real.

You know, I sometimes think, how is anyone ever gonna come up with a book, or a painting, or a symphony, or a sculpture that can compete with a great city. You can't. Because you look around and every street, every boulevard, is its own special art form and when you think that in the cold, violent, meaningless universe that Paris exists, these lights. I mean come on, there's nothing happening on Jupiter or Neptune, but from way out in space you can see these lights, the cafés, people drinking and singing. For all we know, Paris is the hottest spot in the universe.

I cut the ribbon in Paris, and everyone in Paris speaks French — maybe you knew that. But I'm from Tennessee, and Tennessee girls don't speak French. So suddenly I'm stuck onstage with Minnie and Mickey and everyone is yelling at me in French — I guess they're telling me to get off the stage, but I didn't know what they were saying at the time, so I start dancing with Minnie and Mickey like on the show and finally my aunt comes and gets me off.

I'd been influenced by reading books on art and colonies that existed in Paris and places like that and so when I came to Europe I came to France and I had very little money, and I had to live low and stayed in a bohemian section of Paris with a lot of other students, who were from medical school, science school and art school. We all lived in a kind of communal way and I was challenged politically, because I didn't have a clue and they would ask me questions about the Algerian War, which was very big in France in the late '50s.

If you don't enjoy getting up and working and finishing your work and sitting down to a meal with family or friends, then the chances are you're not going to be happy. If someone bases his happiness or unhappiness on major events like a great new job, huge amounts of money, a flawlessly happy marriage or a trip to Paris, that person isn't going to be happy much of the time. If, on the other hand, happiness depends on a good breakfast, flowers in the yard, a drink or a nap, then we are more likely to live with quite a bit of happiness.

People always go to Paris for their honeymoon. It's like they think because the distances are closer, it's much warmer.

That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits.

Creativity does not belong exclusively to professional artists and geniuses; it is the birthright of every single human being. Creativity is our common heritage. You don’t need to quit your job and move to Paris in order to lay claim to this heritage - all you have to do is clear some space in your life for whimsy, invention, sensory pleasure, and play. Most of all, you have to learn how to follow your curiosity more than your fear.

As the lightness buoys me, I wonder if maybe she was right. Maybe it's not about looking hot for guys, but about feeling like a place acknowledged you, winked at you, accepted you. It's strange because, of all the people in all the cities, I'd have thought that to Parisians I'd be invisible, but apparently I'm not. Apparently in Paris, not only can I skate, but I practically qualify for the Olympics!

Paris was a universe whole and entire unto herself, hollowed and fashioned by history; so she seemed in this age of Napoleon III with her towering buildings, her massive cathedrals, her grand boulevards and ancient winding medieval streets - as vast and indestructible as nature itself.

I notice that, in the lecture … which Prof. Lowry gave recently, in Paris … he brought forward certain freak formulae for tartaric acid, in which hydrogen figures as bigamist … I may say, he but follows the loose example set by certain Uesanians, especially one G. N. Lewis, a Californian thermodynamiter, who has chosen to disregard the fundamental canons of chemistry—for no obvious reason other than that of indulging in premature speculation upon electrons as the cause of valency

I don't like Paris so much.

Oh, but Paris isn’t for changing planes, it’s… it’s for changing your outlook, for… for throwing open the windows and letting in… letting in la vie en rose.

I was certainly going the right way for a stroke when I left Paris. I paid for it nicely afterwards! When I stopped drinking, when I stopped smoking so much, when I began to think again instead of trying not to think - Good Lord, the depression and the prostration of it! Work in these magnificent natural surroundings (Arles) has restored my morale, but even now some efforts are too much for me: my strength fails me.

You belong to me and all Paris belongs to me and I belong to this notebook and this pencil.

Paris is a mighty schoolmaster, a grand enlightener of the provincial intellect.

We have great information. They're going to welcome us. It'll be like the American Army going through the streets of Paris. They're sitting there ready to form a new government. The people will be so happy with their freedoms that we'll probably back ourselves out of there within a month or two.

So we came to the Ritz hotel and the Ritz Hotel was divine. Because when a girl can sit in a delightful bar and have delicious champagne cocktails and look at all the important French people in Paris, I think it is divine.

When I moved to Paris in the '70s, there wasn't very much going on in film in England. So when I started doing French films, there was a natural movement toward the kind of films I wanted to do. It wasn't the reason I came, but it so happened that I stepped into a time and place that actually corresponded to what I wanted. That sometimes happens in life. And it was rather beautiful.

To have come on all this new world of writing, with time to read in a city like Paris where there was a way of living well and working, no matter how poor you were, was like having a great treasure given to you.

But one of the most fantastic things about Ireland and Dublin is that the pubs are like Paris and the cafe culture. And Dublin, in many ways, is a pub culture.

With the broad and powerful swing of the hand which Zola in The Earth gave to his ploughman, L'Auto, journal of ideas and action, is going to fling across France today those reckless and uncouth sowers of energy who are the great professional riders of the world... From Paris to the blue waves of the Mediterranean, from Marseille to Bordeaux, passing along the roseate and dreaming roads sleeping under the sun, across the calm of the fields of the Vendée, following the Loire, which flows on still and silent, our men are going to race madly, unflaggingly.

That certain snobbery of certainly the Parisian - combined with a complete denial of your historical legacy, is just awful. That's a funny thing about France. Saul Bellow wrote somewhere that he saw right through the French. He lived there. He wrote The Adventures of Augie March in Paris, and there's no one better than him to say what's unbearable about the French.

The first thing that strikes a visitor to Paris is a taxi.

I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn't like the 'naturalism,' the sad or the 'down-to-earth' characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor - and beautiful women.

What Paris has done right is to make it awful to get around by car and awfully easy to get around by public transportation or by bike.

In Paris, everybody wants to be an actor; nobody is content to be a spectator.

And really, the reason we think of death in celestial terms is that the visible firmament, especially at night (above our blacked-out Paris with the gaunt arches of its Boulevard Exelmans and the ceaseless Alpine gurgle of desolate latrines), is the most adequate and ever-present symbol of that vast silent explosion.

When I want to be incognito, I don't wear any hat. Unfortunately, even without the hat, they now recognise me in Paris.

I tried to read The Dubliners, when I went to Dublin a couple of years ago. I think I only go thurogh the first story. Gnomon is such an interesting word. So many different uses for a word nooone has heard of, or uses these days. I googled some pictures of sundials to check that it was the tall shadow casting bit (it is) and then discovered that Saint Sulpice in Paris has a rather fascinating large gnomon- which I shall endeavour to see on my next visit to that fair city. Thanks for such a great word, which I shall try to remember.

In Paris there are few changes; one always finds one's niche there when one returns - no matter how long one may have been away.

Custom, law bent my first years to the religion of the happy Muslims. I see it too clearly: the care taken of our childhood forms our feelings, our habits, our belief. By the Ganges I would have been a slave of the false gods, a Christian in Paris, a Muslim here.

Whether you like it or not, Paris is the beating heart of Western civilisation. It's where it all began and ended.