Quotes About Play

We don’t have to do a bunch of things to figure out how to win the Ryder Cup. Just go play golf. ... I’m a little bit too casual probably about a lot of things, but you can’t force good play. Good play comes from good hard work and actually being prepared to play, not being forced to play.

If you're neurotic and you think, I'm not where I deserve to be or my mother didn't love me, or blah, blah, blah, that lie, that neurotic vision, takes over your life and you're plagued by it 'til it's cleansed. In a play, at the end of the play, the lie is revealed. [T]he better the play is, the more surprising and inevitable the lie is, as Aristotle told us. Plays are about lies.

The old paradigm was pay to play. Now you get back what you authentically put in. You've got to be willing to play to play.

If you're going to play hockey now, you have to be able to play. If you have the ability to fight and play, you're an unbelievable commodity. But if you can only fight, there might be six of those guys left in the league, and I can guarantee they're going fast.

So, think about how you use a disc that you own of an Xbox 360 game. If I buy the disc from a store, I use that disc in my machine, I can give that disc to my son and he can play it on his 360 in his room. We both can't play at the same time, but the disc is the key to playing. I can go round to your house and give you that disc and you can play on that game as well.

I say, play your own way. Don't play what the public want - you play what you want and let the public pick up on what you doing - even if it does take them fifteen, twenty years.

I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.

I constantly caution our teams: 'Play your game, just play your game. Eventually, if you play your game, stick to your style, class will tell in the end.' This does not mean that we will always outscore our opponent, but it does insure that we will not beat ourselves.

I've been a feminist since the day I was born. I wanted to play football. I didn't want to play with dolls; I wanted to play with boys and didn't understand why I couldn't.

I just play to win. I play to be competitive; that's it. I think every player hopes that they do something special that everyone remembers later in life, or whatever. But that's not why we're playing. At least, that's not why I play.

When people discuss his plays, he says that he feels like he's standing at customs watching an official ransack his luggage. He cheerfully declares responsibility for a play about two people, and suddenly the officer is finding all manner of exotic contraband like the nature of God and identity, and while he can't deny that they're there, he can't for the life of him remember putting them there. In the end, a play is not the product of an idea; an idea is the product of a play.

The approach to acting is always the same, you try to figure who the guy is and then you try to transition your way into his way of thinking and moving through the world. The rest of it is just accoutrements, you don't play the makeup, you play the guy. If you're not wearing makeup, you just play the guy.

The number one thing for me is diversity. I always want to ensure that people can't put me in a box. I can play a bad guy, I can play a good guy, I can play a good bad guy, I can be the host of a show, I can be serious, and I can be funny.

All religions, they play football - even nowadays all girls and women have the right to play football in cultures like the Arabic countries in the Muslim they play football.

We don't play slow and we don't play fast, we play half fast

When I was 13, I got my first guitar, and I could sort of play Ted Nugent songs, but I couldn't play the solos. But I could play along with entire Ramones songs.

I wanted to play a mother again. I thought it would be interesting to play the mother of an older child. And it was also the kind of part I've been looking for my whole career, actually, in film. You know, just to play a femme fatale who's very smart, and wicked.

Writing is like a contact sport, like football. Why do kids play football? They can get hurt on any play, can't they? Yet they can't wait until Saturday comes around so they can play on the high school team, or the college team, and get smashed around. Writing is like that. You can get hurt, but you enjoy it!

I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.

In America everyone plays bang ball, eight ball, nine ball, that kind of stupid crap, but in Canada and Europe they play snooker which is a much more skillful game and I enjoy that. I play pool now with friends, if we go to a bar we will play, but I am nowhere near as good as I once was.

When I first met Benny Goodman he wouldn't talk about anything but clarinets, mouthpieces, reeds, etc. When I tried to change the subject, he said 'But that's what we have in common. We both play clarinet.' I said, 'No, Benny, that's where we're different. You play clarinet, I play music.'

It's not easy to play your best for 40 weeks. It happens every year, I don't play well in Rome or Hamburg -- I don't know why -- but then I play well after that.

My soul, sit thou a patient looker-on; Judge not the play before the play is done: Her plot hath many changes; every day Speaks a new scene; the last act crowns the play

I play in the low 80s. If it's any hotter than that, I won't play.

It actually took me a year to learn how to play running back - to understand what they were doing defensively and then what our guys were doing every single play.

I found it was my good fortune to somehow be able to work in these forms that I loved when I was a kid. I love movies and I could write screenplays. I love theater and I could write plays. I mean, they would be my own, I could never write what was used to be called the well-made play. But my first play, "Little Murders," turned out to be a great success and a great influence on plays at that time.

Having children has helped me become a better actor because they remind you to play make believe. It's the ease and naturalness of their beings. They just play and it's completely real for them at the time. As an actor, if we do it well, we make you believe.

In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes. I've had to do it before with stage roles, to get roles. I'm drawn to kind of darker, misfit things. I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.

Just as blueprints don't necessarily specify blue buildings, selfish genes don't necessarily specify selfish organisms. As we shall see, sometimes the most selfish thing a gene can do is build a selfless brain. Genes are a play within a play, not the interior monologue of the players.

It's a risk-reward thing. If I do go out and try and play and get hurt again, then I'm definitely out. I've got no chance to go. If I'm ready, then great. It's getting better. I've been doing a lot more in the last couple of days. I've got a day off (on Wednesday) and then hope to come back in on Thursday and really see where I am at and test it out. Hopefully I'm going to play this weekend but, in reality, we'll see.

If I feel I can play a part I do everything in my power to try to play it.

It is a game of chess with this city. We'll have to see how it is going to play out. The city goes back and forth trying to figure out what programs to cut and what they have funding for. What I would love to see is for the city to step up and run the rink 10 months out of the year so kids can play in the summer and we can have camps here in Glenwood.

I met the guys at HeavyRoc through the drummer in St. Lucia, Nick Brown. He is Ben from The Knocks' cousin, and at the time we'd been doing some work together, but everything was still very much in the unsure developmental phase (even though I'd been in it for a year and a half). I told him that if he was going to play the music for anyone that he shouldn't say anything about it and should just play it and see if anyone says anything, and he did it one day at their studio and they loved it and got it touch.

If every four years in a presidential election, if you're a New Yorker or a Californian, and you realize that you are so much less important, that nobody is actually kind of targeting your needs because they're laser-focused on what will play in Florida and on what will play in Virginia.

I just play the music that I love with musicians that I respect, and fortunately, I'm in a position where people are willing to play with me, and perhaps I can do something to help them.

Physically I feel pretty good; that's the main key, is just making sure your body is ready to play every night since you play so many games and I feel like I'm there.

For a mother the project of raising a boy is the most fulfilling project she can hope for. She can watch him, as a child, play the games she was not allowed to play; she can invest in him her ideas, aspirations, ambitions, and values - or whatever she has left of them; she can watch her son, who came from her flesh and whose life was sustained by her work and devotion, embody her in the world. So while the project of raising a boy is fraught with ambivalence and leads inevitably to bitterness, it is the only project that allows a woman to be - to be through her son, to live through her son.

Here’s the life lesson I’ve learned, Fifi: Some people are born to play the hero, and some are born to play the bad guy. Fighting your destiny only makes life harder than it needs to be. Besides, people remember the villain long after they’ve forgotten the hero.

When we play Jenny Don't Be Hasty, that's cool because everyone really dances. It's between that and when we play Loving You, that's when you give it your all. Well you give it your all for all of it but that's like proper end singing with your full strength put in.

I'd love to play a gangster but I think people might say I looked a bit too young and cheeky to play a character who'd just blown someones head off!

People say that they wouldn't pay to watch me play, but even I wouldn't pay to watch him play!

If you play the very subtle jazz tunes with acoustic pianos, acoustic bass and it's a dead standard, you are going to play very differently. It depends on the music.

I don't care who I play to, as long as they enjoy listening to what I play.

I turn 30 next month, and in my 20s, I've been in this limbo of being too old to play the young lead, and too young to play the 30, 35 - year - old. I've always had an older head on my shoulders because I've hung out with older people. I was in television shows with older actors, and when I was 15, 16, 17, I sat up in hotel lobby bars with older actors until the early hours of the morning hearing them tell stories. I've always been drawn to older characters and I've always struggled to get into the younger roles. It feels good to be finally getting to an age where I'm playing my age.

I don't think we would be specifically remaking "Child's Play 2" and "Child's Play 3". I imagine we'd be dreaming up whole new stories.

Men play harder than they work; women work harder than they play.

I certainly have never been an actor who can play the Everyman guy - or, I don't tend to get those parts. I've tended to play eccentrics. I've played a lot of villains, of course.

Education isn't play--and it can't be made to look like play. It is hard, hard work. But it can be made interesting work.