Quotes About Play

The spirit of playful competition is, as a social impulse, older than culture itself and pervades all life like a veritable ferment. Ritual grew up in sacred play; poetry was born in play and nourished on play; music and dancing were pure play....We have to conclude, therefore, that civilization is, in its earliest phases, played. It does not come from play...it arises in and as play, and never leaves it.

In the world of animation, you can be anything you wanna be. If you're a fat woman, you can play a skinny princess. If you're short wimpy guy, you can play a tall gladiator. If you're a white man, you can play an Arabian prince. And if you're a black man, you can play a donkey or a zebra.

In a Game Community, the rules and officials decide if the players are good enough to play. If not, they change players. In a Play Community, the players decide if the game is fun enough to play. If not, they change rules.

I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.

You play, you win, you play, you lose. You play.

The old paradigm was pay to play. Now you get back what you authentically put in. You've got to be willing to play to play.

In everything was the spirit of children's play - not the rule-ridden, time-killing play of adults that is a preparation for death, but the busy and credulous play of children that is a preparation for life.

I used to play trumpet when I was a kid, and then I got braces, and I couldn't really play it anymore, so sometimes I wish I could still play that; I think it's a great instrument, so maybe one of these days I'll pick it back up.

I say, play your own way. Don't play what the public want - you play what you want and let the public pick up on what you doing - even if it does take them fifteen, twenty years.

It doesn't matter if you're play-pretending crying or play-pretending laughing, you're still play-pretending.

In and of itself, sports may be trivial, but as a symbol of the American way of life, it has enormous weight. We are seen, worldwide, as an enormously competitive, enthusiastic people who work as hard as we play and play as hard as we work. When baseball - which has traditionally canceled one day of games for huge national celebrations or disasters - stops play for six days, that has reverberations in the national consciousness.

My mind was always set on joining Manchester United. How can you not go to United? I don’t play for money. I play for glory and winning championships. I’m happy here. I hear people complain about the weather, there’s nothing to do and the food. But, for me, it’s not like that. I play for a club I love, the biggest club, and everything else doesn’t matter.

When we play the game like we're supposed to play it, it is pretty easy. Making the extra pass, making the simple play, it's not about between your legs, behind your back, and all of that, it's just about scoring the bucket.

I've always said it's flattering to be desired, just as it's flattering that people accept the reality of the character you play. But it was always ridiculous to assume that because I could play a gigolo on screen I'd play anything like that role off screen.

I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.

Ladies like improv stilts, and I think men like improv giant cocks. But one of the great things about improv is that you get to play some roles you'd never get to play otherwise, you know, like the old Italian pizza-maker who's passing on the business down to his son. You get to play it all when you improvise.

Children do not play because they learn; They play because they play.

I dropped out in middle school. I dropped out in, towards the beginning of the ninth grade. And then I started studying -I started taking acting classes at a, well first I was like in a community theater at that time in Torrance, California, so I finished up like my season with that community theater just acting in, you know, acting in a small part on this play or a big part on that play or a stage manager or assistant stage manager in another play.

The longer you play, the more you realize that you can't lose focus for one play or two plays or an entire drive. Those things are the difference between wins and losses. You have to figure out how to refocus after a bad play or how to stay focused when you're up in a game. Those are things you learn from experience in playing this position. I've learned a ton of ways and have different triggers for how to regain my focus if I've lost it.

You play, you win, you play, you lose. You play. It’s the playing that’s irresistible. Dicing from one year to the next with the things you love, what you risk reveals what you value.

Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children's play, or as manifestation of the end or goal of work, as in "playing" chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.

All religions, they play football - even nowadays all girls and women have the right to play football in cultures like the Arabic countries in the Muslim they play football.

I play a lot chamber music.As for something that's hard for me to play, before I leave this Earth I'm hoping to play Brahms' Second Piano Concerto.

I'm doing this play right now, the new David Mamet play. It's called 'Race,' and it's very interesting how people really leave the theater filled with the desire to talk about the play and the issues and the characters, and how they're all navigating their personal views around race.

I couldn't wait to get on the ice. I couldn't wait to get to practice. As a kid I couldn't wait to shoot pucks or play in parking lots, or play on the river or play on the bay.

Play gives children a chance to practice what they are learning...They have to play with what they know to be true in order to find out more, and then they can use what they learn in new forms of play.

It's important to play the pieces that you feel you can play well. It was always my dream to play Bach - my first love and fascination - Chopin, and Szymanowski.

I don't really know how to play drums, so I play them wrong. But the pro guys, they never sweat. You know if someone's gone to music school, because they don't sweat when they play drums if they have.

Performers should realize they not only have to prepare themselves for concert purposes as far as memorizing their programs goes, but for the business of just walking out before the people …. It is important to play before an imaginary audience too. Before I play in public I very often play a program three or four times as though I were seated before a actual audience.

Be fast on the field physically, but play slow mentally. Basically, play hard but play smart.

I want to bring that childlike approach every night - just go out there and have fun. I want to play like a kid, for fun but with intensity. Play to win.

You got to play the flute as a flute, like that. You can't play like a tenor concept on soprano; it sounds wrong. But some guys do it, and they think it's O.K., but not so!

I play in the low 80s. If it's any hotter than that, I won't play.

There are so many places, particularly right now. Go and volunteer at a food bank. If you play the piano, go play the piano in an Alzheimer's home. Or read in an Alzheimer's home. Help a military family with babysitting. The opportunities are endless. People often think 'They want me?' or 'I can be of help?' What we try to say here is 'Be who you are.'Feel that, live it and pass it on.

I just wanted to say one more thing: I also think that when you go to play music, you're there to play music.

I'm an actor, and everything about me - the way I perceive things, the way I have seen the world - has been in relation to characters and how I would want to play something or not play it.

If I feel I can play a part I do everything in my power to try to play it.

I bought one of those Learn How to Play Guitar Chords By Yourself and it shows you the diagram where to put your hands and I took that in my room, sat with my singles and learned how to play guitar.

For a mother the project of raising a boy is the most fulfilling project she can hope for. She can watch him, as a child, play the games she was not allowed to play; she can invest in him her ideas, aspirations, ambitions, and values - or whatever she has left of them; she can watch her son, who came from her flesh and whose life was sustained by her work and devotion, embody her in the world. So while the project of raising a boy is fraught with ambivalence and leads inevitably to bitterness, it is the only project that allows a woman to be - to be through her son, to live through her son.

Manual Lynn? Find out what that is. He wrote every single word in the play, and then everyone just rapped their parts. Imagine if like, Eminem wrote a play, that's what it sounded like to me.

I want to play a show at Madison Square Garden in New York, which is where the New York Knicks play. That's what I want.

I was probably 16.I played - I tried to play these songs that I had written. And, this was a common theme when I was younger: I would write a song about somebody, and they would come to my show. I wouldn't be able to play the whole thing, because, there would be some giant, loaded secret coming up in like, the third verse, or something.

I used to play drums when I was a kid, play the trombone.

In my dreams is a country where the State is the Church and the Church the people: three in one and one in three. It is a commonwealth in which work is play and play is life: three in one and one in three. It is a temple in which the priest is the worshiper and the worshiper the worshipped: three in one and one in three. It is a godhead in which all life is human and all humanity divine: three in one and one in three.

I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.

I hope that people will come and experience our play 'A Small Oak Tree Runs Red' . I don't want anybody to suffer, but I source the 18th Century philosopher David Hume in association with the experience. He asserted that when we go to a tragic play, and when the form of tragedy is well put together, then we can experience a catharsis that is soul cleansing, and an anodyne to what our life would be like without it.

I did a play I think my first six months on the show, called Bullpen. Then I got involved with Theater Forty and did this play called Plastic which is about two male models coming to a casting call.

You know that one don't play music just for the hours to pass. But you play music because you are in love with music and luckily if it happens that people like what I'm proposing, then I'm happy. Although music is business, yet you don't start thinking about money from the initial stages when you are in music. First propose to the people what they want and if they like it, then the money comes later.