Quotes About Play

The linebacker has to make multiple, multiple decisions on every play. Not only what his assignment is and what the play is, but all the way along the line, different angles, how to take on blocks, how to tackle, the leverage to play with, the angle to run to and so forth, the technique. So many different things happen in a split second during the course of the play, just like it is for a quarterback. The more of those things that you can do right, slow down, get the most important things, not get distracted by all the stuff that's happening, but just really zero in on a target.

All you gotta do is think of the song in your head. And it doesn't matter whether you can play it or not, you can get somebody to play it. With songs I've written, there's a song called "The Statue", which I can't play. There are songs that I've written that I've actually just hummed on - there's a song on one of the albums they have there on the Internet called "My Love Was True" and it's almost operatic. I can't play it. But I can sing it.

Because of my age, the roles that I'm in doesn't have as much depth as I would like, but that will change. Halle Berry, Angelina Jolie, they play heavy, meaty roles, which are the sort that I want to play...because of what I look like, I play with my looks, which is cool, but I've done it so many times. But one day I would love to play against my looks.

People have their own interests and they want to play a certain kind of music. People want to play in orchestras. They want to play on Broadway. Those that want to play traditional jazz and have no interests in the ideas of improvisation. So in spit of the fact that there are fifty violin players, you might only narrow it down to ten and within those ten, there might only be three who have the right kind of background and credentials to deal with what you need to deal with. Everybody's got their own special thing that they are after and a lot of times you don't have time to be training people.

Play with heart; Play with passion; Play within yourself; Have fun; Play like a champion.

I do so play an instrument! I play air! I play the air with my fingers, and I'm in touch with the deepest emotions within. It took me a while to learn that whatever I feel like doing is the right thing. If I want to play an invisible instrument, I will.

This was the kid who used to toddle over to my bed at 6 o’ clock in the morning every weekend morning to pull on my blankets so I’d get up and watch cartoons with him. This was the kid who once made me play Hungry Hungry Hippos for an hour straight, until I thought my hands were going to fall off from slamming down those dumb little levers to make the hippos’ heads move. This was the kid who had spent an entire days at a time begging me to play Chutes and Ladders with him. And now he was feeling too sick to play with me.

Macbeth is a very popular play with audiences. If you want to sell out a theater, just mount a production of Macbeth. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.

I think I play tennis for, to against a big legend, big court, short time. That's what I train for. That's why every day I wake up and I wish I could play those matches, you know. It's like, for me it's the best thing can happen is to play against that guy on that stage, you know.

The old paradigm was pay to play. Now you get back what you authentically put in. You've got to be willing to play to play.

We have to be mentally prepared for every team we play. If we play a team who has a big name on their chests, then we are going to come out ready. But if we play a team who doesn't have a big name or a star player, we have a hard time coming out ready.

One of the first roles I had on stage was with a brilliant director in a brilliant play with a brilliant cast, but I just couldn't find my way into the heart of the character. I found myself straining a lot. When it started. I felt lost. That was the Eugène Ionesco play Rhinoceros. I don't think I was prepared for that. I don't think I had the full tool kit to do it justice. It's a very difficult play, it's an extraordinarily difficult part, and I never felt I really got it right. Far from it. To a degree, Hamlet was the same.

I long to play a judge. I long to play a lesbian woman. I long to play a councilman, someone with some chutzpah.

Ladies like improv stilts, and I think men like improv giant cocks. But one of the great things about improv is that you get to play some roles you'd never get to play otherwise, you know, like the old Italian pizza-maker who's passing on the business down to his son. You get to play it all when you improvise.

Improvisation is a great mystery. You play something, and you play an answer to it. Then you play something to wrap it up. Nothing is going through your mind; you're not thinking of anything. Every now and then you surprise yourself. Where did that come from?

Yes, I can play younger than my age. But I can play characters older than I am, too. I'm not an actor who can just play the kid.

I will not play just an evil part. In fact, I got offered $7 million several years ago to play the part that Faye Dunaway played in 'Supergirl.' I was kind of insulted. I was impressed with the money, but I said, 'Why are you asking me to play an evil witch? Do I come across as an evil witch to you?'

It is possible to enjoy the Mozart concerto without being able to play the clarinet. In fact, you can learn to be an expert connoisseur of music without being able to play a note on any instrument. Of course, music would come to a halt if nobody ever learned to play it. But if everybody grew up thinking that music was synonymous with playing it, think how relatively impoverished many lives would be. Couldn't we learn to think of science in the same way?

My work is play. And I play when I design. I even looked it up in the dictionary, to make sure that I actually do that, and the definition of “play,” number one, was “engaging in a childlike activity or endeavor,” and number two was “gambling.” And I realize I do both when I’m designing.

See, if you put a musician in a place where he has to do something different from what he does all the time, then he can do that - but he's got to think differently in order to do it. He's got to play above what he knows - far above it. I've always told the musicians in my band to play what they know and then play above that. Because then anything can happen, and that's where great art and music happens.

I feel like it's really important for an actor to play different roles so people can see, "Oh, he can play that guy or he can play this guy." You're not just "THAT guy," that cowboy guy, that whatever guy. Then you are limiting yourself.

I realized that many men are happy to play a supporting role to another man, but they are much less happy to play a supporting role to a woman. People are saying we need more females in our industry and we need more female-driven stories, but that takes the men of bankable star quality to come forward and play supporting roles in those films, because ultimately that's what the women have always done. We've always lent our name value to male-centric stories, and now we're going to have to ask the men to swallow their pride, because it seems that it's about pride.

Play fast, play smart, play aggressive, bring energy!

We don't play slow and we don't play fast, we play half fast

I consider myself a pretty hardworking guy and I like to play hard, play physical and play well defensively too.

I play a lot chamber music.As for something that's hard for me to play, before I leave this Earth I'm hoping to play Brahms' Second Piano Concerto.

I'm doing this play right now, the new David Mamet play. It's called 'Race,' and it's very interesting how people really leave the theater filled with the desire to talk about the play and the issues and the characters, and how they're all navigating their personal views around race.

I wanted to play a mother again. I thought it would be interesting to play the mother of an older child. And it was also the kind of part I've been looking for my whole career, actually, in film. You know, just to play a femme fatale who's very smart, and wicked.

We play melodic music, we play songs, we play all kinds of things and when you improvise you don't just shut out different languages, you use all the languages that you have.

You have to understand, I don't play golf for fun. It's my business. When the mailman starts delivering mail on his off day, that's when I'll start playing golf for the hell of it. I like to play in tournaments. There are many great courses around the world that I have never played that are next door to tournaments. I have not played them because I don't play for fun.

[The child] takes his play very seriously and he expends large amounts of emotion on it. The opposite of play is not what is serious but what is real.

You understand, you do not invent stuff on this team. Guys that invent stuff will not play for me. Make the easy play

I used to play the drums. When I was 11 I got my first professional job, I played drums in a cabary and played Elvis and stuff, I used to play left handed actually. Then I started to pick up the guitar when I was around 15, but I played the drums for a long time.

I think the moment I discovered I definitely wanted to act was when I saw a play alone by myself when I was fourteen. Maybe it was a Moliere play? I discovered the atmosphere of the theater, and I knew I wanted to be an actor.

I don't play favorites with people. My basic philosophy is that the only way to make the world a better place is by bringing something beautiful to every single person you run into at every moment of the day, so how can you play favorites with somebody?

When you play so many outcasts and derelicts, or even a murderer, you need to play someone healthy.

I play knowing that there is somebody watching me out there in the crowd that has never had the opportunity to watch a game before and it might be the only chance they ever to see one, live in person. Michael Jordan once said that in an interview, and I really took it to heart; whenever I step on the floor, I play for that person.

I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.

In the next few years I'd love to play a female version of Doctor Who. I know exactly how I would play her - she would be crafty in a clever kind of way.

I'd rather play with 10 people and just get penalized all the way until we have to do something else rather than play with 11 when I know that right now that person is not sold out to be a part of this team.

You can play hard. You can play aggressive. You can give 120% but if one guy is out of position then someone is running through the line of scrimmage and he is going to gain a bunch of yards.

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

It was a lot of fun to play a character [in Swiss Army Man] with no inhibitions, and with no knowledge of the world, and who comes into the world kind of like a blank slate. It means there's no template or blueprint for how you need to play certain scenes.

When we grow up," she said, "we'll have amazing families. Our dens will be better than this. Your kids and my kids will play together in a humongous room with every kind of toy and game." "Except I won't have kids," Dan said. "I'll come over myself and play.

I think that from the time you start playing sports as a child you see that your responsibility to your team is to play the best that you can play as an individual... and yet, not take anything away from being part of a team.

When I was younger, I'd get very empirical with myself. "I have a hypothesis about myself. I'll put myself in a situation, see what happens, then I'll draw a conclusion based on the empirical evidence. Hypothesis: I can play basketball." So I'd try. "Conclusion: I cannot play basketball."

We're going to play our game and we're going to come back and we're going to play Montreal or Tampa.

Basically, I only play one character; I just play him at different volumes.