Quotes About Play

It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor.

It's not how good you can play when you play good. It's how good you play when you play bad and we can play as bad as anyone in the country.

My policy is not how fast you play, it's not how much you play but it's what you play and where you play it ... play for the commercial side of the music ... the word I still use today is called "simplicity" .. it is so important that you use simplicity in your playing and in your music.

You don't play boxing. You really don't. You play golf, you play tennis, but you don't play boxing.

A lot of kids just want to go play basketball, but they don't know to play and they don't have the skills to play. I think just the skill development right off and then play all you can, but don't sacrifice your skill development by just playing and not working on the specifics of the game.

There's a rule in acting called, 'Don't play the result.' If you have a character who's going to end up in a certain place, don't play that until you get there. Play each scene and each beat as it comes. And that's what you do in life: You don't play the result.

It's the way you play that makes it . . . Play like you play. Play like you think, and then you got it, if you're going to get it. And whatever you get, that's you, so that's your story.

We don't play golf often [with kids] because they don't play that much anymore - because their kids don't play. It's like anything else - fathers these days end up in the parks on the weekends and they have their kids into lacrosse or soccer or whatever it might be.

Certainly, if you can't manage your game, you can't play tournament golf. You continually have to ask yourself what club to play, where to aim it, whether to accept a safe par or to try to go for a birdie. You can't play every hole the same way. I never could.

I love our fans. Our fans are so supportive. It's been incredible to end four playoff games with 'Go Pack Go.' It's great at home, they travel well, it's on a first-name basis. It's a special play to play and all of us are blessed to play in Green Bay, and hopefully we will be repaying those fans with the Lombardi trophy.

We have to be mentally prepared for every team we play. If we play a team who has a big name on their chests, then we are going to come out ready. But if we play a team who doesn't have a big name or a star player, we have a hard time coming out ready.

Did you know, throughout the cosmos they found intelligent life forms that play to play? We are the only ones that play to win. Explains why we have more than our share of losers.

If you're going to play hockey now, you have to be able to play. If you have the ability to fight and play, you're an unbelievable commodity. But if you can only fight, there might be six of those guys left in the league, and I can guarantee they're going fast.

Football, you can go out and buy a football and play it in your backyard. Basketball, you can go out and play it in the schoolyard or in your driveway. Baseball, you get a glove and a bat and a ball and you go out and play in the neighborhood. You can't do that in hockey.

In and of itself, sports may be trivial, but as a symbol of the American way of life, it has enormous weight. We are seen, worldwide, as an enormously competitive, enthusiastic people who work as hard as we play and play as hard as we work. When baseball - which has traditionally canceled one day of games for huge national celebrations or disasters - stops play for six days, that has reverberations in the national consciousness.

It was really interesting to be editing the film [Trust] in New York and directing the play in Chicago, and one definitely informed the other. The play probably benefitted more because I realized what scenes could be cut, and I cut those scenes from the play.

When we play the game like we're supposed to play it, it is pretty easy. Making the extra pass, making the simple play, it's not about between your legs, behind your back, and all of that, it's just about scoring the bucket.

A typical weeknight when he was home like this: 1. Sit down and try to do homework. 2. Get interrupted by Jeffrey: “Please play with me!” 3. Ignore brother, try to do homework. 4. Get interrupted by Jeffrey: “Come ON, Steven! I’m BORED!” 5. Beg Jeffrey for five minutes of peace. 6. Get begged for five minutes of play: “Steven, you never, ever play with me—ever!” 7. Move entire homework operations center to different room. 8. Repeat steps #1-7 as directed by small drugged maniac.

I was doing a play in New York, which we had done in New Haven, Connecticut. It was an American premiere of a play called The Changing Room written by a wonderful man named David Story. It was about a rugby team in the North of England. It got just screaming rave reviews. At that time, virtually every major critic went up to the Long Wharf Theater to see a new play like that.

I dropped out in middle school. I dropped out in, towards the beginning of the ninth grade. And then I started studying -I started taking acting classes at a, well first I was like in a community theater at that time in Torrance, California, so I finished up like my season with that community theater just acting in, you know, acting in a small part on this play or a big part on that play or a stage manager or assistant stage manager in another play.

This is the United spirit: you can play everywhere. If you want to win, you have to accept it. You can see Antonio Valencia playing right-back as well. Only because United play like a team. The team is the star, not only one player, that’s why you can put me and Michael Carrick at centre-back; we’re going to win because it’s the team effort and team spirit. That’s why I’m confident. I’ve said that from the beginning – in six years playing here – the Man United spirit… no one team has got that spirit. This is United. This is why I’m so proud to play here.

My work is play. And I play when I design. I even looked it up in the dictionary, to make sure that I actually do that, and the definition of “play,” number one, was “engaging in a childlike activity or endeavor,” and number two was “gambling.” And I realize I do both when I’m designing.

A friend of mine once told me that I can't screw up when I play my own music. I also take voice lessons, play other peoples' songs out of music books, and occasionally figure out how to play other people's music from records. This keeps my ears, fingers, and mind working

I want to play for Arsenal. When you see football all around the world you see very few teams who play the way that we play. I just enjoy it. I feel it is my home now.

The approach to acting is always the same, you try to figure who the guy is and then you try to transition your way into his way of thinking and moving through the world. The rest of it is just accoutrements, you don't play the makeup, you play the guy. If you're not wearing makeup, you just play the guy.

I play the baritone horn - which is like a mini tuba, and is the least sexy instrument you can choose and I generally say I don’t play one so I don’t have to acknowledge it. I also play fife.

Boy's natural play is rough and tumble play, it's the universal play of little boys. And it's very different from aggression. And we are a society that's failing to understand the distinction.

Challenge me. Treat me like a game of checkers and play me. That's all I'm asking, just play me. Treat me like Sega and play me.

Other teams have offered me really big money but my love for Galatasaray is real. I want to play in major leagues and my dream team is Liverpool F.C. As I always mention, Liverpool attracts me because of their tradition. In Europe, I am a Liverpool supporter, so if I go to play in Europe, I would like to play for them.

I could sing and play as well. I've got some brothers; one of them is the drummer in the band. They're good musicians. I play for fun. They play properly. Music in general, I grew up in a house of musicians. Everybody's life has a soundtrack, I'm sitting here talking to you but there are horns beeping outside. I know I'm in New York. That's an element in the film as well. How strong that sense can be.

We don't play slow and we don't play fast, we play half fast

Chess programs don't play chess the way humans play chess. We don't really know how humans play chess, but one of the things we do is spot some opportunity on the chess board toward a move to capture the opponent's queen.

You've got to love the villain if you have to play him. You've got to find something that you can live with in yourself if you're going to play the villain in a play on stage.

You have to control what you can control, not the entire game, and try to play the best soccer possible and play clean and be smart and professional.

I get to kind of pretend I'm going to play baseball. I get to work out and do all the stuff that was part of baseball. I just don't get to play.

I found it was my good fortune to somehow be able to work in these forms that I loved when I was a kid. I love movies and I could write screenplays. I love theater and I could write plays. I mean, they would be my own, I could never write what was used to be called the well-made play. But my first play, "Little Murders," turned out to be a great success and a great influence on plays at that time.

About winning and losing: It isn't important, what really counts is how you play the game. About playing the game: PLAY TO WIN!

Make your work your play and your play your work.

The physical exercise and emotional stretching that children enjoy in unorganized play is more varied and less time-bound than is found in organized sports. Playtime—especially unstructured, imaginative, exploratory play—is increasingly recognized as an essential component of wholesome child development.

I only want to play basketball, and play it well and be happy about it. But I realize that with being famous, comes a lot of demands.

I don't play with a lot of finesse. I usually play like I'm breaking out of jail!

Each human being can at once be a fighter and forgiver. When self-doubt tortures him, he most play the role of a fighter. And when his own ignorance humiliates him, he must play the role of a forgiver.

I am pushed by my critics. I don't want to say I want to prove them wrong, but it pushes me on the field to play with a chip on my shoulder, and I play best when I have a chip on my shoulder.

Here’s the life lesson I’ve learned, Fifi: Some people are born to play the hero, and some are born to play the bad guy. Fighting your destiny only makes life harder than it needs to be. Besides, people remember the villain long after they’ve forgotten the hero.

An actress can only play a woman. I'm an actor, I can play anything.

John Cassavetes wrote A Woman Under the Influence as a play. He said, "Hey, I wrote you a play." And I said, "Great, let's read it." I read it and I said, "John, I couldn't do this every night and twice on Wednesday and Saturday".

Jimmy Fallon and I play regularly at the Bayonne Golf Club in Jersey. He's eighteen holes of fun. Any time we play he has moments of brilliance, but also moments of utter catastrophe.

When we play Jenny Don't Be Hasty, that's cool because everyone really dances. It's between that and when we play Loving You, that's when you give it your all. Well you give it your all for all of it but that's like proper end singing with your full strength put in.