Quotes About Play

Because of my age, the roles that I'm in doesn't have as much depth as I would like, but that will change. Halle Berry, Angelina Jolie, they play heavy, meaty roles, which are the sort that I want to play...because of what I look like, I play with my looks, which is cool, but I've done it so many times. But one day I would love to play against my looks.

If you are opening a play, a play that's really about something, a play that's really about ideas, you have to find a way to sell that play.

In the world of animation, you can be anything you wanna be. If you're a fat woman, you can play a skinny princess. If you're short wimpy guy, you can play a tall gladiator. If you're a white man, you can play an Arabian prince. And if you're a black man, you can play a donkey or a zebra.

When I was a child I had a dream to become a football player. I always played as I played when I was a child. I tried to improve. I never dreamt of becoming a professional football player, I dreamed just to play with the best players in the best team. I never dreamed to be paid to play. I would have paid to play an FA Cup Final in front of 80,000 people in Wembley. I just tried to play the wonderful game that football is. So, I hope young players will still have this dream.

Bourbon Street is like playing, a tourist, you know? It's just a tourist attraction ... those musicians on Bourbon Street, they play all day. They might start at 12 noon and end at 3 in the morning, like, it's like sets, like a job. You go play, take a break, play again, take a break, then later on that night, the club gets busier, then you play some more. There's pride. They're a group of great musicians- and they're holding it down.

You play, you win, you play, you lose. You play.

My number one tip is always to play tight. From my experience, most new players play about 80% of the hands they are dealt in Texas Hold 'em. In fact, the reverse should be the case: they should only play about 20% of them!

When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.

I play the guitar. I taught myself how to play the guitar, which was a bad decision... because I didn't know how to play it, so I was a shitty teacher. I would never have went to me.

Yeah. I'm amateurish. I can play enough to write a song, or strum on a little guitar to write out a song. But, I don't play well at all. I wouldn't even attempt for a second to play in public.

Football, you can go out and buy a football and play it in your backyard. Basketball, you can go out and play it in the schoolyard or in your driveway. Baseball, you get a glove and a bat and a ball and you go out and play in the neighborhood. You can't do that in hockey.

You can't outwit fate by standing on the sidelines placing little sidebets about the outcome of life. either you wade in and risk everything you have to play the game or you don't play at all. and if u don't play u can't win.

I long to play a judge. I long to play a lesbian woman. I long to play a councilman, someone with some chutzpah.

I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.

[John Coltrane] liked my qualities as a person and that's the reason why he let me play with him. It wasn't what I was doing musically or my instrument or anything like that. He let me play whatever I wanted to play.

I want to play for my country, play for everybody, and I want to be there. I just feel like I have so many feelings and I want to play in the Olympics and feel how special if I can win that tournament.

I've always said it's flattering to be desired, just as it's flattering that people accept the reality of the character you play. But it was always ridiculous to assume that because I could play a gigolo on screen I'd play anything like that role off screen.

I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.

I've been a feminist since the day I was born. I wanted to play football. I didn't want to play with dolls; I wanted to play with boys and didn't understand why I couldn't.

I'm always happiest trying new instruments - and honestly enjoy playing, say, the glockenspiel with Radiohead as much as I do the guitar. I think regular touring has forced me to play the guitar more than anything else, which is why I'm probably most confident playing that. And whist I'd be lost if I couldn't play it too, I dislike the totemic worship of the thing... magazines, collectors, and so on. I enjoy struggling with instruments I can't really play.

The longer you play, the more you realize that you can't lose focus for one play or two plays or an entire drive. Those things are the difference between wins and losses. You have to figure out how to refocus after a bad play or how to stay focused when you're up in a game. Those are things you learn from experience in playing this position. I've learned a ton of ways and have different triggers for how to regain my focus if I've lost it.

We are all musicians in a great human orchestra, and it is now time to play the Save the World Symphony. You are not required to play a solo, but you are required to know what instrument you hold and play it as well as you can. You are required to find your place in the score. What we love we must protect. That’s what love means. From the right to know and the duty to inquire flows the obligation to act.

You play, you win, you play, you lose. You play. It’s the playing that’s irresistible. Dicing from one year to the next with the things you love, what you risk reveals what you value.

Number two, we're going to play with a lot of effort. Our guys are going to be in such good shape that fatigue is not going to be a problem. We're going to play with full effort from snap to whistle on every play the entire game.

Also for me it was different because I play a lot of villains and in this one I play a dad and I play a good guy, basically. He's the Secretary of the Treasury. I never had a job like that.

Other teams have offered me really big money but my love for Galatasaray is real. I want to play in major leagues and my dream team is Liverpool F.C. As I always mention, Liverpool attracts me because of their tradition. In Europe, I am a Liverpool supporter, so if I go to play in Europe, I would like to play for them.

All religions, they play football - even nowadays all girls and women have the right to play football in cultures like the Arabic countries in the Muslim they play football.

I consider myself a pretty hardworking guy and I like to play hard, play physical and play well defensively too.

I play a lot chamber music.As for something that's hard for me to play, before I leave this Earth I'm hoping to play Brahms' Second Piano Concerto.

If the play works in an emotional and engaging way purely from what's on the page, then what's on the stage will be the icing on the cake. If the play didn't work as a play on its own terms, none of the magic, none of the special effects or theatricality of it all, would add up to anything.

I got a drum set at the age of four. I wasn't playing that well, just kind of banging around. I just wanted to play drums and my dad got me a set. I played for several years, but I wasn't meant to be a drummer, I guess. I can play drums on my own things - obviously on some of my own records I play drums. But I didn't start playing guitar until I was 11.

I'm doing this play right now, the new David Mamet play. It's called 'Race,' and it's very interesting how people really leave the theater filled with the desire to talk about the play and the issues and the characters, and how they're all navigating their personal views around race.

So - here I am in the dark alone, There's nobody here to see; I think to myself, I play to myself, And nobody knows what I say to myself; Here I am in the dark alone, What is it going to be? I can think whatever I like to think, I can play whatever I like to play, I can laugh whatever I like to laugh, There's nobody here but me.

I wanted to play a mother again. I thought it would be interesting to play the mother of an older child. And it was also the kind of part I've been looking for my whole career, actually, in film. You know, just to play a femme fatale who's very smart, and wicked.

The people like the American Legion Post that gave us a chance to play. A place to play and a chance to play.

You have to understand, I don't play golf for fun. It's my business. When the mailman starts delivering mail on his off day, that's when I'll start playing golf for the hell of it. I like to play in tournaments. There are many great courses around the world that I have never played that are next door to tournaments. I have not played them because I don't play for fun.

I want to bring that childlike approach every night - just go out there and have fun. I want to play like a kid, for fun but with intensity. Play to win.

I think that we ill-prepare athletes from the very beginning. From the moment they pick up a ball or kick or whatever it is they're doing. We ill-prepare them. Especially with the major sports. What you see is this cycle of entitlement that gets thrown their way, so the kid who is in junior high and hasn't finished his test, but still gets to play because he is an athlete, fails the test and still gets to play because they're an athlete, gets to get away with not doing chores at home because they've got practice.

Don't play hard to get, play hard to forget.

I get to kind of pretend I'm going to play baseball. I get to work out and do all the stuff that was part of baseball. I just don't get to play.

I wanted to play for the New York Yankees. That was the bottom line. I wanted to be there and play in that new stadium.

There are so many places, particularly right now. Go and volunteer at a food bank. If you play the piano, go play the piano in an Alzheimer's home. Or read in an Alzheimer's home. Help a military family with babysitting. The opportunities are endless. People often think 'They want me?' or 'I can be of help?' What we try to say here is 'Be who you are.'Feel that, live it and pass it on.

A child who does not play is not a child, but the man who doesn't play has lost forever the child who lived in him and who he will miss terribly.

My dad wanted me to play when I was a kid, so I learned to play the guitar. I pursued a career in music because I love it so much and I enjoy what it does to those who hear it.

Just as blueprints don't necessarily specify blue buildings, selfish genes don't necessarily specify selfish organisms. As we shall see, sometimes the most selfish thing a gene can do is build a selfless brain. Genes are a play within a play, not the interior monologue of the players.

If I feel I can play a part I do everything in my power to try to play it.

I don't feel like I'm on a mission. I'm trying to play music that I like to play and like to listen to.

I just play the music that I love with musicians that I respect, and fortunately, I'm in a position where people are willing to play with me, and perhaps I can do something to help them.