Quotes About Poets

Our hospital was famous and housed many great poets and singers. Did the hospital specialize in poets and singers or was it that poets and singers specialized in madness?

The problem with describing poets as legislators is that at that level of politics - politics as political invention - poets have no special skills and are not apt to.

Exact science and its practical movements are no checks on the greatest poet, but always his encouragement and support ... The sailor and traveller, the anatomist, chemist, astronomer, geologist, phrenologist, spiritualist, mathematician, historian and lexicographer are not poets, but they are the lawgivers of poets and their construction underlies the structure of every perfect poem.

The ghosts of Rilke and Wordsworth--along with the 300+ MFA programs, which now seem to employ all Living Poets--have misled the American public egregiously into thinking that poets are morally pure and/or useless.

The Irish believed that gods, druids, poets, and others in touch with the magical world could be literal shape-shifters

This, I thought, is how great visionaries and poets see everything- as if for the first time. Each morning they see a new world before their eyes; they do not really see it, they create it.

One of the greatest of poets, Coleridge was one of the wisest of men, and it was not for nothing that he read us this parable. Let us have a little less of "hands across the sea," and a little more of that elemental distrust that is the security of nations. War loves to come like a thief in the night; professions of eternal amity provide the night.

Poets are like baseball pitchers. Both have their moments. The intervals are the tough things.

As we to the brutes, poets are to us.

In Russia all tyrants believe poets to be their worst enemies.

Who, except the poets, reads poetry?

At twilight, nature is not without loveliness, though perhaps its chief use is to illustrate quotations from the poets.

For not by art does the poet sing, but by power divine. Had he learned by rules of art, he would have known how to speak not of one theme only, but of all; and therefore God takes away the minds of poets, and uses them as his ministers, as he also uses diviners and holy prophets, in order that we who hear them may know them to be speaking not of themselves who utter these priceless words in a state of unconsciousness, but that God himself is the speaker, and that through them he is conversing with us.

A township where one primitive forest waves above while another primitive forest rots below,--such a town is fitted to raise not only corn and potatoes, but poets and philosophers for the coming ages. In such a soil grew Homer and Confucius and the rest, and out of such a wilderness comes the Reformer eating locusts and wild honey.

The poets and philosophers I once loved had it wrong. Death does not come to us all, nor does the passage of time dim our memories and reduce our bodies to dust. Because while I was considered dead, and a headstone had been engraved with my name, in truth my life was just beginning.

And truly Philosophy is but sophisticated poetry. Whence do those ancient writers derive all their authority but from the poets?

You might learn as much about how to write by reading Shakespeare, Tolstoy, Wallace Stevens, Raymond Chandler, Saul Bellow, Paul Muldoon or a hundred other good novelists or poets than by seeing another round of John Ford revivals.

The three states of the caterpillar, larva, and butterfly have, since the time of the Greek poets, been applied to typify the human being,--its terrestrial form, apparent death, and ultimate celestial destination.

I love those moments on stage, on screen and in life when you dispense with language, when you sort of transcend it in a way, and certainly the experience of falling in love, I think, defies words, which is why poets, painters, musicians, actors have tried to describe that feeling, writers have just tried to put words to that.

I think one ages and one dates. I tend to have a good deal of difficulty in liking some of the new poets.

As a guiding principle I believe that every poem must be its own sole freshly created universe, and therefore have no belief n 'tradition' or a common myth-kitty or casual allusions in poems to other poems or poets, which last I find unpleasantly like the talk of literary understrappers letting you see they know the right people.

As playwrights, as poets, we have to look to ourselves, listen to our guts for the final answers about what changes to make. Everyone has advice about how to end your play differently. And it's not about right or wrong. At the end of the day, it's your baby and you know what's best.

Poets, on the face of it, have either got to be easier or to write their own notes; readers have either got to take more trouble over reading or cease to regard notes as pretentious and a sign of bad poetry

No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead.

I think, as poets, we are in the odd position of constantly defending our art form. Which is funny and also sort of invigorating, too. No one really says, "Oh you're a lawyer? I've never understood the law. In fact, I kind of hate it." Or, "Oh you wait tables? I didn't know that was something people did." I say it can be invigorating because, on some level, we have to evaluate what we do and why we do it almost daily. We have to explain ourselves to people all the time. We have to say, "Yes, I am a unicorn, believe in me."

I think it is our job as poets to refuse the terms that society so often sets for usefulness. That, for instance, is what Dickinson did: she refused to be a wife, a homemaker, a standard member of her community. She knew she had to in order to have the space and time to write her poems. Thank god she said no!

As we all know, poets are born brain-wired a certain way and every poet I know wrote as a child. I'm no exception.

Anyone who wants to be a writer should, if given the opportunity, hang out with "real writers," that is, poets or writers who are lions in literature, semi-lions, or published authors.

We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.

When critics are waiting to pounce upon poetic style on exactly the same grounds as if it were prose, the poets tremble.

The poets who do this are uniquely conscious of this silence, this stillness.

As poets, our lamentations are glorious, filled with the virtues angles would learn to envy.

We must take our sentences seriously, which means we must understand them philosophically, and the odd thing is that the few who do, who take them with utter sober seriousness, the utter sober seriousness of right-wing parsons and political saviors, the owners of Pomeranians, are the liars who want to be believed, the novelists and poets, who know that the creatures they imagine have no other being than the sounding syllables which the reader will speak into his own weary and distracted head. There are no magic words. To say the words is magical enough.

God thinks in the geniusses, he dreams in the poets and slumbers in the rest of humanity.

Eyeing the traffic circulating the lobby hung with bad art. Big invasive stuff unloaded on Stanley Bard in exchange for rent. The hotel is an energetic, desperate haven for scores of gifted hustling children from every rung of the ladder. Guitar bums and stoned-out beauties in Victorian dresses. Junkie poets, playwrights, broke-down filmmakers, and French actors. Everybody passing through here is somebody, if not in the outside world.

As soon as war is declared it will be impossible to hold the poets back. Rhyme is still the most effective drum.

The poets are in the vanguard of a changed conception of Being.

Satire is, indeed, the only sort of composition in which the Latin poets whose works have come down to us were not mere imitators of foreign models; and it is therefore the sort of composition in which they have never been excelled.

We Poets in our youth begin in gladness; But thereof come in the end despondency and madness.

I wonder how long this word will last, governed exclusively by the merciless, inhuman and immoral criteria of global economy. Seeing the shadow of distant islands, I imagined one still inhabited by a tribe of poets set aside for when, after the middle age of materialism, humanity will have to start to put other values into his existence.

The maiden Olympics had more to protest about than mere war, though. Central to its ethos was a rejection of two establishments the political one, certainly, but also that of the wider poetry world itself. It changed poetry for ever in the UK, ... It led to readings all over the country. You suddenly got more women reading and publishing poems, as well as gay guys and poets from all over the world. Until that time, published poetry had been very university-based white, male, middle-class. We were trying to break poetry out of its academic confines.

Time spent with poets is never wasted.

So much inspires me. People living their lives with courage, beauty of all kinds, nature in all its aspects, people I love and people I hardly know, and, of course, other poets.

Why should all virtue work in one and the same way? Why should all give dollars? It is very inconvenient to us country folk, and we do not think any good will come of it. We have not dollars; merchants have; let them give them. Farmers will give corn; poets will sing; women will sew; laborers will lend a hand; the children will bring flowers.

For me, poetry is a way of thinking, and like many poets, I'm driven by the idea of trying to find the impossible, perfect words: the words that will hold my subject.

Young poets worry that their experiences - whether urban or rural, immigrant or native, small town, suburb, or big city - aren't worthy of the written word. But for me the urge toward poetry, that seductive feeling of being swept away by words, was enough for me to overcome that fear that my experiences weren't worthy of poetry itself.

Poets are the leaven in the lump of civilization.

It is hard to compare cultures without overgeneralizing, but I think a lot of American poetry has an assertiveness - an upbeat quality - that's less typical of Canadian poetry. Of course there are poets in both countries to whom that generalization does not apply. Speaking broadly, I'd describe Canadians as being a bit more reserved than Americans. Not less opinionated - just less direct.