Quotes About Poets

Our hospital was famous and housed many great poets and singers. Did the hospital specialize in poets and singers or was it that poets and singers specialized in madness?

You can't blame the President for the state of the country, it's always the poets' fault. You can't expect politicians to come up with a vision, they don't have it in them. Poets have to come up with the vision and they have to turn it on so it sparks and catches hold.

Poets have tried to describe Ankh-Morpork. They have failed. Perhaps it's the sheer zestful vitality of the place, or maybe it's just that a city with a million inhabitants and no sewers is rather robust for poets, who prefer daffodils and no wonder. So let's just say that Ankh-Morpork is as full of life as an old cheese on a hot day, as loud as a curse in a cathedral, as bright as an oil slick, as colourful as a bruise and as full of activity, industry, bustle and sheer exuberant busyness as a dead dog on a termite mound.

The works of great poets have never been read by mankind, for only great poets can read them.

Someone in Ireland asked me how many Republican poets there were in the U.S., and I thought maybe two. Maybe there are 10,000 poets, and maybe there are two Republicans among them.

I love to publish new writers, and we do so consistently. But a lot of contemporary American poets sound alike to me. They want to bring spoken, prosy language into poetry and I understand that desire. But they don't edit. It's not very curated work. It seems very lackluster, very uncareful. It may be the un-carefulness is also something they intend but there's a kind of "So what?" quality to a lot of it.

You don't necessarily have to write to be a poet. Some people work in gas stations and they're poets. I don't call myself a poet, because I don't like the word. I'm a trapeze artist.

I had been dreaming a complicated dream about helping poets revise their poems, so that each ending would open like a flower. I was not arguing, but engaged in a rousing discussion.

Mandelstam is the sort of poet who comes along very, very rarely. Even the two Russian poets whose work is often linked with his - Anna Akhmatova and Marina Tsvetaeva - though their work is more "urgent" than most American poetry, seem to me to operate at a lesser charge than Mandelstam.

Everyone wants to be open and inclusive, but nobody wants to pay for it. It's the biggest roadblock to translating living writers, especially poets.

My message is not wholly understood; only poets understand it.

I feel that women of my kind are a profound mistake. There have been few women poets of distinction, and, if we count only the suicides of Sappho, Lawrence Hope and Charlotte Mew, their despair rate has been very high.

San Francisco has long been a leader in the arts, nurturing generations of painters, sculptors, poets, novelists, playwrights, film-makers, and performing artists and innovators of every kind.

Poets and writers who are in love with the superlative all want to do more than they can.

The artist looks for a subject. You know, a lot of new poets don't seem to have a subject. I don't totally understand that.

and I laugh, I can still laugh, who can't laugh when the whole thing is so ridiculous that only the insane, the clowns, the half-wits, the cheaters, the whores, the horseplayers, the bankrobbers, the poets ... are interesting?

Novelists and poets have existed side by side forever.

And truly Philosophy is but sophisticated poetry. Whence do those ancient writers derive all their authority but from the poets?

Chameleons feed on light and air: Poets food is love and fame.

There was no really good true war book during the entire four years of the war. The only true writing that came through during the war was in poetry. One reason for this is that poets are not arrested as quickly as prose writers.

Theodore Dalrymple is a brilliant observer of both medicine and society, and his book wittily engages with two versions of the current nonsense: orthodox medicine on drug addiction, and romantic poets on the wisdom you supposedly enjoy from getting high.

Poets, on the face of it, have either got to be easier or to write their own notes; readers have either got to take more trouble over reading or cease to regard notes as pretentious and a sign of bad poetry

It's just that very few poets disturb the peace to any degree.

There are poets who believe that you shouldn't engage at all in any cause. And there's something to be said for that. Because you don't want to - I think most political poetry is very bad. And it's very bad because you know too much to start with. You have a sense that you're right, and you're trying to tell other people what's right. And I think that's always kind of fundamentalism, and I don't like it.

There are still many writers out in the Bay, extraordinary writers like Gina Valdez, a poet who I just saw in Portland. We have young people like Eduardo Corral, who won the Yale Younger Poets Award. José Antonio Rodriguez, published by Luis Rodriguez. But there are only a few of us who are paid attention to in New York. There are legions behind us who are not.

I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.

For me the journey of making a film is a journey of discovery as to what that film is. I mean what I do is what other artists do, painters, novelists, people that make music, poets, sculptors, you name it. It's about starting out and working with the material and discovering through making, working with the material the artifact.

Many of the poets I most admire have a way of embodying their peculiar obsessions via landscape that can sometimes seem magical.

Poets claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years.

Our poets are men of talents who sing, and not the children of music.

There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice.

Don't call my lyrics poetry. It's an insult to real poets.

Some poets marry a language; some have affairs with it; some treat it as a parent, some as a child, some as an equal, or as a friend.

The novel is a formidable mass, and it is so amorphous - no mountain in it to climb, no Parnassus or Helicon, not even a Pisgah. It is most distinctly one of the moister areas of literature - irrigated by a hundred rills and occasionally degenerating into a swamp. I do not wonder that the poets despise it, though they sometimes find themselves in it by accident. And I am not surprised at the annoyance of the historians when by accident it finds itself among them.

These days, most of my interactions with young people are centered on the poetry or theater classes I teach, so the students I know are reading contemporary poets (they love Willie Perdomo) and scripts (No Child, by Nilaja Sun and Twilight by Anna Deavere Smith). I don't know their reading habits outside of our class, but I believe that they enjoy stories that they can relate to, learn from, be challenged by - you know, the usual good writing that every reader craves.

I wonder how long this word will last, governed exclusively by the merciless, inhuman and immoral criteria of global economy. Seeing the shadow of distant islands, I imagined one still inhabited by a tribe of poets set aside for when, after the middle age of materialism, humanity will have to start to put other values into his existence.

So much inspires me. People living their lives with courage, beauty of all kinds, nature in all its aspects, people I love and people I hardly know, and, of course, other poets.

I can't think offhand of any American poets who have Mandelstam's urgency, but it's a different country and a different time, and I don't think it would make much sense to say that this is something that's "missing" from contemporary American poetry.

Nations are born in the hearts of poets, they prosper and die in the hands of politicians.

When some portion of the biosphere is rather unpopular with the human race-a crocodile, a dandelion, a stony valley, a snowstorm, an odd-shaped flint-there are three sorts of human being who are particularly likely still to see point in it and befriend it. They are poets, scientists and children. Inside each of us, I suggest, representatives of all these groups can be found.

Poets are mysterious, but a poet when all is said is not much more mysterious than a banker.

In pursuing certain virtues - colorful local effects, personae and personality, juxtaposition, close calls with nonsense, uncertainty, critiques of ordinary language - the current crop of American poets necessarily give up on others.

I'm old-fashioned enough to really still believe that the poem is an object to be memorized, venerated... I still believe in that kind of poem. A lot of poets today don't, they want to get away from the poem as object. They want something looser. Unfortunately, a lot of it is boring to me.

One reads thousands of books, of poets, modern and ancient, as one meets thousands of people. What remains of it all is hard to tell.

Whatever a poet writes with enthusiasm and a divine inspiration is very fine. Earliest reference to the madness or divine inspiration of poets.

Poets think in short lines. Unless you're Samuel Beckett, Twitter might be more difficult for novelists.

I think a lot of American poets are swimming-pool Soviets. A lot of them have taken the comfortable, self-protective route too often. I know that I certainly have. That's easy to do.

Has the painter not always gone to an art school, or at least to an established master, for instruction? And the composer, the sculptor, the architect? Then why not the writer? Good poets, like good hybrid corn, are both born and made.