Quotes About Poets

Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.

I say, 'Get me some poets as managers.' Poets are our original systems thinkers. They contemplate the world in which we live and feel obligated to interpret, and give expression to it in a way that makes the reader understand how that world runs. Poets, those unheralded systems thinkers, are our true digital thinkers. It is from their midst that I believe we will draw tomorrow's new business leaders." --Sidney Harman, CEO Multimillionaire of a stereo components company

To a large extent, the problems of poets are the problems of painters, and poets must often turn to the literature of painting for a discussion of their own problems.

There are two types of poets: People who write poetically about their lives, and poets that live poetically and write about it.

My life all-around is really different than a lot of other poets. Not poets that are parents, too, but just that I can hardly find anyone who works in the industries that I've worked in.

Young poets bewail the passing of love; old poets, the passing of time. There is surprisingly little difference.

I am particularly conscious of my connection to the poets of the Harlem Renaissance because I, too, am a Black poet, born into, and shaped by, the very community in which those poets of the past produced so much of the work we associate with the Harlem Renaissance. We speak from the same place, both literally and metaphorically.

I'm more than a little suspicious of humor in poems, because I think it can at times be a way of getting a reaction out of a reader, or an audience, that is something closer to relief: i.e., thank god this isn't poetry, but stand-up comedy. Some poets are really funny, but more often poets are fourth rate stand up comics at best. But they benefit from the sheer relief of the audience.

You have to give your art everything you can - I don't mean only writing, but studying other poets and poetics, thinking, reading what poets have written other than their poetry.

I went to Havana, and I was like, "Wow, there's culture everywhere!" That was one thing that I did notice when I went to Cuba was that artists are paid to be artists, and poets are paid to be poets, and musicians are paid to be musicians by the government. The government - and I'm not saying that the Cuban government's perfect - but the government does place a value on culture.

Musings The little poets sing of little things: Hope, cheer, and faith, small queens and puppet kings; Lovers who kissed and then were made as one, And modest flowers waving in the sun. The mighty poets write in blood and tears And agony that, flame-like, bites and sears. They reach their mad blind hands into the night, To plumb abysses dead to human sight; To drag from gulfs where lunacy lies curled, Mad, monstrous nightmare shapes to blast the world. [click on the thumbnail by Jack "King" Kirby]

Poets knew that isolation in nature, far from people and things man-made, was good for the soul, and he'd always identified with poets.

This, I thought, is how great visionaries and poets see everything- as if for the first time. Each morning they see a new world before their eyes; they do not really see it, they create it.

As we to the brutes, poets are to us.

Poets are the only people to whom love is not only a crucial, but an indispensable experience, which entitles them to mistake it for a universal one.

I defer to all these other American poets who, for some reason, I both envy and admire.

Despite wanting to work in publishing, I was a publisher's worst nightmare: I rarely bought new books. So my goal was to publish the kind of books I would buy, and read. My reading habits have changed since starting the press. The only other "goal", per say, is to continue to experiment. I don't want the press to ever fall into a formula, or to be pigeonholed - "They do great reissues of modernist poets!" - I want to keep pushing, exploring the kind of title we can get away with. And working with authors who challenge the way I think about writing, editing and reading.

We are chained hand and foot by protocol, enslaved to a static, empty world where men and women can’t read, where the scientific advances of the ages are the preserve of the rich, where artists and poets are doomed to endless repetitions and sterile reworking of past masterpieces. Nothing is new. New does not exist. Nothing changes, nothing grows, evolves, develops. Time has stopped. Progress is forbidden

I think a lot about the poems I wasn't able to write...I masturbrated...Solitude is essentially a matter of pride; you bury yourself in your own scent. The issue is the same for all real poets. If you've been happy for too long, you become banal. By the same token, if you've been unhappy for a long time, you lose your poetic power...Happiness and poverty can only coexist for the briefest time. Afterword either happiness coarsens the poet or the poem is so true it destroys his happiness.

Poets are people who can still see the world through the eyes of children.

All that a critic, as critic, can give poets is the deadly encouragement that never ceases to remind them of how heavy their inheritance is.

Without poets, without artists, men would soon weary of nature's monotony.

I love those moments on stage, on screen and in life when you dispense with language, when you sort of transcend it in a way, and certainly the experience of falling in love, I think, defies words, which is why poets, painters, musicians, actors have tried to describe that feeling, writers have just tried to put words to that.

You can recollect the sayings of great men, you treasure up verse of renowned poets; ought you not be equally profound in your knowledge of the words of God, so that you may be able to quote them readily when you would solve a difficulty or overthrow a doubt?

I would hardly change the sorrowful words of the poets for their glad ones. Tears dampen the strings of the lyre, but they grow the tensor for it, and ring even the clearer and more ravishingly.

Poets have said that the reason to have children is to give yourself immortality. Immortality? Now that I have five children, my only hope is that they are all out of the house before I die.

All myth is an enriched pattern, a two-faced proposition, allowing its operator to say one thing and mean another, to lead a double life. Hence the notion found early in ancient thought that all poets are liars. And from the true lies of poetry trickled out a question. What really connects words and things?

Poets and songwriters speak highly of spring as one of the great joys of life in the temperate zone, but in the real world most of spring is disappointing. We looked forward to it too long, and the spring we had in mind in February was warmer and dryer than the actual spring when it finally arrives. We'd expected it to be a whole season, like winter, instead of a handful of separate moments and single afternoons.

Virtue is as little to be acquired by learning as genius; nay, the idea is barren, and is only to be employed as an instrument, in the same way as genius in respect to art. It would be as foolish to expect that our moral and ethical systems would turn out virtuous, noble, and holy beings, as that our aesthetic systems would produce poets, painters, and musicians.

As we all know, poets are born brain-wired a certain way and every poet I know wrote as a child. I'm no exception.

... the reason why there are so few first-class poets is that many people have intense feelings or first-class minds but to get the two together so that you will be willing to put a poem through sixty drafts, to be that self-critical, to keep breaking it down, that is what is rare. Right now most poetry is just self-indulgence.

Ocean waters..oceans deep..Serious poets never sleep.

It is the gift of all poets to find the commonplace astonishing, and the astonishing quite natural.

There's always been what I would call the William Carlos Williams strain, in which poems of simplicity and clarity are valued by a different community. I was talking to Galway Kinnell one day, and he said that there was an audience for poetry up until about 1920 and then, from that point on, the poets and the critics drifted.

Great statesmen seem to direct and rule by a sort of power to put themselves in the place of the nation over which they are set, and may thus be said to possess the souls of poets at the same time they display the coarser sense and the more vulgar sagacity of practical men of business.

For me the journey of making a film is a journey of discovery as to what that film is. I mean what I do is what other artists do, painters, novelists, people that make music, poets, sculptors, you name it. It's about starting out and working with the material and discovering through making, working with the material the artifact.

As poets, our lamentations are glorious, filled with the virtues angles would learn to envy.

I look at the great poets of the Soviet Union, like Anna Akhmatova, who endured far worse then anything we've seen or hopefully that we will ever see. If they could keep writing and keep a voice alive, keep people hopeful through their poetry, then I would be ashamed to stop and to give in. It would be really self-indulgent, unacceptable, and inexcusable to walk away from it.

American poets celebrate their bodies, very specifically, as Whitman did.

Poets find truth by writing about what they love.

In its famous paradox, the equation of money and excrement, psychoanalysis becomes the first science to state what common sense and the poets have long known - that the essence of money is in its absolute worthlessness.

As soon as war is declared it will be impossible to hold the poets back. Rhyme is still the most effective drum.

We have not all had the good fortune to be ladies. We have not all been generals, or poets, or statesmen; but when the toast works down to the babies, we stand on common ground.

What I might do is watch Mrs Doubtfire. Or Dead Poets Society or Good Will Hunting and I might be nice to people, mindful today how fragile we all are, how delicate we are, even when fizzing with divine madness that seems like it will never expire.

Poets have the gift to speak for others, Vasko Popa had the very rare quality of hearing the others.

I've been influenced by poets as diverse as Dylan Thomas, Lewis Carroll, and Edgar Allan Poe.

I can't think offhand of any American poets who have Mandelstam's urgency, but it's a different country and a different time, and I don't think it would make much sense to say that this is something that's "missing" from contemporary American poetry.

Frauds master our minds; magicians, like poets and lovers, engage them in a permanent maze of possibilities.