Quotes About Romantic

I love romantic comedies, or romantic dramas - basically anything with love in it.

Westerns. A period gone by, the pioneer, the loner operating by himself, without benefit of society. It usually has something to do with some sort of vengeance; he takes care of the vengeance himself, doesn't call the police. Like Robin Hood. It's the last masculine frontier. Romantic myth. I guess, though it's hard to think about anything romantic today. In a Western you can think, Jesus, there was a time when man was alone, on horseback, out there where man hasn't spoiled the land yet.

There's love and there's romantic love. The Greeks had different words for different kinds of love. And we just got "love." I don't know what you would call the other kinds - maybe brotherly love, Christian love, the love of Saint Francis, love of everyone and everything. Then there's romantic love, which, by and large, is a pain in the ass, a kind of trauma.

Most people know my music based on the singles, and think of it as scandalously romantic. There's definitely a romantic vibe, but I often sing things that are very direct. I don't beat around the bush much.

Revolution is a bitter thing, mixed with filth and blood, not as lovely or perfect as the poets think. It is eminently down to earth, involving many humble, tiresome tasks, not so romantic as the poets think... . So it is easy for all who have romantic dreams about revolution to become disillusioned on closer acquaintance, when a revolution is actually carried out.

The reason I turn down 99% of a hundred, I mean a thousand, scripts is because romantic comedies are often very romantic but seldom very funny.

To write a novel is to embark on a quest that is very romantic. People have visions, and the next step is to execute them. That's a very romantic project. Like Edvard Munch's strange dreamlike canvases where people are stylized, like 'The Scream.' Munch must have had that vision in a dream, he never saw it.

I'm very much a romantic. I'm highly attuned to an older sensibility, which I believe is alive and well. We're not that far ahead of the Romantic Age in society.

She was tired of hugging pillows, counting on blankets for warmth, and reliving romantic moments only in her dreams. She was tired of hoping that every day would hurry so she could get on to the next. Hoping that it would be a better day, an easier day. But it never was. Worked, paid the bills, and went to bed but never slept. Each morning the weight on her shoulders got heavier and heavier and each morning she wished for night to fall quickly so she could return to her bed to hug her pillows and wrap herself in the warmth of her blankets.

Some mothers in today's world feel "cumbered" by home duties and are thus attracted by other more "romantic" challenges. Such women could make the same error of perspective that Martha made. The woman, for instance, who deserts the cradle in order to help defend civilization against the barbarians may well later meet, among the barbarians, her own neglected child.

I don't want to, in any way, characterize a race or a people or get accused of racial profiling, but the Irish, as lyrical and romantic as they can be in their poetry, they can be every bit as repressed in their personal relations.

I need you," he said to her, this woman who'd fought for her own right to live her life free of limits, "to build me some remote detonation devices." Amazing brown eyes shot with blue peering into his as she pressed her nose to his. "You always say the most romantic things.

I wouldn't feel satisfied being on set every day doing a romantic comedy - I'd be bored to death.

If I were given a choice between two films and one was dark and explored depraved, troubled or sick aspects of our culture, I would always opt for that over the next romantic comedy.

Upon the publication of Goethe's epic drama, the Faustian legend had reached an almost unapproachable zenith. Although many failed to appreciate, or indeed, to understand this magnum opus in its entirety, from this point onward his drama was the rule by which all other Faust adaptations were measured. Goethe had eclipsed the earlier legends and became the undisputed authority on the subject of Faust in the eyes of the new Romantic generation. To deviate from his path would be nothing short of blasphemy.

I think it would be frustrating to be a match maker. "What do you do?" "I'm a match maker" "Aw, that's really romantic" "No, umm... I actually... never mind"

King René of Anjou [(1409-80)]was a strange compound of amiable, great and trifling qualities. He was so excellent a sovereign as to acquire the surnom of the Good. He was brave in war, delighted in tournaments and wrote on them, instituted festivals and processions, partly religious and partly burlesque, was a fond husband, a romantic lover, a good painter for that age, and a true philosopher.

As for the author, he is profoundly unaware of what the classical or romantic genre might consist of.... In literature, as in allthings, there is only the good and the bad, the beautiful and the ugly, the true and the false.

I will always be the hopeless romantic, more often pathetic than heroic.

It's definitely easier for a woman to do a romantic comedy than a war movie. It's assumed a woman doesn't have a sense of what action is.

In the rush of complex modern living, we have a tendency to laugh at the 'bring-Papa-his-pipe-and-slippers' approach to marriage - but most men are more than a little wistful at its demise. A man dreams of home as a haven and his wife as a romantic, fragrant creature whose most important goal in life is making him comfortable.

Someone once said a cynic is just a disappointed romantic. That really, really sums me up.

I'm a nerd. I'm a little guy... the last guy you'd expect in a romantic movie.

I was with Brian De Palma at the time, and he said he wrote the role specifically for me. I don't know what that says about the way he saw me, since the role was of a castrating killer. Brian came one morning to the house, said "Here's your Christmas present." He wrote the character to have a Swedish accent, but since I couldn't pull that off, he switched it to French-Canadian. It was such a romantic time in my life. Everyone was young and passionate and convinced they were going to change film forever.

There is no record in human history of a happy philosopher: they exist only in romantic legend.

Whenever humans come together for any reason, music is there: weddings, funerals, graduation from college, men marching off to war, stadium sporting events, a night on the town, prayer, a romantic dinner, mothers rocking their infants to sleep ... music is a part of the fabric of everyday life.

While I have very little to say in favor of sex (it's vastly overrated, it's frequently unnecessary, and it's messy), it is greatly to be preferred to the interminable torments of romantic agony through which two people tear one another limb from limb while professing altruistic devotion.

It seems to me that romantic comedies used to be about falling in love, but in recent years they've really become just comedies where the love story is only there as a spine to hang the jokes on.

Well, there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go, there's these observations about romantic love and what it does people, and these rotten feelings that rarely are people meaning to do that to each other.

I have tender, romantic associations with upstate New York.

We will never have a perfect world, but it's not romantic or naive to work toward a better one.

Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury. The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes. Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.

I would love to write a mystery - a romantic, funny mystery.

To tell the truth, in Pacific 231 I was on the trail of a very abstract and quite ideal concept, by giving the impression of a mathematical acceleration of rhythm, while the movement itself slowed . I first called this piece Mouvement symphonique. On reflection I found that a bit colorless. Suddenly, a rather romantic image crossed my mind, and when the work was finished, I wrote the title Pacific 231, which indicates a locomotive for heavy loads and high speeds (a type unfortunately disappeared, alas, and sacrificed to electric traction).

The office is a romantic enabler because you're always around the person you have a crush on. There's no escape from, and maybe no desire to escape from, those pressure-cooker conditions. And there's an automatic series of things you have to talk about all the time.

I don't know if it's a romantic comedy but I'm in the beginning of the first of the season of "The West Wing." We shot it last year. I don't know. If anyone asks me to be in one, I'll jump on it.

I know girls who pine for it. They like to play dress-up and pretend being Vor ladies of old, rescued from menace by romantic Vor youths. For some reason they never play 'dying in childbirth', or 'vomiting your guts out from the red dysentery', or 'weaving till you go blind and crippled from arthritis and dye poisoning', or 'infanticide'. Well, they do die romantically of disease sometimes, but somehow it's always an illness that makes you interestingly pale and everyone sorry and doesn't involve losing bowel control.

The most passionate, consistent, extreme and implacable enemy of the Enlightenment and ... all forms of rationalism ... was Johann Georg Hamann. His influence, direct and indirect, upon the romantic revolt against universalism and scientific method ... was considerable and perhaps crucial.

There may come a time when it will be possible for you to humiliate your worst enemy or even to defeat him, but in order to love the enemy you must not do it... The Greek language has another word [for love]. It calls it agape. Agape is more than romantic love. Agape is more than friendship. Agape is understanding, redemptive goodwill for all men. Agape is an overflowing love, a spontaneous love, which seeks nothing in return. And theologians would say that it is the love of God operating in the human heart. When you rise to love on this level you love all men, not because you like them, not because their ways appeal to you, not because they are worthful to you, but you love all men because God loves them. And you rise to the noble heights of loving the person who does the evil deed while hating the deed that the person does. And I think this is what Jesus means when he says, “Love your enemies.”

I think Bond the character is distinct: He's British, he has a certain code that he lives by, he's incorruptible... he's a classical hero, but he's also fallible. He has inner demons, inner conflicts, and he's a romantic.

I love romantic comedies. I like to watch them and I like to be in them.

You know, the man of my dreams might walk round the corner tomorrow. I'm older and wiser and I think I'd make a great girlfriend. I live in the realm of romantic possibility.

A cynic is a kind of romantic who has aged.

Although motorcycle riding is romantic, motorcycle maintenance is purely classic.

Music makes one feel so romantic - at least it always gets on one's nerves - which is the same thing nowadays.

What you discover on your own is always more exciting than what someone else discovers for you - it's like the marriage between romantic love and an arranged marriage.

I think we need great artists making great work - women, men, whoever. I think what's great about TV now is there are so many different platforms that you can make really specific, specialized content. I wouldn't have gotten this part because I'm not really considered a "traditional romantic lead," so I created it for myself.

People assume that I came back to Washington because of the Post, but the truth is less romantic. I came back for a job.