Quotes About Singing

What is certain is that singing is not merely modulating a song by means of the voice: we sing and we celebrate the beauty that we can grow and live every day. If you want to sing and give emotions to those who are listening, you must have something to tell through your singing; you have to use singing like an instrument to tell something.

I grew up singing in Kansas. My dad had a band when I was growing up. So I sang in church and school and started singing with his band when I was seven. So I've been singing all my life.

My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.

It's so easy to get caught up in this weird life. This isn't normal and I'm not singing for people that live my life. I'm singing to the life I used to have. The life I want to have again.

Even when I'm singing on record there's a lot of times when I'll fight for a bit of imperfection. I might not have quite hit the note to the perfect pitch, but there was a soul in there and feeling that,to me, delivers the emotion of that moment. For me, doing a show, the excitement of singing live, and the possibility that you're not going to be perfect - that's the thrill of it.

Every day I remind myself of all that I have been given... With singing, you never know when you are going to lose the voice, and that makes you appreciate the time that you have when you are still singing well. I am always thanking God for another season, another month, another performance.

Not everybody's a great singer, but people can get better at singing. There's great singing teachers out there. It's a muscle, you just have to train it.

We enjoyed the fact that we were called to the folk festivals and we got to know Joan Baez, Dylan. We were singing strictly gospel, but then after we started hearing songs that they would sing, we saw that those songs were very fitting for us because they were singing the truth, and truth is gospel.

In preparing my thesis, I have had the pleasure of collecting testimonies from colleagues such as Placido Domingo but also from singing teachers and musicologists. The entire course of study has confirmed what I already thought, that the value and meaning of opera singing, at the beginning of the third millennium, remain intact.

I love singing. I've never felt I've had a great voice but I feel I've gotten better. It's funny. I can hear my voice aging and getting stronger. I've relaxed about my singing so I'm hearing it the way I like it.

As a kid, in the Runaways, I would see the interviewers start to ask about our personal lives and what we did — and I could see the look in their eyes. They were practically frothing at the mouth. So if I answered these questions, I knew they were never gonna talk about the music. It was like that instinct — don’t go there, man. Have boundaries. Have mystery. You don’t have to let everybody in! I want to be singing to everybody, and I want everybody to think that I’m singing to them. Guys, girls and everyone in between.

Singing is the rawest thing. Having been naked in films or naked in photo shoots, it's nothing compared to singing. It's absolute nakedness. You are stripped bare!

Acknowledging that we lose is the overarching theme in everything in Stars. To me, that's what punk means. Stars is a punk band because we acknowledge loss. We're not trying to win. We're not trying to project victory. You win alone. I'm not interested in singing for the one winner in the room; I'm interested in singing for all of the losers in the room.

I'm definitely not a dancer. I can move well, but it's more about the acting and the singing for me. Acting and singing are completely different, so I can't say which one I love better because I love them both. I love acting because I get to play different characters. But I also love my music because I get to portray me.

The music director, Stephen Oremus, was telling me: "I hope you've done your work." We only have ten days rehearsal. The music is no joke. My solo singing is not that hard. But the stuff I have as part of the choir or as a "Dead Guest" in the second-half... I'm singing some really incredible chorus stuff that I haven't done in a long time. It's extremely difficult.

There are so many people that do things better than I do: dancing, singing like a black girl, singing country. Or if, while they sing, they move their arms in and around their crotch; when I sing, I play the piano and look like a little choirgirl. I'd like to mix it up like that.

With me, it's so eclectic and all over the map that no one knows what to expect, ... It may not be a great career move, but all these things - singing with the Funk Brothers and the Dead, singing a Dolly Parton song - is great. I'm welcome to all these different worlds, and that's been wonderful.

I think I like singing when I'm singing live. It's just in the studio when it's a drag.

Our shows have always been sort of an all-generations thing, people from 6 to 60. The other night, we played a show and we had a woman who was probably 70 to 75 years old, and she was there alone and she was singing every song. On the other end of the spectrum, there was a 7-year-old on his dad's shoulders and the dad is singing along.

I started singing with the Amboy Dukes in '87. I sang 'Oh Baby Please Don't Go,' the old Van Morrison song by Joey Smith. I started singing more from then on.

My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.

I get tired of the same albums, the same look and singing the same songs. When I get bored I paint, I plant trees and just do something different. I get far away from singing.

My parents wanted me to be a lawyer. But I don't think I would have been very happy. I'd be in front of the jury singing.

When you are happy you are ordinary, because to be happy is just to be natural. To be miserable is to become extraordinary. Nothing is special in being happy - trees are happy, birds are happy, animals are happy, children are happy. What is special in that? It is just the usual thing in existence. Existence is made of the stuff called happiness. Just look! - can't you see these trees?...so happy. Can't you see the birds singing?...so happily. Happiness has nothing special in it. Happiness is a very ordinary thing.

I feel like I've been doing performing my entire life. I started taking music lessons and singing when I was about ten. I didn't have one of those creepy stage moms that made me do stuff. I started bands at a pretty young age and played with my friends back in Detroit. I've always known that I wanted to do this. It was all I was ever interested in doing. I never had, outside of music, any extracurricular activities that I took part in.

When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.

I just remember standing there, singing with the headphones on and the strings playing, just how wonderful that felt. But we so rarely got to go out and do it. Obviously, we don't carry a 70-80-piece orchestra with us when we do shows.

My book 'Trust Your Heart', which is the story of my life, will be followed by 'Singing Lessons', a memoir of love, loss, hope, and healing, which talks about the death of my son and the hope that has been the aftermath of the healing from that tragedy.

The singing tells everybody what to do musically.

I'm always nervous about singing...always. It may be one of the only things I sweat about.

Being preoccupied with our self-image is like being deaf and blind. It's like standing in the middle of a vast field of wildflowers with a black hood over our heads. It's like coming upon a tree of singing birds while wearing earplugs.

I attended the High School of Industrial Arts and studied with many great artists as painting is something that you never stop learning about. Actually, in high school there was a time that I was thinking about just concentrating on painting and I asked my music teacher, Mr. Sondberg, for advice and he encouraged me to stick with the music as well. So all my life I have been singing and painting.

I have been singing for the last 50 years, you know, so I deserve a break. Besides, there are talented singers around who can do justice to their work.

Wisdom comes with all we see, God writes His lessons in each flower, And ev'ry singing bird or bee Can teach us something of His power.

Growing around great musicians, you just can't help it. I identified with it immediately. It was something that was so natural to me that when I started singing, it was almost like speaking.

A black man singing about a blond girl was potential trouble.

I got a phone call from George Miller [the director] asking me to play this role. We sat down and he showed me on his computer a documentary-type montage sequence of real penguins swimming, in an Esther Williams synchronized sort of way, and doing things I have never seen them do. Then he explained his vision of the film, asked me to read the script and to voice the character. I was cast a little bit later, and he let me do the singing as well!

Love, I find, is like singing. Everybody can do enough to satisfy themselves, though it may not impress the neighbors as being very much.

I'm a lyric soprano. I can try to step outside that and do different kind of singing, but it's not something I can sustain over the long haul, and what is good for your voice is good for your career.

Streets crowded with people strolling, or sitting at outdoor cafes. And always, talking, gesturing, singing, laughing. I liked Rome immediately.Everybody was a performer.

I've been singing Shakira songs in front of my bathroom mirror into my hairbrush forever. It's like a daily routine.

There was never any pressure on me to go into the business, but I was always aware of it. I'd go on the set with my father and he and my mother would always be singing.

Having my daughter in the backseat with her best friend, singing "Let It Go," the Frozen song, at the top of her lungs, and just watching her sing when she thinks no one is watching. That, to me, is pure love.

And voices singing out of empty cisterns and exhausted wells.

I just like to switch things up all the time. Like when it comes to singing, I try to find a different character for each song.

I decided I was just going to sing the type of songs I gravitated toward and inspired me and moved me. I was going to let the people whose job it was to decide what places to put it, and let them do that. I'll stick to the singing part.

Mac Rebennack, better known as Dr. John, once told me that when a brass band plays at a small club back up in one of the neighborhoods, it’s as if the audience—dancing, singing to the refrains, laughing—is part of the band.

If you learn from Saint Thérèse to depend on God alone and serve him with a wholly pure and detached heart, then you can join with your whole soul in singing the jubilant song of the holy Virgin, “My soul proclaims the greatness of the Lord, and my spirit rejoices in God my Savior. For he has done great things for me, and holy is his name.” And like little St. Thérèse you will be able to say at the end, “I do not regret that I have given myself to love.”