Quotes About Singing

Singing instrumental music is most important because, while you play an instrument, you are singing through the instrument... actually, you are singing inside.

I had a little bit of a vocal strain at a certain period of time that made me lay off the singing, and while I was lying off the singing, I was pursuing the acting.

I've gone from singing to millions on a network show one day to singing to four people in a gymnasium in Casper, Wyo., the next.

We enjoyed the fact that we were called to the folk festivals and we got to know Joan Baez, Dylan. We were singing strictly gospel, but then after we started hearing songs that they would sing, we saw that those songs were very fitting for us because they were singing the truth, and truth is gospel.

I believe in kindness. Also in mischief. Also in singing, especially when singing is not necessarily prescribed.

John Colman Wood's The Names of Things is a thoughtful, patient, and ultimately rewarding book. It's about, among many other things, the connections human beings make, that in spite of everything, we will always make. To quote from the book, 'What he saw in the people was what the old anthropologists called communitas. It wasn't that the people sang and moved. It was their singing and moving together' Singing and moving together, Wood has found a way to express this profound and beautiful idea through fiction.

I want to be singing to everybody, and I want everybody to think that I'm singing to them. Guys, girls and everyone in between.

I started singing in church and I was probably around seven and I started singing anywhere that I could. I used to sing at my school. I was in musicals and then it kind of got to a point where I started to - wanted to do my own songs.

Singing has always been a part of my life. I started at Opryland singing, and I realized I could make a living at it. I thought it was something I would grow out of. I didn't know what I was going to do with my life. Everything's just sorta fallen into place.

It used to be the case that for an Irishman to come to the U.S. involved a perilous journey on a ship. It involved singing lots of songs before you left saying goodbye, and once you were in the U.S., it involved singing lots of songs about how you were never going to set foot in Ireland again.

Writing and reading decrease our sense of isolation. It's like singing on a boat during a terrible storm at sea. You can't stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship

Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.

Ain't singing for Pepsi, ain't singing for Coke, I don't sing for nobody, makes me look like a joke.

My uncle was 16, in junior high, and he heard me singing and snatched me off the stage. I thought he was happy and was going to pat me on the head and say I was good. But he took me home and told my grandmother this youngin' was at school singing the blues.

I've always loved music. I wasn't one of those "composing since I was five" kids, but I was definitely involved with music since I was that age - singing in musicals and taking lessons. Lots of lessons! Singing, dancing, acting, drums set. My mom pretty much had a full-time job carting me all over town six days a week.

There are so many people that do things better than I do: dancing, singing like a black girl, singing country. Or if, while they sing, they move their arms in and around their crotch; when I sing, I play the piano and look like a little choirgirl. I'd like to mix it up like that.

Sometimes a musical imagination is as important as singing itself, you know, the voice, what you do vocally, the vowels. So there's a percussiveness that can sometimes be quite energizing and useful in singing as an expressive device.

What singing means to me, I never did consider myself a singer, I just let people watch me feel music and how it comes through me. I've worked on it and practiced a lot. I mean, music, I dance to it, and singing is just one way of getting it out of me.

Throughout the whole Stroll album, I'm breaking barriers. Whether I'm doing acoustic hip-hop, singing my own hooks or singing my own verses... There's always going to be people who don't like it, cause they're stuck in their ways, or they just don't like you in general... but it's been good.

If your neighbor looks at you like they don't enjoy the key you're singing in, look right back, bless them, and keep on singing.

Our shows have always been sort of an all-generations thing, people from 6 to 60. The other night, we played a show and we had a woman who was probably 70 to 75 years old, and she was there alone and she was singing every song. On the other end of the spectrum, there was a 7-year-old on his dad's shoulders and the dad is singing along.

Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.

That feels natural to me, singing in a small group of people I just can't do. You'll never hear me sing at a dinner table or anything, but this feels kinda natural. I've done it many, many times. So, and also, the pressure's off me cos I'm not singing on my own. I'm just doing a few harmonies with my stuffed nose.

That's my goal, is to stay in a truthful place. And sometimes that means writing a silly song, or singing about sex or singing about environmental destruction or heartbreak, or my grandmother. The subject isn't what the core is about, it's about truthfulness and authenticity and that just comes from my heart and soul.

I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.

When you're on stage singing, you're naked. Your voice is something very intimate, and that's why I'm scared every time before I perform. It doesn't matter if I'm singing for a king or a queen or the Pope, it's enough to be in front of anybody. I suffer, but I can't do anything about it.

Singing beautiful melodies is one thing, but to deliver the text so that the people understand it, even in a foreign language, has to be worked at very hard.

Splutter, splutter. Yes - we're off - we're rising. But why start off with an engine like that? But it smooths out now, like a long sigh, like a person breathing easily, freely. Like someone singing ecstatically, climbing, soaring - sustained note of power and joy. We turn from the lights of the city; we pivot on a dark wing; we roar over the earth. The plane seems exultant now, even arrogant. We did it, we did it!

I pounded through the houses, staggering down the hallways, falling down the steps. It was a hot streaky dawn full of insecticides, exhaust, flowers that could make you sick or fall in love. My battered Impala was still parked there on the side of the road and I wanted to lie down on the shredded seats and sleep and sleep. But I thought of the bones; I could hear them singing. They needed me to write their song.

It's been a while. I haven't seen the actual gag reel they put on the DVD. I just saw the DVD myself, so I know that it's going to be some version of what we saw at our wrap party. Some of the funniest things probably wouldn't make it to the DVD and that involved Ryan O'Neal singing and they intercut that with the American Idol judges judging him, which was pretty funny.

I remember when I first rocked in it was a great big dance hall and Tommy Young was blowing trombone and Louis [Armstrong] was singing a tune and it was just Satchmo and you could hear it resounding through the dance hall and people were dancing. It was a highlight.

I will play my part by singing the spirit into every open heart.

The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.

I don't think I'm singing. I feel like I'm playing a horn...What comes out is what I feel.

If I can't take five years out to serve my country as president, then everything I've been singing about, like equal rights, doesn't mean anything.

When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.

An athlete learns how to hold her breath, but that doesn't work in singing. You have to learn to relax.

I was trying to do something that seemed very natural and easy but which bridged that gulf between the singing voice and the speaking voice.

All night I streched my arms across him, rivers of blood, the dark woods, singing with all my skin and bone ''Please keep him safe. Let him lay his head on my chest and we will be like sailors, swimming in the sound of it, dashed to pieces.'' Makes a cathedral, him pressing against me, his lips at my neck, and yes, I do believe his mouth is heaven, his kisses falling over me like stars.

I learned to play guitar on my lying back while I was bed-ridden. I only thought to record the songs because sometimes I would I couldn't remember what I had just done. Eventually I started singing, because I thought if I sang it that would help to remember even more. But I wasn't trying to sing. And then one day-this is really weird -I just wrote a song. It came out at a rapid rate and I recorded it and I listened back to it and was like "Wow, it's a tune."

I keep going back as if I'm looking for something I have lost. Back to the motherland, sisterland, fatherland. Back to the beacon, the breast, the smell and taste of the breeze, and the singing of the rain.

There's really nothing else I'm going to do with my life. I'd be useless if I weren't singing or acting

The Siren waits thee, singing song for song.

I have been singing since I was two years old, my parents tell me, and started to write songs when I was fifteen. Eventually, my friends and my parents knew that this was something I liked to do. They also knew I had a dream of making my own album. They have always been encouraging me to do something about it, and so I did. So I went to a local radio station in Tromsø, and there I got to record a couple of songs.

Don't cry, you crybaby! When you think things are hard, that's the time you are maturing as a person. If you get over the darkness, a wonderful new day will come. The bright morning will be filled with light and the birds will be singing . There'll be white roses with a lovely fragrance.

When we play Jenny Don't Be Hasty, that's cool because everyone really dances. It's between that and when we play Loving You, that's when you give it your all. Well you give it your all for all of it but that's like proper end singing with your full strength put in.

My songs, well, they are sad, but in all of them the person singing them - me or whoever - is actually still trying and hasn't given up yet.

I started out to be a person on the street, just like everybody else. I didn't start out to be a singer. But I got sort of swept up in this singing thing, and after I got involved in it it got really important to me if I was good or not.