Quotes About Singing

The audience keeps singing, keeps making my case, and I just keep strumming until I get close enough to see her eyes. And then I start singing the chorus. Right to her. And she smiles at me, and it’s like we’re the only two people out here, the only ones who know what’s happening. Which is that this song we’re all singing together is being rewritten. It’s no longer an angry plea shouted to the void. Right here, on this stage, in front of eighty thousand people, it’s becoming something else. This is our new vow.

Singing is a way of releasing an emotion that you sometimes can't portray when you're acting. And music moves your soul, so music is the source of the most intense emotions you can feel. When you hear a song and you're acting it's incredible. But when you're singing a song and you're acting it's even more incredible.

One is the path of devotion, what in India is called BHAKTI yoga, the path of love and devotion - a Meera, a Chaitanya, dancing and singing, losing themselves completely in the act. When Meera is dancing there is only dance, there is no Meera; the dancer is completely merged into the dance. When Chaitanya is singing and dancing there is no Chaitanya; he has become one with the act.

We enjoyed the fact that we were called to the folk festivals and we got to know Joan Baez, Dylan. We were singing strictly gospel, but then after we started hearing songs that they would sing, we saw that those songs were very fitting for us because they were singing the truth, and truth is gospel.

In preparing my thesis, I have had the pleasure of collecting testimonies from colleagues such as Placido Domingo but also from singing teachers and musicologists. The entire course of study has confirmed what I already thought, that the value and meaning of opera singing, at the beginning of the third millennium, remain intact.

I was like Gene Kelly, it was called singing in the rain. No seriously, I wasn't really born with a singing voice, but my friends Joe and John taught me how to sing.

We do not ask what hope of gain makes a little bird warble, since we know that it takes delight in singing because it is for that very singing that the bird was made, so there is no need to ask why the human mind undertakes such toil in seeking out these secrets of the heavens. ... And just as other animals, and the human body, are sustained by food and drink, so the very spirit of Man, which is something distinct from Man, is nourished, is increased, and in a sense grows up on this diet of knowledge, and is more like the dead than the living if it is touched by no desire for these things.

For me, there's a tremendous challenge of singing with Faith, who, in my opinion is one of the best singers in the world. She doesn't get enough credit for being as good as she is. She's so beautiful that people look past her singing. But for a journeyman like me to keep up with her is a real tough sprint.

I'm singing in the rain, just singing in the rain; What a wonderful feeling, I'm happy again.

I love singing. I've never felt I've had a great voice but I feel I've gotten better. It's funny. I can hear my voice aging and getting stronger. I've relaxed about my singing so I'm hearing it the way I like it.

One of the advantages of pure congregational singing is that you can join in the singing whether you have a voice or not. The disadvantage is that your neighbor can do the same.

If you look at the other singers of Billie Holiday's time, they were really trying to entertain. They were trying to make people feel good. They were singing fast - and she was singing the blues.

When I perform on stage I do achieve quite a variety of ways of singing. I was interested in trying to replicate that in the studio environment. I think it is an interesting alternative position, just to stretch people's imagination, myself included, as to who is actually singing the song. It's not to create alter-egos or characters - it always feels like me, even when the voice is extremely manipulated.

As a kid, in the Runaways, I would see the interviewers start to ask about our personal lives and what we did — and I could see the look in their eyes. They were practically frothing at the mouth. So if I answered these questions, I knew they were never gonna talk about the music. It was like that instinct — don’t go there, man. Have boundaries. Have mystery. You don’t have to let everybody in! I want to be singing to everybody, and I want everybody to think that I’m singing to them. Guys, girls and everyone in between.

You know, YOUR President, the one with the big ears-he ain't my President - had that woman singing for him at his Inauguration. She's going to get her [expletive] whooped. How dare Beyonce sing MY song that I been singing forever. Now I'm going to sing it for y'all.

But I was singing loud, and most singers weren't singing loud.

Now my music is kind of pop-rock, right? If I'm 25 and singing still, I don't want to be singing music like that.

I'm singing the way that I love to sing, which is like old soul, like old Al Green. I grew up about an hour from Memphis. So all that music that I grew up with - the Stax music and early rhythm n' blues - I'm doing that. I'm actually getting out from behind my guitar and I'm singing.

I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.

I've been singing since I was two. Music was my first passion and I love writing, singing, creating and being creative.

I believe in singing. I believe in singing together.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

I had been singing since I was 3 years old, so my love of singing was always there.

Our shows have always been sort of an all-generations thing, people from 6 to 60. The other night, we played a show and we had a woman who was probably 70 to 75 years old, and she was there alone and she was singing every song. On the other end of the spectrum, there was a 7-year-old on his dad's shoulders and the dad is singing along.

I sustained an injury by singing with the flu during the second performance of Andrea Chenier in Buenos Aires. I was very sick, with chills and sweats, but against my better judgement I let them talk me into singing. Of course I gave the performance everything I had and my voice was hurt. It was scary at first, but fortunately there was no permanent damage. I just had to be patient and wait for the voice to return. It took six weeks of physical recuperation and it took time to recover my confidence as well.

Things are such that someone lifting a cup, or watching the rain, petting a dog, or singing, just singing - could be doing as much for this universe as anyone.

Sometimes,' he whispered at last, 'sometimes, I dream I am singing, and I wake from it with my throat aching.' He couldn't see her face, or the tears that prickled at the corners of her eyes. 'What do you sing?' she whispered back. She heard the shush of the linen pillow as he shook his head. 'No song I've ever heard, or know,' he said softly. 'But I know I'm singing it for you.

EVERYONE suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom, Winging wildly across the white Orchards and dark-green fields; on—on—and out of sight. Everyone’s voice was suddenly lifted; And beauty came like the setting sun: My heart was shaken with tears; and horror Drifted away ... O, but Everyone Was a bird; and the song was wordless; the singing will never be done.

I'm very soulful. I grew up singing in church. When I sing a song, I like to feel what I'm singing.

That's my goal, is to stay in a truthful place. And sometimes that means writing a silly song, or singing about sex or singing about environmental destruction or heartbreak, or my grandmother. The subject isn't what the core is about, it's about truthfulness and authenticity and that just comes from my heart and soul.

My dad, being a jingle writer, and my mom, being a jingle singer, they hooked me up with some people when I was a kid that worked with children's jingle singing groups. I used to sing jingles as a kid.

The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.

I mean, if you asked me what I’m going to be doing when I’m 85, I’d make a quick picture in my mind and, well, I’ll be singing.

There were times in my career I went a little further than I wanted because of expectations. Doing certain things onstage when children were in the audience, wearing certain clothes, singing certain lyrics.

And nevertheless I have loved certain of my masters, and those strangely intimate though elusive relations existing between student and teacher, and the Sirens singing somewhere within the cracked voice of him who is first to reveal a new idea. The greatest seducer was not Alcibiades, afterall, it was Socrates.

When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.

My book 'Trust Your Heart', which is the story of my life, will be followed by 'Singing Lessons', a memoir of love, loss, hope, and healing, which talks about the death of my son and the hope that has been the aftermath of the healing from that tragedy.

The singing tells everybody what to do musically.

Overall, the library held a hushed exultation, as though the cherished volumes were all singing soundlessly within their covers.

It's one of the craziest feelings to be on stage and know that you were sitting on your bedroom floor when that song came to be and now there's an arena full of people singing it.

Being preoccupied with our self-image is like being deaf and blind. It's like standing in the middle of a vast field of wildflowers with a black hood over our heads. It's like coming upon a tree of singing birds while wearing earplugs.

There's really nothing else I'm going to do with my life. I'd be useless if I weren't singing or acting

Well, I loved singing in the chorus, and there was some connection for me between gospel and choral music.

This LGBT singing choir has demonstrated how women are investing in tradition to create change, like alchemists turning discord into harmony.

I have been singing since I was two years old, my parents tell me, and started to write songs when I was fifteen. Eventually, my friends and my parents knew that this was something I liked to do. They also knew I had a dream of making my own album. They have always been encouraging me to do something about it, and so I did. So I went to a local radio station in Tromsø, and there I got to record a couple of songs.

If you're doing a music film, you've got to be singing about something.

I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.

We got famous off singing about a chicken.