Quotes About Sometimes

I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.

Sometimes you move publicly, sometimes privately. Sometimes quietly, sometimes at the top of your voice. And sometimes an active policy is best advanced by doing nothing until the right timeor never.

Sometimes people change their minds, sometimes they meet someone else, sometimes they get sober, and sometimes he was just a jerk who you're lucky to be rid of.

I do like to work. Some jobs are better than others. That's the thing: You really don't know. I've enjoyed making movies for lots of different reasons. Sometimes, it was the other people. Sometimes, it was the fact that I was really good in it. Sometimes, it was the location. Sometimes, it was the paycheck.

Sometimes I do yoga, sometimes it's kickboxing, sometimes it's weight training, sometimes it's Pilates.

The only mental games in ski racing is the mental game against yourself. Is the whole goal of life preserving your life as long as you can? No. The goal is to enjoy your life, challenge yourself, to sometimes make stupid decisions-which are sometimes fun and sometimes idiotic and sometimes just a big fat mistake you regret.

We pledge our loyalty; we affirm our determination to be of good courage; we declare, sometimes even publicly, that come what may we will do the right thing, that we will stand for the right cause, that we will be true to ourselves and to others. Then the pressures begin to build. Sometimes these are social pressures. Sometimes they are personal appetites. Sometimes they are false ambitions. There is a weakening of the will. There is a softening of discipline. There is capitulation. And then there is remorse, self-accusation, and bitter tears of regret.

If you think of dramaturgy in North America, which is so realistic and so literal sometimes, sometimes what theaters - especially dramaturgs - ask for is more information, which sometimes can really weigh down a play. There's only so much information a play can have. If you start putting in so much information, it becomes something completely different, it doesn't sing.

When I'm alone, I work sometimes with music, sometimes without and sometimes just listening to NPR.

Sometimes you are forced to defend your beliefs. Sometimes you are forced to look at relationships that aren't positive anymore. There are times when I have had to make peace with the fact that I am at war. And sometimes you have to fight those who do not want love to conquer all.

Prayer is not a substitute for work. First we have to do all we can ourselves to understand a situation. Then when we ask for help, sometimes it is very evident, sometimes it isn't. Sometimes we may well be helped by not getting a decision.

I think being a parent is knowing how to love. Sometimes love is discipline, sometimes it's humor, sometimes it's listening.

Sometimes, I actually end up doing three or four different versions of one song, and sometimes, those versions can be done very differently. They can be very laid back, downtempo, or sometimes the same song can be quite uptempo. But it is always the same melody and chord progressions.

Dr. Johnson ... sometimes employed himself in chymistry, sometimes in watering and pruning a vine, and sometimes in small experiments, at which those who may smile, should recollect that there are moments which admit of being soothed only by trifles.

There are all kinds of darkness, and all kinds of things can be found in them, imprisoned, banished, lost or hidden. Sometimes they escape. Sometimes they simply fall out. Sometimes they just can't take it any more.

I think there’s a lot of threshold weeping. Like, am I doing this? Am I really wearing this out in the world? My daughter is very much like that. She will put clothes on and her clothes just make her beside herself. They make her so sad sometimes. And you do realize you feel betrayed sometimes by your own clothing. You put something on that usually protects you and makes you OK, and sometimes you’re just not fit for the world and even your best pants can’t overcome that feeling for you.

Fiction comes in all shapes and sizes. Secrets,lies,stories. We all tell them. Sometimes,because we hope to entertain. Sometimes,because we need to distract. And sometimes, because we have to.

Loneliness is a hard thing to handle. I feel it, sometimes. When I do, I want it to end. Sometimes, when you're near someone, when you touch them on some level that is deeper than the uselessly structured formality of casual civilized interaction, there's a sense of satisfaction in it. Or at least, there is for me. It doesn't have to be someone particularly nice. You don't have to like them. You don't even have to want to work with them. You might even want to punch them in the nose. Sometimes just making that connection is its own experience, its own reward.

For most problems found in mathematics textbooks, mathematical reasoning is quite useful. But how often do people find textbook problems in real life? At work or in daily life, factors other than strict reasoning are often more important. Sometimes intuition and instinct provide better guides; sometimes computer simulations are more convenient or more reliable; sometimes rules of thumb or back-of-the-envelope estimates are all that is needed.

In general, in painting sometimes people like Picasso or somebody are not very well known in the beginning, sometimes they become well known just before they die, or sometimes after they have died. I think these people start to be artists after they've stopped existing.

It's about showing up. And sometimes I don't do it. I almost always regret it, but sometimes I don't do it. Sometimes I walk into a situation where I'm intimidated and I want to be liked and I want to fit in, and I don't choose authenticity. And it's always pretty miserable.

The questions people have are sometimes soulful, sometimes zany, sometimes incoherent. I want to make a 'zine with just the questions I get emailed to me.

God always answers prayer, sometimes with a yes, sometimes with a no and sometimes with a 'You've got to be kidding!'

The strange thing about the apocalypse is that it's uneven. For some people, it goes one way and for others another way, so that there's always this shifting relation to the narrative of the disaster. Sometimes apocalypses are just structural fictions, and sometimes they're real. Sometimes a narrative requires an end - the fact that the beginning was always leading somewhere becomes clear at the end. There's an idea that we're always in the middle, but we posit this apocalyptic end in order to also be able to project into the past or the beginning. I think that's true and false.

It's tough because sometimes you'll just be on the web and things pop up or you get emailed something from a friend. It is definitely impossible to avoid stuff about me sometimes, but it's pretty important to try. It's very rare that things are true about yourself that are on the Internet. It's just sad sometimes. So you definitely try and stay away from it as much as possible.

Ideas in art may be quite evident, and sometimes they're hidden. Sometimes they're simple, and sometimes they're quite complex. Great works of art can be based on very simple ideas, but it's all in the making, isn't it? It's in the facture.

You find [reverberations from 9/11 ] in them most unexpected places, like graffiti on a wall. Sometimes it's a faded picture; sometimes it's a newspaper tacked to a wall. Sometimes it's weird paraphernalia related to it, home constructed paraphernalia. It resonates through society and continues to resonate today.

I used to bug all of the comedians for interviews, and when people want to talk to me, sometimes I'm very receptive and sometimes I say no. Sometimes if I say no, I think, "If they're smart, they'll figure out how to not accept this no."

Bixio-Frizzi-Tempera was a real co-operative team. My first instrument was the guitar, Tempera played piano and keyboards, themes were composed sometimes by one, sometimes by the other, sometimes together.

Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the scenes - that's what it is, as an actor.

Things... well, things suck sometimes. And sometimes you can fix it. And sometimes you can't. It's just the way it is.

Sometimes the law defends plunder and participates in it. Sometimes the law places the whole apparatus of judges, police, prisons and gendarmes at the service of the plunderers, and treats the victim - when he defends himself - as a criminal.

When I read the script sometimes, it's like 'Christ! Enough!' I can't sleep at night sometimes. There's the occasional script that just hammers you, that you can't shower off.

I don't think of myself as particularly cursed or blessed. I think I got dealt a set of cards, and I'm playing with them, sometimes in heels, sometimes in combat boots.

I cannot remember a time when I was not enraptured or tortured by words. Always there have been words which, sometimes for their sound alone, sometimes for their sound and sense, I would not use. From a loathing of their grossness or sickliness, their weight or want of weight. Their inexactitude, their feeling of acidity or insipidity. Their action, not only on the intelligence but on the nerves, was instant.

Sometimes I even say that I have surpassed Lasker in using psychology. How? Well, sometimes I use psychology with a portion of risk. That is something else, something that Lasker wouldn't allow.

Endings of television shows are sometimes such depressing things. I think shows that have more of a narrative and are about what's going to happen next, those need to wrap up as a complete story. But it's weird when a goofy comedy show needs to end, and we knew it was going to be the end, and sometimes it's just better if a comedy show ends and goes away and they never had a series finale.

Sometimes people confuse contrivance and authenticity, and sometimes I think authenticity can get in the way of a good excuse to do something theatrical. I just don't like wasting opportunity - if you're going to do a photo session, if you're going to walk on stage, why not make it interesting?

Sometimes people hurt us unintentionally. We may view that they've hurt us intentionally and want revenge. But sometimes when we really look back again, we can see that they weren't intentional in trying to hurt us. That's when we need to confess our judgment of them and forgive them for their unintentional hurts committed against us.

He took her in his arms right away. "I'm so sorry," he murmured in her ear. He rocked her, saying it over and over. But no matter how many times he said it, no matter how much she knew he meant it, the words stirred around in her ear but didn't get into her brain. Sometimes he could comfort her. Sometimes he said what she needed, but today he couldn't reach her. Nothing could.

I've always had some sort of affinity for the ends of things. It depends on the song, I try to explore it in different ways. Sometimes when I think about death I'm thinking of it as a physical character that can teach you things and sometimes I'm thinking of it in a finite sense and other times I'm just asking questions that I can't answer. I don't really like to state my personal belief, because I change my mind too often, but I imagine something peaceful. Whether it's a rest or another world or some kind of eternity, it doesn't seem like a scary thing.

I am sometimes a fox and sometimes a lion. The whole secret of government lies in knowing when to be the one or the other.

With reference to the narrative of events, far from permitting myself to derive it from the first source that came to hand, I did not even trust my own impressions, but it rests partly on what I saw myself, partly on what others saw for me, the accuracy of the report always being tried by the most severe and detailed tests possible. My conclusions have cost me some labour from the want of coincidence between accounts of the same occurrences by different eye-witnesses, arising sometimes from imperfect memory, sometimes from undue partiality for one side or the other.

Sometimes luck is with you, and sometimes not, but the important thing is to take the dare. Those who climb mountains or raft rivers understand this.

Sometimes I succeed, sometimes I fail, but every day is a clean slate and a fresh opportunity.

It's never the practice to shoot the scenes in the proper order. Sometimes you shoot the final scenes of a film before you've even started the beginning. So you get good at it because you have to sort of just eliminate the memories of something you've done as an actor, which you haven't done as the character yet. But it sometimes is a bit of a mind-f**k.

Why should literature be easy? Sometimes you can do what you want to do in a simple, direct way that is absolutely right. Sometimes you can't. Reading is not a passive act. Books are not TV. Art of all kinds is an interactive challenge. The person who makes the work and the person who comes to the work both have a job to do. I am never wilfully obscure, but I do ask for some effort.

We all think were going to be great and we feel a little bit robbed when our expectation aren't met, but sometimes our expectations sell us short. Sometimes the expected simply pales in comparison to the Write to be understood, speak to be heard, read to grow.