Quotes About Space

Space, space: architects always talk about space! But creating a space is not automatically doing architecture. With the same space, you can make a masterpiece or cause a disaster.

You have to say now that space is something. Space can vibrate, space can fluctuate, space can be quantum mechanical, but what the devil is it?

I actually had four space flights altogether, three times on shuttles. My second flight was really unique for me because I was going back into space, first of all. The first one was like an appetizer at a nice dinner. You know, you want to go up and you want more. So, the second time I got into space, it was neat because I got to actually do two space walks.

I think that it's good for us to be able to travel in space and do research in space, and I emphasize the research, because space travel to me is far more than just seeing how far we can go.

The current market cost for a space flight, about a week in space and about six people have gone with the Russians so far to the International Space Station; it costs about $30 to $35 million. So, it's not for the faint of heart. But our own market studies that we've commissioned as well as some public market studies all indicate that there are somewhere around 20 or so individuals every year who have both the means and the interest to do this. So, the market is definitely out there.

I really love sharing with young Canadians the changes we're seeing in the space program right now with what we call "commercial space." We have commercial cargo delivery to the space station, and now we have what we call "commercial crew," where we're going to be delivering people to low orbit on new vehicles that are being designed by Boeing and SpaceX.

You mean old books?" "Stories written before space travel but about space travel." "How could there have been stories about space travel before --" "The writers," Pris said, "made it up.

I think it could be argued that I am not heard, in the broadest sense. That is not my concern. My concern, a question really, is, do I have the courage to speak? If I speak I believe someone will respond. It then becomes my responsibility to listen to that person. And in listening, together we create a space where people can be heard. It's the conversation that I care most deeply about; this is the space I want to honor, respect, and protect. This is my faith in the open space of democracy.

Organizing time is exactly like organizing space. Just as a closet is a limited amount of space into which you must fit a certain number of objects, a schedule is a limited space into which you must fit a certain number of tasks. Each day and each week is simply a container, a storage unit with a definite capacity. The trick is to treat time not as an abstraction but as something solid that you can hold on to and move around.

In fact, the Outer Space Treaty of 1967 bans militarization. Potential adversaries of the US, and even its allies, are so far behind that these countries are very interested in maintaining the treaty. Europe and the rest of the world want a strong reaffirmation of the Treaty and the US is unilaterally trying to derail it. Termination of the treaty would mean that the US could develop satellite weapons, put offensive weapons in space. It would probably mean using nuclear power in space. All of this leads to some very dangerous scenarios, including destruction of the species.

I was the first person to tweet from space, but now every astronaut tweets from space and does Instagram and Snapchat and Face - they have Facebook going. I think it's more of a personal relationship they have with space now. They see it as more obtainable than me watching my superhero Neil Armstrong and Buzz Aldrin walking on the moon. It's like, there's no way I can do that.

There must be an open space in the paintings - an entry space for the viewer, or even for me. Just white space where you can get into it.

I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.

What differentiates time from space is that time does have a direction. In that sense it is different from space. I think that's certainly true that whereas spatial dimensions don't have direction or an arrow, time does. It runs from past to future. But I see that arrow of time as rooted in a deeper metaphysical reality, namely the reality of temporal becoming - of things coming to be and passing away. That is why time has this arrow. But it's not sufficient to simply say that time and space are distinct because time has a direction. The question will be: why does it have a direction?

Space is all one space and thought is all one thought, but my mind divides its spaces into spaces into spaces and thoughts into thoughts into thoughts. Like a large condominium. Occasionally I think about the one Space and the one Thought, but usually I don't. Usually I think about my condominium.

Interfacing street sculpture in public space creates an installation environment that turns regular space into art space. Signs and people and everything around a street sculpture-they all become part of it. A two-dimensional work, being confined to surfaces, doesn't have as much of a capacity.

From a mathematical standpoint it is possible to have infinite space. In a mathematical sense space is manifoldness, or combinations of numbers. Physical space is known as the 3-dimension system. There is the 4-dimension system, the 10-dimension system.

Bohm's interpretation of quantum physics indicated that at the subquantum level, the level in which the quantum potential operated, location ceased to exist. All points in space became equal to all other points in space, and it was meaningless to speak of anything as being separate from anything else. Physicists call this property 'nonlocality.'

The ego tells you to fill space. Your spirit tells you to let space fill you.

A thinking mind is not swallowed up by what it comes to know. It reaches out to grasp something related to itself and to its present knowledge (and so knowable in some degree) but also separate from itself and from its present knowledge (not identical with these). In any act of thinking, the mind must reach across this space between known and unknown, linking one to the other but also keeping visible to difference. It is an erotic space.

It was cold. Space, the air we breathed, the yellow rocks, were deadly cold. There was something ultimate, passionless, and eternal in this cold. It came to us as a single constant note from the depths of space. We stood on the very boundary of life and death.

My reluctance to use alien invasion is due to the feeling that we are not likely to be invaded and taken over. It would seem to me that by the time a race has achieved deep space capability it would have matured to a point where it would have no thought of dominating another intelligent species. Further than this, there should be no economic necessity of its doing so. By the time it was able to go into deep space, it must have arrived at an energy source which would not be based on planetary natural resources.

Look out into the July night, and see the broad belt of silver flame which flashes up the half of heaven, fresh and delicate as the bonfires of the meadow-flies. Yet the powers of numbers cannot compute its enormous age,—lasting as space and time,—embosomed in time and space.

The Washington Post is quickly trying to become the safe space for Donald Trump deniers, for the Trump-won-the-election deniers. I think the Washington Post is establishing itself as the safe space for anti-Trump delicate snowflakes to go.

In the space which thought creates around itself there is no love. This space divides man from man.

Architecture is really about well-being. I think that people want to feel good in a space... On the one hand it's about shelter, but it's also about pleasure. The intention is to really carve out of a city civic spaces and the more it is accessible to a much larger mass in public and it's about people enjoying that space. That makes life that much better. If you think about housing, education, whether schools and hospitals, these are all very interesting projects because in the way you interpret this special experience.

I want people to look at themselves. I want people to go into a space for meditation. It's funny to use a word like meditation as the music is fairly brutal but there is a hypnotic element to it and the way that I try and create that for someone just happens to be through a fairly heavy form of music. You are constantly barraged and beaten down with a lot of bullshit and I find that heavy and extreme music helps me to go into a very tranquil place and I hope, more than anything, that the music does create a space for people to go inward with.

If you are walking down the street, camera in your hand, loaded and ready to shoot. You see a person falling from a high building, either having fallen or jumped. That person is falling through space. You don't shoot that photograph unless the theme you are working on has to do with the effects of space on the human figure. If you simply photograph that event because it is an event that is happening, you're doing photojournalism.

One of the most memorable moments was when I first saw earth because I had seen many pictures, many videos of earth from space, and being able to see that with my own eyes had a completely different effect, and sort of almost sensing life emanating from our planet in the dark background of the space, it was a really memorable experience.

We expect him to take up a lot of space in his gangly experiments with life, and we teach him, through task, work, game, activity, and experience how to use that space. Above all, we give him mentoring and supervision that respects and teaches his gifts, his visions, even his shadowy inner demons

I need space between me and the audience - and the more space the better.

I would love to see the world's space programs continue toward sending humans to an asteroid or to Mars, with, of course, a full plan in place to bring them back. That excites me. And one of the things that excites me most about space is that we can go up there and put spacecraft in orbit with sensors that will help us measure the health of our planet, which is becoming particularly important. Our planet needs to be observed.

What four realms? (Amanda) Time, space, earth, and dreams. (Talon) Okay, now that is scary. Some of you guys walk through time? (Amanda) And space and dreams. (Talon) Ah. So Rod Sterling was a Were-Hunter? (Amanda)

Two years ago, China tested an anti-satellite weapon that actually caused quite a bit of controversy and one of the controversies is that by blowing up a satellite, you are creating more space debris which is a hazard to satellites and spacecraft in lower Earth orbit and if they had been a partner, you'd have to do an experiment, and if they had been a partner in the international space station, would they have really done that test? They would have really thought twice about creating that tension between the countries and potentially endangering a project that they were a part of.

I think it's like that for people who don't remember 1969 first-hand. It's that sense of 'old hat.' Of 'been there, done that.' Space shuttles, space stations, communications satellites, GPS - they're all part of our everyday, taken-for-granted world in 2009, not part of an incredible odyssey.

Change life! Change Society! These ideas lose completely their meaning without producing an appropriate space. A lesson to be learned from soviet constructivists from the 1920s and 30s, and of their failure, is that new social relations demand a new space, and vice-versa.

Certainly for me prose has a dilatory capacity, insofar as I don't trust my abilities in prose. I imagine I could have done the same thing in poetry, but sometimes I feel more fluent in poetry than in prose, and as a consequence perhaps I might pass too quickly by a thing that I might, in prose, have struggled merely to articulate. That struggle creates space, and it seems to me a particular kind of space into which memory flows easily. I suspect I think better in poetry, however.

When this space walk will be completed, then the arm will be fully operational and ready for the next activity that will be pretty much the testing, the first flight testing of the space station arm.

A chair is not just a product of decorative art in a space, it is a form and a space in itself

Scientists say the European space probe that landed on the comet has detected organic matter. This means there could be either life in space or a Whole Foods. We just don't know.

In the context of general relativity, space almost is a substance. It can bend and twist and stretch, and probably the best way to think about space is to just kind of imagine a big piece of rubber that you can pull and twist and bend.

Psychedelics are not flashlights into the chaos of the Freudian unconscious, they are tools for mathematically unpacking your mind into a higher dimensional space. In the Newtonian and print created space that we are walking around in you, are like a self extracting archive, that hasn't self extracted itself yet.

Man must at all costs overcome the Earth's gravity and have, in reserve, the space at least of the Solar System. All kinds of danger wait for him on the Earth. . . . We have said a great deal about the advantages of migration into space, but not all can be said or even imagined.

An army, great in space, may offer opposition in a brief span of time. One man, brief in space, must spread his opposition across a period of many years if he is to have a chance of succeeding.

I think of Canada, first and foremost, in terms of space. The amount of space available is breathtaking.

I regard any behavior we indulge in as a game. The soul is beyond not only three-dimensional space but beyond the illusion of linear time. Any method we use to move through three- or four- dimensional space is a game. It doesn't matter how serious we take it, or how serious its consequences are.

Charles Bernstein's pairs of jingles of 'public discourse' are 'simultaneous double narrative / the space between's the other narrative/as if they're opposite.' In the space between, outside representation but in the 'presence' of it, we are provoked to laugh. Bernstein alters our language to open a double range that's public and mind at once and inseparable, that is 'Poetry is patterned thought in search of unpatterned mind.' Girly Man is doing it.

I don't want to go back into space for military reasons, but the economic driver still remains. And so it's a matter of people understanding how that economic driver is revealed with healthy investments on the space frontier.