Quotes About Style

You know, comments about style always seem strange to me - 'why do you work in this style, or in that style' - as if you had a choice in the matter... What you're doing is trying to stay alive and continue and not die.

More than my other films, Uncle Boonmee is very much about cinema, that's also why it's personal. If you care to look, each reel of the film has a different style - acting style, lighting style, or cinematic references - but most of them reflect movies. I think that when you make a film about recollection and death, you have to consider that cinema is also dying - at least this kind of old cinema that nobody makes anymore.

I try to teach my students style, but always as a part of life, not as ornament. Style has to come out of communicating coherent thought, not in sticking little flowers on speeches. Style and substance and a sense of life are the things literature is composed of. One must use one's own personality in relationship to life and language, of course, and everyone has such a relationship. Some people find it, some don't find it, but it's there.

My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.

With color, for the price of a pot of paint, people can express their own style and individuality. But, as with style, a gift for color has to be developed by experiment. If you don't dare, you are doomed to dullness.

Successful blog is a unique voice; and depending on the blog, your own style factors in. To some extent, it might have to do with the graphic aesthetics of a blog. Pretty pictures go a long way these days and many personal style blogs owe a lot to a decent DSLR.

Cultivate your own capabilities, your own style. Appreciate the members of your family for who they are, even though their outlook or style may be miles different from yours. Rabbits don't fly. Eagles don't swim. Ducks look funny trying to climb. Squirrels don't have feathers. Stop comparing. There's plenty of room in the forest.

You have to find your own style, and it's difficult to define what style is. It's not what you're wearing; it's how you wear it. It's something very personal, and it reflects the way you live and your house, the books you read, the art you have.

In terms of style I typically veer toward a certain masculinity. My style inspirations range from images of my father in his 1970s suits, to Tilda Swinton, to Hugh Hefner, to Sharon Stone and her ferocious sexuality, to handsome men I see on the streets of New York.

I don't make comparisons between any movies. I compare characters. All my actions, performances, all my films, they are driven by the characteristic. If I'm playing a cop, then I give him a particular style - I may not know that style, but as an actor I have to be responsible to do your homework and do your research and training and stuff like that.

It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.

It's true that at the time I was fond of Kurt Vonnegut and Richard Brautigan, and it was from them that I learned about this kind of simple, swift-paced style, but the main reason for the style of my first novel is that I simply did not have the time to write sustained prose.

Do It With Style It's not enough that we want to change the world. It's not enough that our product is incredibly complex and our vision is vast and shifting. We're not just going to win, we're going to do it with style. That means a lot of different things, and a lot of what it means can't be captured in a handbook.

Over the years I attempted to make my style a bit more relaxed 'cause the initial style you couldn't watch for more than ten minutes without wanting to kill me.

As a young kid I was in love with breakdancing. I practiced the uprock style, which is a battle style of dance that looks like fighting. It comes from the gangs in New York in the 1960s and '70s. It's beautiful, almost like a martial art, and it can be funny, too, because you make fun of each other.

We don't have to make the bible relevant-it is-but we have to show its relevance. What is irrelevant, in my opinion, is our style of communicating it. We are tending to still use the style from 50 years back that doesn't match who we are trying to reach today.

My style when I was younger was still unique to me. I didn't necessarily dress by the trends, but I was always aware of what was trendy at the time and how I could apply it to my own sense of style.

Every genuinely literary style, from the high authorial voice to Foster Wallace and his footnotes-within-footnotes, requires the reader to see the world from somewhere in particular, or from many places. So every novelist's literary style is nothing less than an ethical strategy - it's always an attempt to get the reader to care about people who are not the same as he or she is.

There was, I think, a feeling that the best science was that done in the simplest way. In experimental work, as in mathematics, there was "style" and a result obtained with simple equipment was more elegant than one obtained with complicated apparatus, just as a mathematical proof derived neatly was better than one involving laborious calculations. Rutherford's first disintegration experiment, and Chadwick's discovery of the neutron had a "style" that is different from that of experiments made with giant accelerators.

Style? I have no style.

It is good to be Compared with the best player [Pele]. But my dad told me about Garrincha's style as he moved forward, went up, attacked and dribbled. Garrincha's style is more similar to Neymar's.

It hardly needs explaining at length, I think, how much authority or beauty is added to style by the timely use of proverbs. In the first place who does not see what dignity they confer on style by their antiquity alone?... And so to interweave adages deftly and appropriately is to make the language as a whole glitter with sparkles from Antiquity, please us with the colours of the art of rhetoric, gleam with jewel-like words of wisdom, and charm us with titbits of wit and humour.

One does not consider style, because style is.

People with high blood pressure, diabetes - those are conditions brought about by life style. If you change the life style, those conditions will leave.

If anyone is unwilling to descend into himself, because this is too painful, he will remain superficial in his writing. . . If I perform to myself, then it’s this that the style expresses. And then the style cannot be my own. If you are unwilling to know what you are, your writing is a form of deceit.

We are the two great painters of this era; you are in the Egyptian style, I in themodern style. (to Pablo Picasso)

I'd hate it to become style over substance, I'd hate people to start putting me in a magazine article about my style. I don't like dressing up in something I'm not necessarily comfortable in just to make it more of a show. I want the power to come from what I sing about and how I sing.

Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error, a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory.

Joan of Arc had style. Jesus had style.

Vert skating was the kind of skating that was done in pools, where you could get airborne and be weightless. The other style, which is what I did, was called free style, which was tricks you could do on flat ground.

Style supposes the reunion and the exercise of all the intellectual faculties. The style is the man.

It was Thomas Tuchel's first season as coach and I played centrally always. The whole team had a great year, one that I enjoyed a lot. Our style has changed a bit, from trying to score within five seconds to a more calm and in some regard more educated style of play. We try to find the right moment - and then we explode.

I always loved the style of Jean Seberg, Jane Birkin and Marilyn Monroe.

I think a big part of my job is to make an atmosphere on set and have an attitude that it's about experimentation, and you can't do anything wrong. It's not about judgment, it's not about me kicking over a chair and storming onto set and acting stuff out and telling people to copy what I do. That is a style of directing some people have, but I don't understand it.

There are people out there who are into traditional country music and for those people you have artists like Brad Paisley and Josh Turner and Alan Jackson. Then you have artists with a progressive style of country music, like myself and Eric Church and Luke Bryan and Miranda Lambert.

The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice--although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.

There are two ways of confronting the country's problems.One is through a management style based on adventurism, instability, play-acting, exaggerations, wrongdoing, being secretive, self-importance, superficiality and ignoring the law. The second way is based on realism, respect, openness, collective wisdom and avoiding extremism.

Addison writes with the ease of a gentleman. His readers fancy that a wise and accomplished companion is talking to them; so thathe insinuates his sentiments and taste into their minds by an imperceptible influence. Johnson writes like a teacher. He dictates to his readers as if from an academical chair. They attend with awe and admiration; and his precepts are impressed upon them by his commanding eloquence. Addison's style, like a light wine, pleases everybody from the first. Johnson's, like a liquor of more body, seems too strong at first, but, by degrees, is highly relished.

Italian football is great but for me, for the style of player I am, I found it too tactical, too slow.

... We have quite a large area, and that makes it more fun for us - certainly more satisfying, because it doesn't restrict us to one particular idea or one particular style. The result, I think, is pretty interesting ... we don't expect to make a fortune at it or ever be popular or famous or worshipped or hit The Ed Sullivan Show or the circuses or the big top. As long as we can play, we'll play, regardless of what it's for, who it's for or anything. It's fun for us - that's the important thing.

Perfume must not be linked just to fashion because that means that one day it will go out of style.

We are a very close family, and I love them very much, but I'm definitely the odd one out. I live a completely different kind of life style. I always was different. I felt like a fish out of water; I really never knew who I was.

I like suits. I mean, I always feel good in a suit; I’m more of a suit guy than a shirt-and-jeans-type guy, probably. You know, like, I love Brad Goresky’s style. And sometimes he’ll wear a pair of, like, leopard pants, and I’m like, I couldn’t pull that off, but I appreciate it from afar.

Do your neighbour good by all means in your power, moral as well as physical - by kindness, by patience, by unflinching resistance against every outward evil - by the silent preaching of your own contrary life. But if the only good you can do him is by talking at him, or about him - nay, even to him, if it be in a self-satisfied, super-virtuous style - such as I earnestly hope the present writer is not doing - you had much better leave him alone.

Most poets who have little or nothing to say are concerned primarily with the way in which they say it ... if it is true that the style of a poem and the poem itself are one, ... it may be ... that the poets who have little or nothing to say are, or will be, the poets that matter.

Stevie Nicks has always been my fashion icon, so I wanted to blend her infamous witchy style with the 90s valley girl theme that I was so entranced by as a young girl.

Every day is a lesson in focus for me, and not buying into the world's concept of what you have to be. I really try every day to be individual and not just in my style or my look or my music, but in my approach to life.

Pharrell has always been my style idol.