Quotes About Style

A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.

A design style is defined by a set of microdecisions. A clear style reflects a consistent set. A clear style may not be a good style; a muddled one never is.

You find the most in not any particular denomination specifically. It's the style of worship. So if we have what we call a charismatic worship style, that means upbeat music and a more lively style of preaching usually, people are allowed to clap, say "Amen," whether they're mainline Protestant, conservative Protestant, and Catholics, whatever, they're much more likely to be integrated.

Be fluid. Treat each project differently. Be water, man. The best style is no style. Because styles can be figured out. And when you have no style they can't figure you out.

To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes-countrysides and figures, movements and gestures-how could he have a style, that is originality?

The science of style as an organ of thought, of style in relation to the ideas and feelings, might be called the organology of style.

With color, for the price of a pot of paint, people can express their own style and individuality. But, as with style, a gift for color has to be developed by experiment. If you don't dare, you are doomed to dullness.

After all, it is style alone by which posterity will judge of a great work, for an author can have nothing truly his own but his style.

The style of God venerated in church, mosque, and synagogue seems completely different from the style of the natural universe.

The Ed Hardy man is confident with a strong sense of personal style. He is not afraid to be seen and take risks. He enjoys comfort and flexible style, yet he wants to stand apart from the crowd.

So yeah, it's nothing that I'm doing on purpose, I just think that the more records, the more songs that I write, the more records that I make, you're obviously going to fall into a specific style and thank God it's a style that people are into.

I've been working with Riccardo Tisci from Givenchy.It's been a long collaboration, and I don't think it's going to stop now. It's very important to me. Riccardo is younger than me, so it's great to have someone new teaching you in everything, not just in fashion. I'm teaching him in French style, what a women's style is, but he's teaching me in all of these different styles of music.I love this new world for me. It's refreshing and nourishing to keep learning about new things.

I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made. Almost no new classics resemble other previous classics. At first people see only the awkwardness. Then they are not so perceptible. When they show so very awkwardly people think these awkwardnesses are the style and many copy them. This is regrettable.

The style is the man. Rather say the style is the way the man takes himself; and to be at all charming or even bearable, the way is almost rigidly prescribed. If it is with outer seriousness, it must be with inner humor. If it is with outer humor, it must be with inner seriousness. No other way will do.

Sometimes directors get hired into TV shows, and it's so formulaic and they're a slave to whatever everybody wants them to do. But everyone came in with their own style, and it blended together with the Helix style that was set, and at the same time, they're bringing their own ideas and their own input. It was really fun working with all of them.

Properly understood, style is not a seductive decoration added to a functional structure; it is of the essence of a work of art. The necessary elements of style are lucidity, elegance, and individuality; these three qualities combine to form a preservative which ensures the nearest approximation to permanence in the fugitive art of letters.

My style when I was younger was still unique to me. I didn't necessarily dress by the trends, but I was always aware of what was trendy at the time and how I could apply it to my own sense of style.

Style? I have no style.

Taking ideas seriously does not fit with the rhetorical style of textbooks, which presents events so as to make them seem foreordained along a line of constant progress. Including ideas would make history contingent: things could go either way, and have on occasion. The 'right' people, armed with the 'right' ideas, have not always won. When they didn't, the authors would be in the embarrassing position of having to disapprove of an outcome in the past. Including ideas would introduce uncertainty. This is not textbook style.

That competition grew through high school and you step outside more and it grew through college. Then you had regional style speak volumes through college. As you get older, and begin to travel and see more, that was the progression of style for me.

People with high blood pressure, diabetes - those are conditions brought about by life style. If you change the life style, those conditions will leave.

If anyone is unwilling to descend into himself, because this is too painful, he will remain superficial in his writing. . . If I perform to myself, then it’s this that the style expresses. And then the style cannot be my own. If you are unwilling to know what you are, your writing is a form of deceit.

Where there is no style, there is no slave. Martial Arts mean honestly expressing yourself. No style. No slave.

We know much of a writer by his style. An open and imperious disposition is shown in short sentences, direct and energetic. A secretive and proud mind is cold and obscure in style. An affectionate and imaginative nature pours out luxuriantly, and blossoms all over with ornament.

My personal style and public style are very different. When I go out, I play dress up.

My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.

There's a lot of women now with a whole lot of style but they are not necessarily song stylists. Some of their style is a lot like me and a lot of people sound a lot alike - you can't tell them apart.

The greatest style is when you can't see the style though you walk away knowing it was there. It's like a perfume - there but not there.

I have a particular style of writing and my voice sounds a particular way, which lends itself to a certain style.

Once established, a successful style looks like an inevitability - maybe that's the definition of a successful style - but there's often the time when it looks like anything but.

I am not attracted to writers by style. What style do Dickens, Grass, and Vonnegut have in common? How silly! I am attracted to what makes them angry, what makes them passionate, what outrages them, what they applaud and find sympathetic in human beings and what they detest about human beings, too. They are writers of great emotional range.

I've never met anybody who enjoys every moment of making a movie as much as Pierce Brosnan. He doesn't stress out too much, he is always in a good mood. And he has little rituals throughout the day, which he does with a lot of style - almost like he is celebrating life, not just the work. He has to have his special cup of tea, in nice china, not Styrofoam.

James Franco has this interesting and relaxed look. It's pretty 'I don't care,' but it still looks good. Ryan Gosling also has amazing style. I take a lot of my fashion tips from those two. In my opinion, they're the ones getting it right.

The fool is disturbed not when they tell him that his ideas are false, but when they suggest that they have gone out of style.

Why do Canadians like to do it doggie style? So they can both keep watching the hockey game

A style similar to Song Hye Gyo's is my ideal type.

I want men to be more chic - and Japanese style has that kind of sophisticated elegance.

I think people are tired of the CSI/SVU style of lurid and gory crime dramas. I believe there's a craving for lighter shows featuring detective characters who are fun to watch. I think people would welcome that kind of show.

I would like to pick Rihanna's brain. I love her style and what she does.

Stevie Nicks has always been my fashion icon, so I wanted to blend her infamous witchy style with the 90s valley girl theme that I was so entranced by as a young girl.

They say the average bank robber lives within say about 20 miles of the bank that he robs There's this little bank not so far from here I've been watching now for a while Seems like lately alls I can think about is how bad I wanna go out in style

Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.

People want fun and escapism at the moment. Look at the success of Guardians of the Galaxy. I think Nolan kick-started a very dark, bleak style of superhero escapism, and I think people have had enough of it.

I was basically 18 when I got offered to join Mister Valentine band and go on tour and leave high school. I was pretty stoked on that, but the band wasn't really my style so after like six months of playing with them I decided to play with the aesthetic of a DIY hardcore band playing pop music. That was the original idea.

The problem of translation is to retreat to a simpler tenor of one's own style and creatively adjust this to one's author.

I influenced the BG style by not being able to draw perspective. The BG artists developed cool graphic painting styles to make my bad backgrounds look like they were that way on purpose.

Executive presence has to do with the whole of the person. It's much more than presentation skill, charisma or savvy. It shows up in three dimensions of the leader's persona - character, substance and style. It's now clear that for a leader to influence and make an impact, it is important for them to also develop qualities such as authenticity, integrity, resonance, practical wisdom, and vision.

It's harder to reveal sides of yourself that make you vulnerable but it's another muscle that can be developed and one that I think is worthwhile. That said, everyone finds their style. It's personal.