Quotes About Television

Local television is a slightly different story. It is under much more pressure in the same way that all local businesses are, whether that's a local newspaper, local radio or local television. But I think television in the aggregate is actually in very good shape.

I've got a lot to say about television. There's a lot going on in television right now and I feel like a huge part of television.

I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.

No one wanted to hire me. No newspaper, television station, television network that I worked for ever wanted to hire me.

Somewhere around the turn of the century, it stopped being hip to say you never watched TV. Adults are much more likely to find something to engage them on television than they are at the local multiplex. Edges are being cut on television all the time, but at the movies only now and then.

When you do television, there's more to do, and when you do new television, there's a lot more to do, especially when you don't have partner. I miss not having that person.

I'm in the art world so I use the art world a lot - or art world people as actors. I've also used television to criticize what I see on television. And now a lot of my work is made from the internet and a lot of it is made on my phone.

Film and television are just different. Film is cool because its a complete package. You know the beginning, middle, and end. You can plan it out more, which I like. But with television you get a new script every week, so its constantly a mystery as to what youre going to be doing.

To me, television is one of the most exciting things going on right now, as far as content goes. Some of these shows that are on television are better than any of the movies out there.

As an actor what you're always looking for is a character that is going to grow and change especially on television. I feel incredibly lucky to be working on a television show where the writing is always geared towards us growing and changing.

Rather than lose the public because television is here, wouldn't it be smart to adopt television as our instrument?

Yeah, I like working in television, a lot. I really enjoyed my time on 'Lost.' I like developing that hint of family with people. I mean, if you're on a happy set. If you're on a set where there's some sour apples, then I don't like working in television.

When you write comic books and when you are writing for television, you're not writing the end product, you are writing notes for someone else to make the end product essentially. My scripts are just directions for the artist to draw pages and the pages are what is seen. I kind of feel like it's a safety net, you're able to hide behind the art to a certain extent, and in television you're able to hide behind the actors and the production, but with novels, your words are it

Michael Bay and his team are experts in exciting tentpole-type film and television, and the combination of their film experience plus the great television writers that have come on will be really successful in bringing us something really unique. We are looking to put on these big canvas shows, and Black Sails is going to fit into that. The scripts have been terrific. Everything that we are trying to do is incredibly ambitious, and this is certainly in that category.

You always have to give back to the fans. I remember being a fan of television and film when I was growing up and if I would've had the opportunity to meet somebody that I watched on television, it would've made my day, it would've made my life.

Film and television as a medium has only very recently begun to be taught at the great drama schools in the UK. When I was at drama school in the UK, I was there for two and a half years, and we did one week of television and film. It's right before you leave. It's like, "We've taught you Anton Chekhov and William Shakespeare, you are likely to be in a washing-up soap-liquid commercial."

It takes a pretty strong person, a rather unusual young person, to stand up to ridicule and refuse to give in to temptation. There are so many things today in modern music, on television, and in the movies that portray a life that is nowhere near the life the Lord would have us live. Consequently, we cannot afford to turn to the radio, television, or Hollywood to take our cues about what is right and what is wrong. It is scary to realize that the more we are exposed to Hollywood's version of life, the more we gradually begin to accept it.

I am of the opinion that there is more high-quality television being produced than at any time in the history of television.

Television watching should more properly be called television staring; it engages eye and ear simultaneously in a relentless and persistent way and leaves no room for daydreaming. This is what makes watching such an inferior form of leisure

In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.

When I sit down, I find that it's much easier for me to want to consume a movie than to dip back into 20 or 40 or 60 hours of a television series. I think a great movie is really amazing. But, television does give you a larger canvas.

Sometimes when you have an abundance of time and money, it's less conducive to the creative process. I like the urgency of the television schedule and the television price point. It's fluid. You figure it out on the day, and I love the challenge of problem-solving.

I just really like writing and making television shows. There are ego rewards in doing battle with other television programs in prime time in the main season. I suppose there are times when I might look at that and think that's the major league. But when you look at it, ultimately would I really want to gamble my livelihood and my ability to connect with my fan base or write a show that I really like writing, or in some cases direct a show that I really like directing, for the sake of winning an ego battle? It's totally not worth it. That stuff is so ephemeral.

I did enjoy theater. I actually do prefer making films and television, but it was a learning experience for me, because I got into television at 5 and film at 11, and theater was something I completely bypassed.

I've always felt that improv looks and feels more clever when you're there to experience it live than when you have the degree of separation that television creates. Television raises expectations.

The arrival of television established a mass-media order that dominated the last 50 years. This is a personal media revolution. The distinction between the old order and the new order is very important. Television delivered the world to our living room. In the old media, all we could do was press our noses against the glass and watch.

When you work in television you're in the writer's room all the time. You can't take 10 days or a week to go watch movies. Nobody's going to sign up for that. But it's something I had always thought if I was every asked I would definitely do it if I had the time to do it.

What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.

Somehow, by just continually pestering the general public by appearing on television, they accepted me and wanted more.

Television turned out to be exactly as bad as the most irritating and pedantic intellectuals of the '50s said it was going to be.

We've been able to watch on our television screens sophisticated weaponry find a building; and we've seen dramatic reports from the front where Pulitzer Prize-to-be winning reporters stood up and declared, the United States is attacked, and all that.

Billy was fascinated by the television. At its most basic level, it occupied his time and shut out the demons of isolation. This was another irony because, for so long, he had shunned the tube for a similar purpose-to prevent it from bombarding his brain with demons of banality. However, each time he turned the machine on, he began to discover a world of assorted delights, as well as gain insight into the insidious manner in which this medium was shaping the mass psyche. If nothing else, he learned there was nothing innocuous about it.

We read the world - television, movies, songs, books - and the people in it through the lens of our own lives.

The films of The Caine Mutiny and Marjorie Morningstar always seemed to me mere thin skims of the story lines, and I never did see a meager Hollywood caper called Youngblood Hawke, vaguely based on my 800-page novel. So it was that I opted for television, with its much broader time limits, for The Winds of War.

I don't even have cable anymore, or a television. I just watch on computers. It's clearly the future of where we're heading.

Exponential growth in access to the Internet, satellite television and radio, cell phones, and P.D.A.'s means that breaking news now reaches virtually every corner of the globe.

I've always been conscious of the fact that there aren't enough Irish voices on British television compared to the amount of Irish people who live there.

Television is a formidable thinking tool. You are like an analyst to whom society's subconscious would be offered wide open.

Material success is rewarding and a lot of fun, but it's not the most important thing in my life because I know when this is all over, the Master isn't going to ask me how many things I owned or how many television shows I did. I think the questions will be, What did I do to make a difference? Did I learn to live with love in my heart?

I think that the best television now is giving you a three-act experience.

I am a Black revolutionary woman, and because of this i have been charged with and accused of every alleged crime in which a woman was believed to have participated. The alleged crimes in which only men were supposedly involved, i have been accused of planning. They have plastered pictures alleged to be me in post offices, airports, hotels, police cars, subways, banks, television, and newspapers. They have offered . rewards for my capture and they have issued orders to shoot on sight and shoot to kill.

You can't even smoke a cigarette on network television anymore. Not that everyone should be smoking cigarettes, but that's how crazy it's gotten. You can't even do things like that that are real-life things.

I seriously consider television to be the people's medium. Like the idea of seeing your parents naked or having somebody go down on you and worrying about whether you smell, or worrying about whether your body is weird or what goes across the face of a person who's supposed to be experiencing pleasure but isn't - those are things I'd love to normalize on TV.

I know how I felt when I saw things like 'Fame' on television when I was growing up and how that was an exceptional magnet for me to want to explore the theater. I can only assume that 'Smash' is doing that for anyone who is halfway interested in theater already.

All things change. The automobiles change every year. [Your] television set gets lighter and smaller and higher definition. All things in the scientific world change. But politicians do not change. They carry old values and they don't even know it.

It was a pity that movies and live TV left New York for Hollywood. London theater, movies, television - until (Britain's) money ran out - were always better than ours since the city was the political capital of the country, as well as the artistic and literary one. In L.A. we've always been slightly sealed off from real life. It's no accident that two of our most interesting directors, Woody Allen and Bob Altman, are more or less settled in the real world.

On the television planet, where men make up the tribe, the law of the caveman rules. So, for a woman coming from another world, without experience or cunning, to succeed gradually in gaining control over what is to be taped, what goes out over the air, what is said without censorship, is an epic feat.

The television replaced the sound of conversation that was missing from my grandparents' lives.