Quotes About Television

For one year, I want to do this thing where I guest-star on as many television shows as I possibly can. I love television. The fact that television ultimately made me famous was very gratifying for me.

Local television is a slightly different story. It is under much more pressure in the same way that all local businesses are, whether that's a local newspaper, local radio or local television. But I think television in the aggregate is actually in very good shape.

There used to be a huge snobbism between the film industry and the television industry. I produced and acted in my first - well way back - but the first thing that I produced and acted in was Sarah, Plan and Tall. And the only place to go at the time for really quality television was Hallmark Hall of Fame. And think how much television has changed since then.

I think everything keeps changing. There was a time when television was a bad thing for actors and it meant that you could only do television, and now we see everyone does television.

Television is our culture's principal mode of knowing about itself. Therefore -- and this is the critical point -- how television stages the world becomes the model for how the world is properly to be staged. It is not merely that on the television screen entertainment is the metaphor for all discourse. It is that off the screen the same metaphor prevails. (92)

I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.

To harness the power of television for the education of our nation's children, everyone must get involved - television programmers, government leaders, teachers, and above all, parents.

The thrill of doing television versus features is in television you get to focus more on the characters.

Television is a non graded curriculum and excludes no viewer for any reason, at any time. In other words, in doing away wtih the idea of sequenece and continuity in education, television undermines the idea that sequence and continuity have anything to do with thought itself.

Television is not hurting. Television is in fantastic shape. It's just a golden age for other people.

She's television generation. She learned life from Bugs Bunny. The only reality she knows comes to her through the television set.

I think somewhere in the '90s, it started to shift, and you started to see a lot of film and television actors doing theater, and producers using the notoriety of the film and television actors to sell tickets.

I love doing movies, but right now, television is the way Hollywood was in the late '60s and early '70s. The dream era I would have loved to have been part of in Hollywood then is happening right now, but it's happening on television, with these big complicated story arcs and real character-driven shows and sheer ambiguity left and right.

In modern society most of us don't want to be in touch with ourselves; we want to be in touch with other things like religion, sports, politics, a book - we want to forget ourselves. Anytime we have leisure, we want to invite something else to enter us, opening ourselves to the television and telling the television to come and colonize us.

Theater is completely different from film or television. It has a beginning and a middle and an end and it's different every night. And it's far preferable to any other except in the sense of not getting paid, people who want to eat should do film and television.

I think poets are supposed to be writing for television and film. I grew up in the day of early TV that was so raw and funny, and I think we're in the next important moment of television, where it's really telling the epic of the culture like Charles Dickens was doing in the 19th century with his serialized novels.

I traveled and worked with amazing actors, like Andy Garcia, Alec Baldwin, Brendan Fraser, Forest Whitaker, Lee Pace. It was this great learning experience. And then, I started watching a lot of television. I was always in these foreign countries and I would get TV shows on DVD, and I started to realize that all of the amazing roles for women were on television. I was spoiled by Buffy because I thought that was the way it was everywhere, and it's not.

If theres something decent going in television, the mediums now are kind of equal. Television has become much higher quality.

Every film is a remake of a previous film, or a remake of a television series that everyone loved in the 1960s, or a remake of a television series that everyone hated in the 1960s. Or it's a theme park ride; it will soon come to breakfast cereal mascots.

So there was a constant flow and a thin line there between reality and television and yes, much of what I was experiencing in my real life was also what was going on in the television show to the extent that I had to take writers advice and from the counselors around.

I'm such a huge fan of television and what's happening in television, right now. You are able to visit characters and visit a story, week to week, push things in a different way than you can in a film, and you are able to go deeper, simply because you have more time. I'm just excited to do that. It's always good to do new things.

I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera.

Most Chinese filmmakers grew up watching television; they watched films on television, not in cinemas. The scope of their vision is not big enough, they're not yet detail-oriented enough. You have to watch films in cinemas for years to understand the depth and scope of vision needed in filmmaking. Directors in China usually come from an academic background; they graduate as film directors. Whereas the directors from Hong Kong learn their trade on sets, beginning at the lowest rung.

Television is a media of crisis, which means that television is a media of accidents.

Postman is a media analyst and his theory is that television doesn't influence our culture, but that it is our culture and the presidency and anything that relies on television.

The more opportunities people have to experience television on different platforms, the more television they consume overall. So there actually has been a benefit, but the ratings have gone down. But we've seen kind of the horizontal benefit of this. And it remains a great, great promotion engine.

If your working television sits on top of your non-working television, you might be a redneck.

It's funny, 90 percent of what I've done has been television, and I never really wanted to do it that much. I was really interested in film and theater. What's ironic is that when I started doing television, I did a bunch of amazing shows all in a row, starting with The Corner.

I hate to mention age, but I come from an era when we weren't consumed by technology and television.

I knew I wanted to be an actor when I was very young. I guess I was about 6 years old at the time, and I was fascinated by television. I started having waking fantasies where I was in a movie and there were crane shots of me during a scene.

One of the great sadnesses of modern life, because of our disenfranchisement and disillusionment with religion, is that we don't have access to these ideas. Yoga and meditation, for me, is a way of, in this secular world, accessing very very beautiful principles that would perhaps make us happier, at a time when people feel disillusioned with the economy, concerned about the ecology, worried with politicians, and don't trust what they're being told on television.

Television showrunners are a foolishly optimistic bunch.

What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.

I mean, there's definitely a difference between film and live performances or live television. But at the same time, it's just performing. No matter what, it's performing.

I've never left music behind, but I've had success in television.

Formula One gives a platform to companies like Rolex - and that's just in media space, watching television or reading newspapers, digital or physical. You see the brand in the context of the competition and bring it to the attention of everybody on a regular basis.

A bad play folds and is forgotten, but in pictures we don't bury our dead. When you think it's out of your system, your daughter sees it on television and says, My father is an idiot.

I was fortunate to be part of a very successful show on CBS in 1986. I switched to NBC for eight years and through these experiences have gotten terrific insight into television; it's a fascinating medium.

Television, although It's in steep decline, still occasionally gives voices to people who don't have voices.

It has been proven that more Americans watch television than any other appliance.

See, I don't watch reality television anymore. I watched a little bit of it for awhile, but I found it turned my soul into a black sludge, and I just did not find it healthy or good for me at all, because I would watch it and be disgusted, disgusted.

There was a time when television was sort of frowned upon among people who wanted to be serious artists. John Travolta kind of exploded that. He was one of the actors who made that go away.

Television is coitus interruptus brought into aesthetics.

Dreams are more original than images we see in the media, and are surprisingly unaffected by media. For example, the average person watches several hours of television per day, yet dreams are rarely about shows we have watched or news of the day.

The films of The Caine Mutiny and Marjorie Morningstar always seemed to me mere thin skims of the story lines, and I never did see a meager Hollywood caper called Youngblood Hawke, vaguely based on my 800-page novel. So it was that I opted for television, with its much broader time limits, for The Winds of War.

The only shared reality we have is things we have seen on television.

A lot of the comedians nowadays just do comedy as a stepping stone. Take for example Dane Cook. The guy is huge. The main reason he got into it is to do what he is doing now: film and television work.

Exponential growth in access to the Internet, satellite television and radio, cell phones, and P.D.A.'s means that breaking news now reaches virtually every corner of the globe.