Quotes About Television

I've really dreamed of doing television. All of us do television, coming up. But when I was coming up, television was a black hole for actors. Now, television has a certain cache. Now everybody wants to be on TV because they're doing adult dramas. If you're an actor, it's like, "Well, get me on television," because it's the only place you can do it and also make a living at it. If my kids need shoes, I better do a TV show because I damn sure don't make any money with independent films.

Television in the 1960s & 70s had just as much dross and the programmes were a lot more tediously patronising than they are now. Memory truncates occasional gems into a glittering skein of brilliance. More television, more channels means more good television and, of course, more bad. The same equation applies to publishing, film and, I expect, sumo wrestling.

The good television of today is probably better than the best television of the old days. The bad television of today is worse. It is not only bad - it is damaging, meretricious, seedy and cynical.

I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.

This whole thing about reality television to me is really indicative of America saying we're not satisfied just watching television, we want to star in our own TV shows. We want you to discover us and put us in your own TV show, and we want television to be about us, finally.

I know when I was growing up in New York, whenever I turned on the television, I never saw a face that looked like me. Whenever there was an Asian person on television, it would be a huge event, me calling to my older sister 'There's an Asian person on television!' It was unheard of back then.

I actually think the band doesn't need the television show. And I actually think the television show holds it back. No one at radio wants to play a band that's on a television show.

Television is just the wrong medium, at least in prime time, to teach science. I think it is hopeless if it insists on behaving like television. . . .

It is no accident that television has been dominated by a handful of corporate powers. Neither is it accidental that television has been used to re-create human beings into a new form that matches the artificial, commercial environment. A conspiracy of technological and economic factors made this inevitable and continue to.

Television thrives on unreason, and unreason thrives on television. It strikes at the emotions rather than the intellect.

Everybody should have a television show. Let's all get television shows!

I became an actor, and because I had success as an actor, I became famous. I was acting for quite a while before I got famous; television made me famous. I guess that it's television that is responsible for everybody's desire to be famous.

There is no doubt that directing television has helped hone my directing skills. What television teaches you is to be efficient and to think on your feet. You have to adhere to strict deadlines and budget constraints.

People think I appear on television to promote my image. That's not fair. I hate filming. I turned down 'Strictly Come Dancing.' But television is a wonderful opportunity to promote scientific ideas. 'Super Doctors' is a very thoughtful piece.

What I want to do is create great content on television and movies. It is not my role to program only for Latinos, and you can't really assume that Hispanics only want Hispanic content. But I do think that we are severely underrepresented in television and film. And instead of complaining about not seeing ourselves, we should become film producers, directors, and writers, and tell our story.

TV was my life, growing up. I ran home from school to watch television, and even did my homework with the TV on - my mom had a rule that as long as my grades didn't fall, I was allowed to. So it was my dream to work in television.

There's this message to comedians in particular, that you shouldn't write it, and a television writer should write it. And that's a prevailing conventional wisdom that I think is really wrong. That's not to say that television writers aren't great, but I think that the belief that some comedy writer's going to be able to capture your voice is naive.

I love doing movies, but right now, television is the way Hollywood was in the late '60s and early '70s. The dream era I would have loved to have been part of in Hollywood then is happening right now, but it's happening on television, with these big complicated story arcs and real character-driven shows and sheer ambiguity left and right.

I don't really watch a lot of television, and I would watch mindless, mindless television.

Rather than lose the public because television is here, wouldn't it be smart to adopt television as our instrument?

Television is also a great tool for women. As you know, the best female roles are often on television, so it's a very exciting time. I've really embraced it. The pace is great, but also not so great sometimes. You feel like you have to make sure to pay attention, at all times, to not let anything slip through.

I've always really made my living in television. Television has always been so good to me.

Our biggest art forms are film and television, and there hasn't been a great film about 9/11 yet, nor has there been a great television series. Something like The Wire gives us a rich and fully achieved picture of the wasteful, cruel War on Drugs; something like The White Ribbon gives a perspective on World War I that could only have been presented long after the event itself.

If theres something decent going in television, the mediums now are kind of equal. Television has become much higher quality.

I think I've actually benefited from Australia being a kind of combination of both British and American culture. We kind of got the best of both British and American television and books, science fiction and fantasy, and so on. So I'm familiar with a lot of, for example, American books and television that a British author of my generation might not be.

I was a massive fan of 'Twin Peaks.' Massive. I don't know how any of us grew up in this age of television and weren't astounded, and saying that, I'm still shocked that that was on network television.

Because of the power of television, I was visible to everybody all over the world. But there are many things in the theater that are more fulfilling and that I look forward to doing more. But really, I love it all: theater, film, television.

Somebody said on television, somebody said last night on television: Nobody has gotten rich betting against Donald Trump. That's in my lifetime. That's not just for this election cycle. I went in, and people said: "He's not gonna run." I've gone through this with you.

I had never thought of doing television. But my agent wanted me to meet John Wells, who had had a lot of success producing ER and China Beach. The night before the meeting, some friends were over for dinner and Akiva Goldsman and I slipped downstairs to the basement so we could sneak a cigarette. He said, "You know what would make a good television series? That." And he was pointing at The American President poster. He said, "There doesn't have to be a romance, just focus on a senior staffer."

You used to have to make a choice. Is it a serialized television show, or is it a stand-alone or procedural? We were wildly influenced by The X-Files. Even when we created Fringe, it was the same thing. It's the gold standard of all gold standards, in genre television, and it was so wonderful because you felt so much for those characters.

Ed Simmons and I became stars in the emerging medium of television. We were new and fresh, just like TV at the time, so we automatically became 'THE' comedy writers for television.

It's magical thinking to imagine that the reason unspeakable things are being perpetrated by younger and younger people is that they've fallen under the influence of seductive, lascivious, prurient, and violent material in books, films, television. A great deal of this type of censorship has to do with absolving parents of responsibility - parents who just plop their kids in front of the television and leave them there hour upon hour.

I don't. We've had three technological revolutions that have changed the course of human history, all driven by physics. In the first, the industrial revolution, physicists developed Newtonian mechanics and thermodynamics, which gave us the steam engine and machine power. The second technological revolution was the electricity revolution. That gave us radio, television, and telecommunications. Then, physicists developed the laser and the transistor.

In every area, we seem to have thrown everything away and embraced reality television. Its nauseating, programme after programme.

Television turned out to be exactly as bad as the most irritating and pedantic intellectuals of the '50s said it was going to be.

In truth, ayahuasca is the television of the forest.

I have no regrets about not having children. I still wait for the pang of guilt, but I have none. I tune into the television show Nanny 911 occasionally which reminds me how much patience and love it take to be a good parent.

Billy was fascinated by the television. At its most basic level, it occupied his time and shut out the demons of isolation. This was another irony because, for so long, he had shunned the tube for a similar purpose-to prevent it from bombarding his brain with demons of banality. However, each time he turned the machine on, he began to discover a world of assorted delights, as well as gain insight into the insidious manner in which this medium was shaping the mass psyche. If nothing else, he learned there was nothing innocuous about it.

I just sit ther and do what I vowed I would never do - talk back to the television.

Remember what Hannah Arendt said when she was talking about fascism and totalitarianism. She said thoughtlessness is the essence of totalitarianism. So all of a sudden emotion becomes more important than reason. Ignorance becomes more important than justice. Injustice is looked over as simply something that happens on television. The spectacle of violence takes over everything.

They killed me in The Sopranos. I went to David Chase, and I said, "Why me? I'm a detective! You can use me forever!" And he told me, "John, there's a rule in television: Somebody has to die that the audience likes."

The awful scenes of death and suffering we were witnessing on our television screens have been going on in other parts of the world for a long time, and only now can we begin to know what people have gone through, often as a result of our policies.

I would have been a lot more nervous if I would had known that Matthew McConaughey was [on 30th Annual Television Critics Association Awards] and Julia Louis-Dreyfus was there and all that, and I was like, "Wait a minute and Bryan Cranston's here..." I think I would have got more nervous. But I think thinking it was just like, "Oh yeah critics, we're good." It was great.

Television is coitus interruptus brought into aesthetics.

The films of The Caine Mutiny and Marjorie Morningstar always seemed to me mere thin skims of the story lines, and I never did see a meager Hollywood caper called Youngblood Hawke, vaguely based on my 800-page novel. So it was that I opted for television, with its much broader time limits, for The Winds of War.

I don't know, unless you disagree with me, wouldn't it be better, if we were going to go after Mosul, to not say anything and do it as opposed to announcing? They're announcing all over television they're planning to attack Mosul.

I've always been conscious of the fact that there aren't enough Irish voices on British television compared to the amount of Irish people who live there.

The idea of being on a show where each season stands alone, and you can come back the next year and show an entirely different aspect of your personality or your talent or your anything is an enormous gift that you rarely get in television.