Quotes About Tradition

When they talk about family values, it's in a repressive way, as if our American tradition were only the Puritan tradition or the 19th century oppressive tradition. The Christian tradition.

Those who feel guilty contemplating "betraying" the tradition they love by acknowledging their disapproval of elements within it should reflect on the fact that the very tradition to which they are so loyal—the "eternal" tradition introduced to them in their youth—is in fact the evolved product of many adjustments firmly but delicately made by earlier lovers of the same tradition.

The urge to break with a tradition is only appropriate when you're dealing with an outdated, troublesome tradition: I never really thought about that because I take the old-fashioned approach of equating tradition with value (which may be a failing). But whatever the case, positive tradition can also provoke opposition if it's too powerful, too overwhelming, too demanding. That would basically be about the human side of wanting to hold your own.

The Western music tradition is mostly addressed to a public that has a critical mind, and judges the quality of the writing, of the interpretation. And I think it is a great tradition! It pushes the musicians to always go further, and to never stop pushing the limits and explore what can be done with sounds. And great pieces of art were born from that tradition.

To those who say "Sufism is apolitical" or "no politics," I respond: "No politics is politics." Look at the very old African Sufi tradition, the Asian Sufi tradition, or the North African Sufi tradition. Then you get it and understand what Sufism is all about wisdom, courage and resistance.

I am a Minnesotan, and not just because I root for the Vikings and the Twins. I like the Minnesota-nice sensibility. I like the liberal tradition; I like the Hubert Humphrey tradition fighting for civil rights.

Whether he is aware of it or not, every human being dwells in tradition and history. Human memory is this constant dwelling in tradition. It constitutes that fundamental human characteristic of historicity.

The novel tradition is the closest thing I have to a religion, and being a part of that tradition means a lot to me. I don't really see - I never have seen - why I should have to forfeit that feeling, or hope, of belonging, just because the stories I want to tell are close to my own experience.

We are all affected by Le Corbusier, Frank Lloyd Wright, Alvar Aalto, and Mies van der Rohe. But no less than Bramante, Borromini, and Bernini. Architecture is a tradition, a long continuum. Whether we break with tradition or enhance it, we are still connected to that past. We evolve.

The Anglo-American tradition is much more linear than the European tradition. If you think about writers like Borges, Calvino, Perec or Marquez, they're not bound in the same sort of way. They don't come out of the classic 19th-century novel, which is where all the problems start. 19th-century novels are fabulous and we should all read them, but we shouldn't write them.

We're so busy resigning ourselves to the inevitable that we don't even ask if it is inevitable. We've got to have courage, to take our future into our hands. If the law is oppressive, we must change the law. If tradition is obstructive, we must break tradition. If the system is unjust, we must reform the system.

Both Italy and Britain have a great tailoring tradition. British men are famously elegant and careful with their style: they love to have their clothes tailored, and they often have a trusted tailor who is passed on from father to son. Plus you have this great textile and fabric tradition, which has been a source of inspiration to us.

I think that voodoo as a spiritual tradition has been demonized for so long in popular culture. I wanted to write against that and write a character who practiced that spiritual tradition who was not evil and intent on creating zombies or causing pain through voodoo dolls or whatever.

I think what traditional studios probably don't understand is that it's a genuine advancement in the actor's tradition. And you know, the tradition and craft of acting. And it's the latest step. You know, we, we tend to find forms of delivering stories that fit our times.

You've got to reach towards a better language, and you're not going to make it up from scratch; you've got to reach back into the tradition. Western tradition is not as impoverished as a lot of people would like to think, but you'd have to go back before the industrial revolution; you may have to go back farther than that. Of course, the Bible has a perfectly adequate language, but it's suffered a lot of thoughtless wear.

I come from a tradition - from the Jewish tradition, which believes in words, in language, in communication.

These maxims and the art of interpreting them may be said to constitute the premisses of science but I prefer to call them our scientific beliefs. These premisses or beliefs are embodied in a tradition, the tradition of science.

Many analysts compare Turkey with countries in the Middle East, but I think we need to compare it with Russia. Both countries come from a tradition of empire, and also from a tradition of the strong state.

I think I come from a theatrical tradition where, if you look at the great theatrical actors of the British theatre, they took enormous pride in being wildly different from one role to the next. That's the tradition I come from.

Does people not asking me about Asian American literature mean they don't see it as its own literary tradition? I certainly believe in it as its own literary tradition, because your race plays a great factor in how you are seen by the world, and how you see the world; the fact that I'm an Asian American isn't incidental to who I am as a writer. Where it becomes difficult is defining what, if anything identifiable at all, makes an Asian American book an Asian American book, other than the fact of its creator being Asian. And I'd argue that there is nothing identifiable beyond that.

From the Muslims I learned from the extraordinary pluralism of the Koran, the fact that the Koran endorses every single one of the major world faiths, but I was particularly enthralled by the Sufi tradition, the mystical tradition of Islam, which is so open to other religious faiths.

If I belong to a tradition it is a tradition that makes the masterpiece tell the performer what he should do and not the performer telling the piece what it should be like, or the composer what he ought to have composed.

There were positive things about the church, that is, in the European cultural sense, the architecture, the liturgy, the music, the art, such as it was, the stations of the cross in the church, the tradition, and the atmosphere of awe and mystery in the mass. The atmosphere of miracle, one of mainly mystery, that's what fascinates me.

Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.

Comcast began their tradition of volunteer service in 1997 when Comcast employees and their families participated in the Philadelphia Cares Day.

We come from a proud tradition of people who have insisted that none of us can be truly successful until at least the barriers to such success and thriving are completely removed. I think the black narcissism that prevails, along with the stylish materialism and self-satisfied, smug attitudes among many of our upwardly mobile brothers and sisters should be identified and criticized.

There wasn't a big tradition of comedy at Dartmouth. More than that, there wasn't really anything artsy going on in Hanover, or even in New Hampshire. The cool thing about the school is that there's nothing for people to watch, so if you were to do a play or a sketch or an improv troupe, it was always packed. There's nowhere else for anyone to go. But there was no comedy.

Few of us have been so exceptionally unfortunate as not to find, in our own age, some experienced friend who has helped us by precious counsel, never to be forgotten. We cannot render it in kind, but perhaps in the fulness of time it may become our noblest duty to aid another as we have ourselves been aided, and to transmit to him an invaluable treasure, the tradition of the intellectual life.

So when modern-day religious conservatives wax nostalgic about how marriage is a sacred tradition that reaches back into history for thousands of uninterrupted years, they are absolutely correct, but in only one respect-only if they happen to be talking about Judaism.

A poet clings to his own tradition and avoids internationalism.

Informed decision-making comes from a long tradition of guessing and then blaming others for inadequate results.

I am very true to the proud tradition of the old school wrestling that I was brought up on. I am very blessed to be able to live out my dreams, and I have a great respect for the business.

I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.

What seems natural to us is probably just something familiar in a long tradition that has forgotten the unfamiliar source from which it arose. And yet this unfamiliar source once struck man as strange and caused him to think and to wonder.

Anybody who had come up with a new concept would have been under suspicion for being out of step with the tradition or out of step with the teachings of the church.

Without words to objectify and categorize our sensations and place them in relation to one another, we cannot evolve a tradition of what is real in the world.

This is what rituals are for. We do spiritual ceremonies as human beings in order to create a safe resting place for our most complicated feelings of joy or trauma, so that we don't have to haul those feelings around with us forever, weighing us down. We all need such places of ritual safekeeping. And I do believe that if your culture or tradition doesn't have the specific ritual you are craving, then you are absolutely permitted to make up a ceremony of your own devising, fixing your own broken-down emotional systems with all the do-it-yourself resourcefulness of a generous plumber/poet.

When we talk about the Judeo-Christian or the Judeo-Muslim tradition, it's important to remember that we are speaking of a Jewish component of civilization, but not in itself a civilization. What is happening now in Israel is that you have a coming together of Jews from the Christian world and Jews from the Muslim world with different cultures.

Would-be novelists need to bring equal parts arrogance and ignorance to the task before them. The arrogance is almost self-explanatory. Walk into any bookstore or library, calculate how many lifetimes the average person would need to read all the fiction contained therein. To think that one has anything to contribute, to any genre or tradition, takes genuine hubris.

Men make their own history, but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly encountered, given and transmitted from the past. The tradition of all the dead generations weighs like a nightmare on the brain of the living.

My mother, whose family was heavily rabbinic, said she wanted me to continue the family tradition in the rabbinate. My father said he wanted me to be a scholar of the Talmud, but he wanted me to make my living in science.

As a guiding principle I believe that every poem must be its own sole freshly created universe, and therefore have no belief n 'tradition' or a common myth-kitty or casual allusions in poems to other poems or poets, which last I find unpleasantly like the talk of literary understrappers letting you see they know the right people.

I think the editorial page of the Washington Post is the best in the country. I think the editorials - considering it's a liberal town, liberal constituency and from the liberal tradition - I think it's the best editorial page around. It's quite balanced.

We have a long-standing tradition in this country to follow the advice of Senator Vandenberg, which is that politics ends at the water's edge.

I believe that there is a God, and coming from an African tradition, I believe also that there are gods.

In America nothing dies easier than tradition.

It is the fashion to talk of our changing climate and bewail the hot summers and hard winters of tradition, but how seldom we pause to marvel at the remarkable constancy of the weather from year to year.

When I do older folk songs, I'm not doing them because they're old. I have no interest in reviving or continuing a tradition. I'm just doing them because they're great songs.