Quotes About Tradition

To those who say "Sufism is apolitical" or "no politics," I respond: "No politics is politics." Look at the very old African Sufi tradition, the Asian Sufi tradition, or the North African Sufi tradition. Then you get it and understand what Sufism is all about wisdom, courage and resistance.

I don't really know of the Jewish tradition of comedy, only the Jewish tradition of not keeping your mouth shut. Complaining about all that is hard, unfair or ridiculous in life-having strong feelings, and not being able to suppress them. That, to me, is Jewish.

It is part of what makes America great. That tradition of the free press, and also the tradition of this highly competitive market for investigative journalism. We're seeing, there's no question, that we're seeing a renaissance of that.

I view Witchcraft as a religion that has evolved over the centuries. I do not consider Witchcraft to be a modern invention. Instead I deal with it in my writings as a Mystery Tradition with long roots to the past. It has always been my position that we don't need an ancient tradition in order to be validated. We just happen to have one.

The scientific tradition is distinguished from the pre-scientific tradition by having two layers. Like the latter, it passes on its theories; but it also passes on a critical attitude towards them.

I like narrative storytelling as being part of a tradition, a folk tradition.

Warriorship does not refer to making war on others. Aggression is the source of our problems, not the solution. Warriorship is the tradition of human bravery, or the tradition of fearlessness.

This is a tradition of resistance to the term that's as old as the term itself, especially because that term has been used to commodify and reduce black creativity, and also to appropriate and sell it. That's what John Coltrane said in an interview with a Japanese journalist: "Jazz is a word they use to sell our music, but to me that word does not exist." And he's treated as one of the central figures in the history of jazz. So if he rejected it, then why is it weird when I do it? I'm in the tradition!

Tradition is what is in the heart and soul of your home, your country, and social environment. Tradition evolves, and it changes regardless of what you do to maintain it.

Certainly I'm participating in an already established and awesome tradition, but it's a tradition that sort of shoots up and through the mainstream in short bursts and pulses and then gets diluted. Walt Whitman and Emily Dickinson shot up and then got sucked back down underground under more entertaining and less radical versions of body and self - poetry and prose that posited bodies in more perfect union with good citizenship.

The non-geometric biomorphic forms of Arp and Miro and Moore are definitely in the ascendant. The formal tradition of Gauguin, Fauvism and Expressionism will probably dominate for some time to come the tradition of Cezanne and Cubism.

Traditions are neither good nor bad, they simply are... Rationality is not an arbiter of traditions, it is itself a tradition or an aspect of a tradition.

Confucius is like the Torah, rules to follow. And Lao-Tzu is even more conservative, saying that if you do nothing you won't break any rules. You have to let tradition fall sometime, you have to take action, you have to eat bacon.

I will always speak out when someone says that a principle or a rule or a tradition trumps people.

The wood-carver can fashion whatever he will. Yet his products are but toys of the moment, to be glanced at in jest, not fashioned according to any precept or law. When times change, the carver too will change his style and make new trifles to hit the fancy of the passing day. But there is another kind of artist, who sets more soberly about his work, striving to give real beauty to the things which men actually use and to give to them the shape which tradition has ordained. This maker of real things must not for a moment be confused with the maker of idle toys.

Science seeks the truth. And it does not discriminate. For better or worse it finds things out. Science is humble. It knows what it knows and it knows what it doesn’t know. It bases its conclusions and beliefs on hard evidence -­- evidence that is constantly updated and upgraded. It doesn’t get offended when new facts come along. It embraces the body of knowledge. It doesn’t hold on to medieval practices because they are tradition.

I do notice that my songs fit all over the map, even in terms of the colloquialisms in them. The songs come out with their references intact, almost unheeded by me. It's like they existed somehow before they met me with their relationship to the tradition, and then they just end up coming through me at that moment because of my relationship to some certain kind of music that I've listened to in my life. I know that sounds a little bit woooey.

Just because something is traditional is no reason to do it, of course. Piracy, for example, is a tradition that has been carried on for hundreds of years, but that doesn't mean we should all attack ships and steal their gold.

There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage.

Many intellectual heroes in the European tradition seem to find the great outdoors a chilling prospect - and its literary analogue, the mythworld, equally chilling. As if a world in which humans have no leverage, and might not be present at all, couldn't be interesting to humans.

There's no tradition of scientists knocking down the Sunday school door, telling the preacher, That might not necessarily be true. That's never happened. There're no scientists picketing outside of churches.

The fact that tradition hinders the individual savage from thinking logically by no means proves that he cannot think logically.

A necessary part of our intelligence is on the line as the oral tradition becomes less and less important. There was a time throughout our land when it was common for stories to be told and retold, a most valuable exercise, for the story retold is the story reexamined over and over again at different levels of intellectual and emotional growth.

There's a tradition of reenactment in documentary which is about sort of illustrating what the past might have been like.

I was interested in Armstrong to begin with because he is the most important figure in Jazz in the 20th Century. There's simply no question about it. I mean, if you're going to compare him to somebody, it's Shakespeare in terms of centrality of the tradition, in being at the beginning of it.

That became my aesthetic - a very Chekhovian, American realist aesthetic in the tradition of Raymond Carver, Richard Ford, and Tobias Wolff. The perfectible, realist story that had these somewhat articulate characters, a lot of silence, a lot of obscured suffering, a lot of manliness, a lot of drinking, a lot of divorces. As my writing went on, I shed a lot of those elements.

Art is collective. Always, it has a tradition behind it.

Antiracism is not "my" campaign. I have been doing antiracism organizing, activism, educating and writing for 20 years, in one form or another, but it's not a personal crusade. My work is part of a larger tradition, and larger effort, involving mostly people of color, and of course some white allies as well.

Not the least misfortune in a prominent falsehood is the fact that tradition is apt to repeat it for truth.

For me, the spirit of Christmas means being happy and giving freely. Its a tradition for all the kids in the family to help mom decorate the tree. Christmas is all about family, eating, drinking and making merry.

I like the dynamism and the joy cabare creates. I have always taken my job very seriously, but have always liked to have fun, to play. I like tradition and classicism but I have always liked to mix it up, even if it shocks at times.

Although contemporary advertising is relatively young, it already has a considerable tradition. Each new ad is encountered against a background of thousands of earlier ads.

I tell my students, 'It's an important tradition and you have to go back and hear this music and learn its language all the way through. How are you going to know what's new to play, if you haven't listened to everything that's old?'

The Bible is interpreted by the Talmud. Except, in Rabbinic tradition, a Talmudic law has the weight of the Biblical law. Sometimes we say in a prayer, "Blessed are Thou, O God, who has ordered us and commended us," to do something. But you don't find that "something" in the Bible; you find it in the Talmud. So Talmudic law becomes as important as Biblical law.

I simply state that I'm a product of a versatile mind in a restless generation - with every reason to throw my mind and pen in with the radicals. Even if, deep in my heart, I thought we were all blind atoms in a world as limited as a stroke of a pendulum, I and my sort would struggle against tradition; try, at least, to displace old cants with new ones. I've thought I was right about life at various times, but faith is difficult. One thing I know. If living isn't seeking for the grail it may be a damned amusing game.

Most of my formal choices are a combination of everything I learned about form - semiotics, linguistics, and the history of style experimentations tethered to literary movements (formalism, deconstruction, modernism, and postmodernism), and the basic principal of breaking every rule I ever learned from a patriarchal writing tradition that never included my body or experience, and thus has nothing to offer me in terms of representation.

Without words to objectify and categorize our sensations and place them in relation to one another, we cannot evolve a tradition of what is real in the world.

I was brought up on choirs and brass bands. They formed the music of my childhood. When I heard the Treorchy Male Choir at the Royal Variety Performance it brought back such happy memories. You have your own eminent place in the history of British music. You stand for excellence in a great tradition and your work for charity is both an example and an inspiration.

Major Trends [is] the canonical modern work on the nature and history of Jewish mysticism. For a sophisticated understanding, not only of the dynamics of Jewish mysticism, but of the exquisite complexities of Jewish history and tradition, Major Trends is a major port of entry through which one must pass.

This is what rituals are for. We do spiritual ceremonies as human beings in order to create a safe resting place for our most complicated feelings of joy or trauma, so that we don't have to haul those feelings around with us forever, weighing us down. We all need such places of ritual safekeeping. And I do believe that if your culture or tradition doesn't have the specific ritual you are craving, then you are absolutely permitted to make up a ceremony of your own devising, fixing your own broken-down emotional systems with all the do-it-yourself resourcefulness of a generous plumber/poet.

I know some people like to follow the tradition, and that's who they are. That's not me.

Men make their own history, but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly encountered, given and transmitted from the past. The tradition of all the dead generations weighs like a nightmare on the brain of the living.

I had not lived there a week before my feet wore a path from my door to the pond-side; and though it is five or six years since I trod it, it is still quite distinct. It is true, I fear that others may have fallen into it, and so helped to keep it open. The surface of the earth is soft and impressible by the feet of men; and so with the paths which the mind travels. How worn and dusty, then, must be the highways of the world, how deep the ruts of tradition and conformity!

Hollywood industry people are very spoiled. I don't think they can adjust to the insane, no-money, super-hard working tradition of Japanese filmmaking. I don't think any American can go through that. They don't want to work more than twelve hours and they want Saturday and Sunday off.

I try not to think of myself as a woman filmmaker. I don't look for women influences. I have noticed in the past few years that there is a certain ceiling that a woman filmmaker can reach. I don't believe that it's sexism per se, but there are certain expectations in the industry about what films should be, how they should be made, what stories they should tell, and it's a habit, it's a tradition.

To say that the Afro American created jazz doesn't mean anything bad about Anglo Americans, and I always teach my younger jazz musicians that at this point the entirety of the American tradition is your heritage, and you need to know it.

Like most people of my generation, I fell in love with the philosophy of existentialism. There is no particular religious tradition in my work. There is only one psychological assertion that I would insist upon. That is: the SELF takes precedence.

I play Irish popular music, yeah? Calling it folk is like putting it in a box. It's a living tradition, you know?