Quotes About Tragedy

The mark of a good marriage is partnership and continuing to feel inspired by your spouse. I had that with Tao. But the end is not necessarily the tragedy. Staying in a relationship that is no longer working is the tragedy. Living unhappily - that's the tragedy.

I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.

What I'm interested in is happiness with a full awareness of the tragedy of life, the potential tragedy that lurks around every corner and the tragedy that actually is life.

[Comedies], in the ancient world, were regarded as of a higher rank than tragedy, of a deeper truth, of a more difficult realization, of a sounder structure, and of a revelation more complete. The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man. ...Tragedy is the shattering of the forms and of our attachment to the forms...

The tragedy of this world is that no one is happy, whether stuck in atime of pain or of joy. The tragedy of this world is that everyone is alone. For a life in the past cannot be shared with the present. Each person who gets stuck in time gets stuck alone.

We all know what tragedy is. "Yes, I'd rather not have any more tragedy, please. I'll have comedy, please." Comedy, in the Greek sense, only means that it has a happy ending.

The tragedy of life doesn't lie in not reaching your goal. The tragedy lies in having no goal to reach. It isn't a calamity to die with dreams unfulfilled, but it is a calamity not to dream...It is not a disgrace not to reach the stars, but it is a disgrace to have no stars to reach for. Not failure, but low aim is sin.

In all love stories the theme is love and tragedy, so by writing these types of stories, I have to include tragedy.

I don't want to make a style. Not tragedy, not comedy. Life is a mixing of all kind of things: comedy and tragedy going together.

As Karl Marx once noted: 'Hegel remarks somewhere that all great, world-historical facts and personages occur, as it were, twice. He forgot to add: the first time as tragedy, the second as farce.' William Jennings Bryan and the Scopes trial was a tragedy. The creationists and intelligent design theorists are a farce.

And those who only know the non-platonic love have no need to talk of tragedy. In such love there can be no sort of tragedy.

Artists react to tragedy by doing something both as a way for us as artists to process our pain and our grief and our loss and as a way to give something back and memorialize people that are lost. That always makes it far harder to compartmentalize things. As a species, should never get used to tragedy and we should do everything we can to prevent it from happening and to celebrate people loving people. We should all be lucky enough to be loved and to love someone in return. That's what this is about.

The tapestry of history that seems so full of tragedy when viewed from the front has countless comic scenes woven into its reverse side. In truth, tragedy and comedy are the twin masks of history - its mass appeal.

Hopefully we can come together without tragedy making us do this. Because ultimately underneath it all, at the risk of sounding cliché, we have so much more in common than we do different. When someone loves someone we should celebrate that and be happy for the people in love. That's the goal. We're all here because we want to be loved and love someone else.

I'd been upstaged, demoted from protagonist in my own drama to comic relief in my parents' tragedy

The reality is, there is heartbreaking tragedy that has struck American families because people who came into this country illegally are now involved in criminal and reprise and activity, and we do not have the resources or the will to deport them systematically.

The tragedy is that we have too many dead men in the pulpits giving out too many dead sermons to too many dead people.

Sometimes, recently Israeli-Palestinian conflict is indeed a clash between wrong and wrong. It is not as simple as fascism was. Every decent man had to be against fascism, period. It is not as simple as apartheid or colonialism or racism or misogyny. It is not simple because the Palestinians have no other land. They are absolutely right about this. The Israeli Jews also have no other land and they are absolutely right about this. It is a tragedy of two peoples claiming the same very small country, about the size of New Jersey.

Something of defeat, something of tragedy, can be a sacrament because it stops us and causes us to look deeper.

None of us has ever seen a motive. Therefore, we don't know we can't do anything more than suspect what inspires the action of another. For this good and valid reason, we're told not to judge. Tragedy is that our attention centers on what people are not, rather than on what they are and who they might become.

Tragedy is in the eye of the observer, and not in the heart of the sufferer.

We have to understand - not justify - what gives rise to this tragedy. It's not because they're looking for beautiful virgins in heaven, as Orientalists portray it. Palestinian people are in love with life. If we give them hope - a political solution - they'll stop killing themselves.

Commonplace people dislike tragedy because they dare not suffer and cannot exult.

If humor is not present, I tend to be concerned about the artist, or distrusting of what they're presenting - unless there is an obvious tragedy being talked about.

Aid workers, when handing out food to starving people, quickly learn that the people fighting for it at the front are the people who need it least. It's the people sitting quietly at the back, too weak to fight, who need it the most. And so too with tragedy.

We're blues people. And blues never lets tragedy have the last word.

Tibet's a tragedy. It's an insult to human decency.

Look at Mann's reading habits, his explicit comments on Nietzsche, and his copy of Birth of Tragedy, and it starts to seem doubtful that this work of Nietzsche's played much role in the gestation of the novella.

I'm connected to the event of 9/11 by my desire to do something to honor the 9/11 survivors and those who didn't survive. Something that moves our society forward, something that engages children in what it means to be a citizen and encourages them to love and be inclusive. Because if we don't live our lives well - if I don't live my life well - it's an affront to all the people who were involved in the tragedy of 9/11.

One can play comedy, two are required for melodrama, but a tragedy demands three.

But I find with Francis Bacon, some of the things were in the place, and someone who was connected with these schools of thought, and someone who had a motivation that equals the scope of the comedy and the tragedy in the plays.

It's so laughable that it's somewhere beyond comedy and right into tragedy again.

Tragedy makes you grow up.

What can be considered human emotions? Surely not only lyricism, sadness, tragedy? Doesn't laughter also have a claim to that lofty title? I want to fight for the legitimate right of laughter in "serious" music.

If we climb high enough, we will reach a height from which tragedy ceases to look tragic.

The tragedy of machismo is that a man is never quite man enough.

People say that this new generation is so used to the Internet that their heads are already different. They can't read a book from beginning to end. That is not a tragedy. The book changes form.

Worries typically follow such lines, a narrative to oneself that jumps from concern to concern and more often than not includes catastrophizing, imagining some terrible tragedy. Worries are almost always expressed in the mind's ear, not its eye - that is, in words, not images - a fact that has significance for controlling worry.

You'll say I'm self-destructive I constructed all this tragedy. Go tell them all it's all my fault You'll tell them I was crazy . And anyway it's over now Nothing left to say.

The romantics would call this a love story, the cynics would call it a tragedy.

The first divorce in the world may have been a tragedy, but the hundred-millionth is not necessarily one.

Our government has become too responsive to trivial or ephemeral concerns, often at the expense of more important concerns or an erosion of our liberty, and it has made policy priorities more dependent on where TV journalists happen to point their cameras. . . . As a nation we have lost our sense of tragedy, a recognition that bad things happen to good people. A nation that expects the government to prevent churches from burning, to control the price of bread or gasoline, to secure every job, and to find some villain for every dramatic accident, risks an even larger loss of life and liberty.

The tragedy of the poor is that they can afford nothing but self denial.

The real tragedy is that we're all human beings, and human beings have a sense of dignity. Any domination by one human over another leads to a loss of some part of his dignity. Is one's dignity that big it can be crumbled away like that?

Plain experience and common sense inform us that no abstract Person can have made us as we are without also wishing to delete us and start over (Gen. 8:21; Zeph. 1:2). Therefore, the existence of cruel and arbitrary nature, together with the universality of human sin, prevents us from beginning the theological enterprise with any concept of God that is distinct from revelation. All theologies of a cosmic harmonic principle shipwreck on the truths of tragedy, catastrophe, and injustice.

Kids are a great analogy. You want your kids to grow up, and you don't want your kids to grow up. You want your kids to become independent of you, but it's also a parent's worst nightmare: That they won't need you. It's like the real tragedy of parenting.

She had that thing most people don't have - curiosity. She might not have always got the right answers, but she wanted to ask the questions. It's very hard if you are interested in ideas and all that, ideas and the philosophies of the past, it's very hard to find someone around here to really talk to. That's the tragedy of the thing really I mean, when you think about it. Certainly I can't find anyone around here to talk to anymore. And for a woman it's even harder you see. They can feel very trapped - because of the patriarchy. I do feel everyone needs to have these little chats now and then.

The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility. In the end, these unavoidable conflicts provide architecture's essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.