Quotes About Words

One of the major symptoms of the general crisis existent in our world today is our lack of sensitivity to words. We use words as tools. We forget that words are a repository of the spirit. The tragedy of our times is that the vessels of the spirit are broken. We cannot approach the spirit unless we repair the vessels. Reverence for words - an awareness of the wonder of words, of the mystery of words - is an essential prerequisite for prayer. By the word of God the world was created.

Words were one of the most powerful forces known— or unknown— to man. The Most High had created this world with His words. And humans, who had been fashioned in His image, could direct the entire course of their lives with their words, their mouths as the rudder on a ship, as the bridle on a horse. They produced with their words. They destroyed with their words.

For we let our young men and women go out unarmed in a day when armor was never so necessary. By teaching them to read, we have left them at the mercy of the printed word. By the invention of the film and the radio, we have made certain that no aversion to reading shall secure them from the incessant battery of words, words, words. They do not know what the words mean; they do not know how to ward them off or blunt their edge or fling them back; they are prey to words in their emotions instead of being the masters of them in their intellects.

Some words have to be explicitly uttered, Lenore. Only by actually uttering certain words does one really DO what one SAYS. 'Love' is one of those words, performative words. Some words can literally make things real.

Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts.

And this is how I know that it's all just words, words, words - that fundamentally, they make no difference... Our relationship, for as long as things were good, and in that moment when they could have been good again, was about the irrelevance of words. You feel what you feel, you act as you act, who in the history of the world has ever been convinced by a well-reasoned argument?

So we see, brethren and sisters that the words of Christ can be a personal Liahona for each of us, showing us the way. Let us now be slothful because of the easiness of the way. Let us in faith take the words of Christ into our minds and into our hearts as they are recorded in sacred scripture and as they are uttered by living prophets, seers, and revelators. Let us with faith and diligence feast upon the words of Christ, for the words of Christ will be our spiritual Liahona telling us all things what we should do.

I'm trying to think of myself at a quiet time. I need to do better with a quiet mind because I'm constantly going and I think that's what feeds me. I've been that way my whole life. But I don't think I picture things so much as I talk them through. Words, words, words. Words and melody.

Words are singularly the most powerful force available to humanity. We can choose to use this force constructively with words of encouragement, or destructively using words of despair. Words have energy and power with the ability to help, to heal, to hinder, to hurt, to harm, to humiliate and to humble.

Paul's words are not the Words of God. They are the words of Paul- a vast difference.

Encourage others each and every day-nothing's more important than our words. Did you know that, on average, each of us speaks about twenty-five thousand words daily? My last book didn't have that many words. A lot of language is flowing out of our mouths every day and having an impact on those around us. But how much of that flow is fulfilling God's intended purpose for our speech? How much of it reflects pride, rather than a gospel-motivated humility?

I have used the words and expressions which my experiences from Minsk to Kharkov to the Don suggested to me. But I should have reserved those words and expressions for what came later, even though they are not strong enough. It is a mistake to use intense words without carefully weighing and measuring them, or they will have already been used when one needs them later. It's a mistake, for instance, to used the word frightful to describe a few broken up companions mixed into the ground: but it's a mistake that might be forgiven.

Sentir mon Cœur is a privilege only granted to the exceptional man - the one who has the ability to find words that exactly (or, to himself, convincingly) express his feelings... The value of words help to define the feeling itself... The common failure is to allow habitual words and phrases, flowing spontaneously from the memory, to determine and deform the feelings.

I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.

Your true meaning cannot be grasped or captured by words. You can never be equated with any words, because you are prior to words.

Rebecca was an academic star. Her new book was on the phenomenon of word casings, a term she'd invented for words that no longer had meaning outside quotation marks. English was full of these empty words--"friend" and "real" and "story" and "change"--words that had been shucked of their meanings and reduced to husks. Some, like "identity" and "search" and "cloud," had clearly been drained of life by their Web usage. With others, the reasons were more complex; how had "American" become an ironic term? How had "democracy" come to be used in an arch, mocking way?

Literature exists inside the language. It's made of words. It's not made of ideas and it's not made of concepts, of psychological analysis. It's made of words. In the same way in which music is made of notes and a painting is made of lines of colors, the matter of literature are words.

THE FATHER: But don't you see that the whole trouble lies here? In words, words. Each one of us has within him a whole world of things, each man of us his own special world. And how can we ever come to an understanding if I put in the words I utter the sense and value of things as I see them; while you who listen to me must inevitably translate them according to the conception of things each one of you has within himself. We think we understand each other, but we never really do.

I know that sentence is long and has too many joining words in it but sometimes, when I'm angry, words burst out of me like a shout, or, if I'm sad, they spill out of me like tears, and if I'm happy my words are like a song. If that happens it's one of my rules not to change them because they're coming out of my heart and not my head, and that's the way they're meant to be.

Happy," I muttered, trying to pin the word down. But it is one of those words, like Love, that I have never quite understood. Most people who deal in words don’t have much faith in them and I am no exception – especially the big ones like Happy and Love and Honest and Strong. They are too elusive and far to relative when you compare them to sharp, mean little words like Punk and Cheap and Phony. I feel at home with these, because they’re scrawny and easy to pin, but the big ones are tough and it takes either a priest or a fool to use them with any confidence.

The artist deals with what cannot be said in words. The novelist says in words what cannot be said in words.

A lot of people think they can write poetry, and many do, because they can figure out how to line up the words or make certain sounds rhyme or just imitate the other poets they've read. But this boy, he's the real poet, because when he tries to put on paper what he's seen with his heart, he will believe deep down that there are no good words for it, no words can do it, and at that moment he will have begun to write poetry.

I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.

The long words are not the hard words, it is the short words that are hard. There is much more metaphysical subtlety in the word "damn" than in the word "degeneration."

All people in the world - who are not hermits or mutes - speak words. They speak different languages, but they speak words. They say, "How are you" or "I'm not feeling well" all over the world. These common words - these common elements that we have between us - the writer has to take some verbs and nouns and pronouns and adjectives and adverbs and arrange them in a way that sound fresh.

Semantics is about the relation of words to thoughts, but it also about the relation of words to other human concerns. Semantics is about the relation of words to reality - the way that speakers commit themselves to a shared understanding of the truth, and the way their thoughts are anchored to things and situations in the world.

I call her Wild Woman, for those very words, wild and woman, create llamar o tocar a la puerta, the fairy-tale knock at the door of the deep feminine psyche. Llamar o tocar a la puerta means literally to play upon the instrument of the name in order to open a door. It means using words that summon up the opening of a passageway. No matter by which culture a woman is influenced, she understands the words wild and woman, intuitively.

Little Words When you are gone, there is nor bloom nor leaf, Nor singing sea at night, nor silver birds; And I can only stare, and shape my grief In little words. I cannot conjure loveliness, to drown The bitter woe that racks my cords apart. The weary pen that sets my sorrow down Feeds at my heart. There is no mercy in the shifting year, No beauty wraps me tenderly about. I turn to little words- so you, my dear, Can spell them out.

Most songwriting like poetry takes a careful selection of words. Sometimes you're just channeling something and a selection of words come out that you wouldn't normally say, but you come up with an assortment of words that are really special. It just makes sense even if it's normally how you wouldn't express yourself.

I love the sound of words, the feel of them, the flow of them. I love the challenge of finding just that perfect combination of words to describe a curl of the lip, a tilt of the chin, a change in the atmosphere. Done well, novel-writing can combine lyricism with practicality in a way that makes one think of grand tapestries, both functional and beautiful. Fifty years from now, I imagine I’ll still be questing after just that right combination of words.

These glorious things-words-are man's right alone...Without words we should know no more of each other's hearts and thoughts than the dog knows of his fellow dog....for, if you will consider, you always think to yourself in words, though you do not speak them aloud; and without them all our thoughts would be mere blind longings, feelings which we could not understand ourselves.

I feel positive about what I do. And, whoever is doing reggae, they have to have positive words and no negativity. They have to be positive. Yes, if you call it reggae, and it is negative words, it is not reggae.

Comics are a "young" art form, and there is much confusion as to how to treat them. Images have more immediate impact than words, and it is not every reader who can be convinced to relax into experiencing the work for what it is - not words and pictures, but a different form, where the narrative is propelled by the blending of image, word and sequence, and where no element can be extricated and have the same meaning by itself. When this art is shown in a gallery, its "thingness" is called to attention, it is no longer experienced as "story," but rather as an artifact of the artist's process.

I have this theory about words. There's a thousand ways to say "Pass the salt". It could mean, you know, "Can I have some salt?" or it could mean, "I love you.". It could mean, "I'm very annoyed with you". Really, the list could go on and on. Words are little bombs, and they have a lot of energy inside them.

Over the years since I became a Christian, I have always deliberately explained that I have 'accepted Jesus Christ.' These words are invariably translated into 'Colson's professed religious experience.' I discovered that one major U.S. daily, as a matter of policy, will not print the two words Jesus Christ together; when combined, the editor says, it represents an editorial judgment.

Speak God's words over your circumstances today. Speak His words in faith and watch Him move!

Well, one is inspired by the whole of life, one's own and somebody else's. You know how sometimes you hear great music, and music is completely untranslatable into words, into any words. A certain tension that is born when one listens to music could aid you in expressing something absolutely different.

Words like "freedom," "justice," "democracy" are not common concepts; on the contrary, they are rare. People are not born knowing what these are. It takes enormous and, above all, individual effort to arrive at the respect for other people that these words imply.

I feel if some kid has sat down and felt I'm important enough to write two pages of words to and take up a lot of his valuable time, then he deserves a few words back, or even a phone call as I have done on a few occasions.

A recent government publication on the marketing of cabbage contains, according to one report, 26,941 words. It is noteworthy in this regard that the Gettysburg Address contains a mere 279 words while the Lord's Prayer comprises but 67.

Words have power. Speak positively and positive things will happen to you. Speak negatively and negative things will happen to you. Choose positive words.

I want to feel both the beauty and the pain of the age we are living in. I want to survive my life without becoming numb. I want to speak and comprehend words of wounding without having these words become the landscape where I dwell. I want to possess a light touch that can elevate darkness to the realm of stars.

That which I have set out in Latin is not my words but the words of God and of apostles and prophets, who of course have never lied. He who believes shall be saved, but he who does not believe shall be damned. God has spoken.

She [my mother] said that if I listened to her, later I would know what she knew: where true words came from, always from up high, above everything else. And if I didn't listen to her, she said my ear would bend too easily to other people, all saying words that had no lasting meaning, because they came from the bottom of their hearts, where their own desires lived, a place where I could not belong.

Words are intermediary between thought and things. We express ourselves really not through words, which are only signs, but through what they signify - through things.

Out of intense complexities intense simplicities emerge. Broadly speaking, the short words are the best, and the old words when short are best of all.

How does the [New York] Times treat White pathology? They reported an epidemic of heroin addiction in the Philadelphia suburbs. which included emergency admissions and overdoses; these White people in the suburbs were doing heroin like it was going out of style. I counted the words: the article consisted of 200 words. "Heroin Epidemic" in the back section. Out here in California, the typical drug addict is a housewife or suburban White woman.

I had one really memorable line. It was all the words you're not allowed to say on the airwaves, so it's one long list of swear words. I knew it anyway, because I was a huge George Carlin fan.