Quotes About Writers

Lawyers, doctors, plumbers, they all made the money. Writers? Writers starved. Writers suicided. Writers went mad.

Being goal-oriented instead of self-oriented is crucial. I know so many people who want to be writers. But let me tell you, they really don't want to be writers. They want to have been writers. They wish they had a book in print. They don't want to go through the work of getting the damn book out. There is a huge difference.

There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers.

I can well imagine that certain writers, even writers that we'd consider today very great writers, may not necessarily have tested highly on IQ just because of their numerical skills, or maybe they may not be very good at memory, and are not particularly good at these kinds of tests.

You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.

I have a well-balanced show. It's 50/50 on men/women, and also African-American/white writers, it's the same thing. I have four African-American writers, and four non-African-American writers.

This is for the writers. I want to thank all the writers. I especially want to thank my fellow nominees because I worship you guys and I'm learning from you every day.

Anything would be better in the US than what you have. As a government it's really very low quality, given the fact that this country produces eminent intellectuals, has great universities, and then the people who arrive in government are very mediocre. The Latin American situation has been very different in the first place, because writers have spoken for those who have no voice. The rate of illiteracy, poverty, joblessness in Latin America has been so great throughout our history that if the writers didn't speak out for the people, nobody would.

When I taught at the University of Houston in the Creative Writing program we required the poets to take workshops in fiction writing and we required the fiction writers to take workshops in poetry. And the reason for that is because the fiction writers seemed to need to learn how to pay greater attention to language itself, to the way that language works.

It's misleading to think of writers as special creatures, word sorcerers who possess some sort of magical knowledge hidden from everyone else. Writers are ordinary people who like to write. They feel the urge to write, and they scratch that itch every chance they get.

Bad writers have influences. Good writers steal.

Make room, Roman writers, make room for Greek writers; something greater than the Iliad is born.

I feel like if writers used writing as therapy we'd have a ton of happy writers.

The writers who have the deepest influence on one are those one reads in ones more impressionable, early life, and often it is the more youthful works of those writers that leave the deepest imprint.

I think I would have been a lot more miserable and discovered a lot less of things I liked if I hadn't had LiveJournal in high school. I think it's interesting how blogging seems to be shaping a new generation of writers. I feel like growing up with the Internet/blogging/other structures seems to be a reason for the similarities people see in Tao Lin's writing and other young writers, rather than direct.

You know how sometimes you meet writers that are so full of themselves? They feel really proud that they wrote something . But what they don't understand - and I like to tell this to writers - is that writing is like fishing. It's just like fishing. If you don't fish that often, you're not going to catch that many fish.

Whatever solidarity I have established with other writers individually, it is usually organized around books. We connected as readers, as it were, not writers.

I think maybe writers come from different planets. I mean, not in any sense as extravagant as Baryshnikov. But there are some writers who understand each other this way and others who understand each other that way. Then there's this great herd, the "herd of independent minds."

I have so many favorite writers, it's very hard to select a few... of classic writers, I have always admired Emily Dickinson and Henry David Thoreau.

This grant gave me more than memories; it gave me a crucial experience that is formative to all writers: the ability to perceive that we become writers in exile, where what we write is the only link across distance and time…I became a Maryland writer because the community of Juneau took me in.

So I have no grounds to complain; on the contrary, writers should consider the condition of permanent controversiality to be invigorating, part of the risk envolved in choosing the profesión. It is a fact of life that writers have always and with due consideration and great pleasure spit in the soup of the high and mighty. That is what makes the history of literature analogous to the development and refinement of censorship.

The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.

I still prefer going to the classical writers, the modernists and the nineteenth century writers. Much of what has been done since then has just been repetition. A lot of it is marvelous but the forms haven't changed.

I'm not interested in writers who are overcome with certainty, with single-mindedness, or with a sense of how consistent and morally upstanding they are. My writers are in the thick of it and they seek the truth, rather than embody it, and sometimes they find truths that don't sit palatably or easily together. That's life. That's personality. And that's writing.

Compared to men writers of like distinction and years of life, few women writers have had lives of unbroken productivity, or leave behind a 'body of work.' Early beginnings, then silence; or clogged late ones (foreground silences); long periods between books (hidden silences); characterize most of us.

I think writers are the most narcissistic people. Well, I musn't say this, I like many of them, a great many of my friends are writers.

Of course, the way writers think about those things is almost certain to be affected by their own cultural background, and it would be hard to deny that, for whatever reasons, a lot of SF writers come from Anglo or European backgrounds.

He asked, "what makes a man a writer?" "well," I said, "it's simple, it's either you get it down on paper or you jump off a bridge. writers are desperate people and when they stop being desperate they stop being writers." "are you desperate?" "I don't know.

I think the one reason that writers marry other writers - one of the reasons that I married another writer - was, I fell in love with that writer. But second of all, I had been married before and a source of marital strife was me needing to go away for a couple of weeks to write or it's Saturday and I think I just need to work today and not hang out with you.

It's fun when the writers start writing jokes to you, but also it's fun when the writers will come to you and say 'Hey, listen, we're working on this story and we need to know if you speak any foreign languages.' And I said 'No, I don't. I speak a little Spanish, but I can learn a foreign language.' And they go 'Okay, do you think you can learn Portuguese?' And I go 'Yeah, whatever it takes. If it's funny, I'll do it.' So of course I start looking online and learning Portuguese, and as it turns out, I get the script and it's now Serbian.

Writers from the majority can assume their audiences know what they're talking about - they don't have to explain things, whereas minority writers are expected to.

Today, writers want to impress other writers.

Eazy-E was not a rapper! He was a stone cold businessman. EAZY use to say that out of His own mouth. But one thing that he did have when it came to his artistry , is that voice. At least Eazy-E admitted he had ghost writers & people that wrote for him. Some of today's super star rappers will not admit they have ghost writers. Eazy-E always kept it 1000.

People say, 'What advice do you have for people who want to be writers?' I say, they don't really need advice, they know they want to be writers, and they're gonna do it. Those people who know that they really want to do this and are cut out for it, they know it.

Because all writers are human beings first and writers second, my guess is that any advice for living with a writer is about the same as advice for living with a plumber or a refrigerator salesperson.

I'm a line-maker. I think that's what makes poets different from prose-writers. That's the main way. We think, not just in sentences the way prose writers do but also in lines. So we're doing these two things at the same time.

The writers who have been serious about recreating American literature have always been far and few between. What we do have at the end of the 20th century that we didn't have at the beginning, at that time of the Lost Generation of rich white boys, is a mixture. We're now getting gay writers of color, let's say, and women of color being published. This is unprecedented.

The majority of American writers today have chosen passive non-resistance to things as they are, producing sloughs of poetry about their personal angst and anomie, cascades of short stories and rivers of novels obsessed with the nuances of domestic relationships - suburban hanky-panky - chic boutique shopping mall literary soap opera. When they do speak out on matters of controversy they attack not the evils of our time but fellow writers who may insist on complaining.

Fiction writers are strange beasts. They are, like all writers, observers first and foremost. Everything that happens to and around them is potential material for a story, and they look at it that way.

If you want to know why all writers are a little crazy read 'The Midnight Disease' by Alice W. Flaherty. She talks about the drive to write, writer's block, and the creative brain. I know what's wrong with me!

The Internet and blogging made writing somewhat more solitary and more splintered. It removes the whole sense of the magazine as an organism. A certain dynamism. At The Village Voice, there were all these fevers inside the offices, that would break out into full-scale rumbles between writers. The New Yorker used to be notorious for everything that went on, sexual intrigues and people had individual offices, they could close the door and take a bottle out of their bottom drawer or have sex on their desk.

Only stilted pedants can conceive the idea that there are absolute norms to tell what is beautiful and what is not. They try to derive from the works of the past a code of rules with which, as they fancy, the writers and artists of the future should comply. But the genius does not cooperate with the pundit.

Writers are funny about reviews: when they get a good one they ignore it-- but when they get a bad review they never forget it. Every writer I know is the same way: you get a hundred good reviews, and one bad, andyou remember only the bad. For years, you go on and fantasize about the reviewer who didn't like your book; you imagine him as a jerk, a wife-beater, a real ogre. And, in the meantime, the reviewer has forgotten all about the whole thing. But, twenty years later, the writer still remembers that one bad review.

You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do-and they don’t. They have prejudices.

The only good grades I ever got in school before I was kicked out were for creative writing. I thought that fiction might be in my future but then my career took a different path once the Beatles showed me what a blast being in a band could be. Writing my memoir Late, Late at Night reminded me how much I love the craft. So I decided to give fiction a shot again.Magnificent Vibration is the result. I’m still not quite sure where it came from, but once I got going, it practically wrote itself. I’ve heard writers I admire speak of that phenomenon, so maybe I’m on the right track.

I always loved song writers who wrote songs in the first person, so it's kind of like that.

Some Iraqi writers are more daring today and have excellent imaginations and their material is rich in human experience. But the Arab prizes, once again, are part of the context of life in the Arab world - anarchy, confusion, and corruption.

The trouble with young writers is that they are all in their sixties.