You make me wanna staple bagels to my face, then remove them with a pitchfork.

Somebody will come up to me after a show and have me sign their arm, and the next time I see them my autograph has been permanently inscribed on their arm.

A lot of artists have really been supportive over the years.

The window doesn't open, the fan is broke, and my face is turning blue. I haven't been in a crowd like this since I went to see the Who.

Well I've made no secret of my life long love of MAD Magazine, it's probably my first and greatest influence in terms of my comic sensibilities. I've known John [Ficarra] for many years, and we've been friends. About four or five months ago, at a dinner in New York, John made the very nice offer of my being guest editor for an issue of MAD and I thought about it for about half a nanosecond and decided that was a pretty good idea.

When I go to my live shows it's often a multigenerational audience, a family bonding experience.

I cut my teeth playing rock songs on the accordion when I was a teenager and my friends always thought that was extremely amusing. I think that was the genesis of my polka medleys, because every rock song I played on the accordion just sounded like a polka and my friends thought it was funny. So that was a joke that I continue up to this very day.