When I would work freelance in production in Chicago, there were a lot of times when I was working for cheap, bad people, and I was working for slave wages anyway, so there were some times when I might have filled out a couple of blank taxi receipts and kept some petty cash. But like I say, I was very selective. It was only people that I thought were assholes. The people that I liked I went far and above saving them money, much less taking it. But that's it. I'm pretty moral. I don't even like stealing jokes.

I was prom king. Which is actually saying I was the sixth most popular, because the five who were on homecoming were automatically disqualified from prom, so of course I have to look at it that way.

I'm not that professional.

I don't waste a lot of time on profound embarrassment. I have always been somewhat the same person. I can think of maybe particular items of clothing that I think, "Oh God, I used to wear that?" But nothing serious. It's not like for a while I became some sort of goth wannabe. I've always pretty much been me.

The thing that's important for me to focus on is the balancing of the tension between satisfying myself and satisfying an audience, and making something that I think is good and funny, worthwhile, small-"i" important, versus something that's going to do well.

My ability to notice that kind of thing, the sanctity of the bubble that you create, has not been so good in a way, in that I notice it concurrently with actually doing the thing. I always notice it in retrospect.

If you start to just aim for what the audience wants to hear, you're already hamstrung because you don't have any freedom.