You have to believe in the arthouse, if you will - the emotion, the conflict, the who am I, which will always be an unanswered question. If you do it right, you have a smaller drama, and a great movie.

Obviously, CGI in the last ten years has gone through such leaps and bounds that today, people are looking for these kinds of movies to wow audiences with technology.

The other thing is we have an incredible villain. And we worked very hard to have villains that are connected to the hero. They have an effect, an emotional effect. They never become out-of-this-world, crazy villains.

When you get to know me, I don't despair - I just get up, clean up, and start again.

You can have a role in a movie that was originally something minor in terms of screen time, and all of a sudden we see something and go, wow, that's cool.

There is a director who should make 'Silver Surfer' - he is mentally committed to it. He's doing another movie now. What's most important to me about this guy, first, is that he's incredible with visuals. But he's also a spiritual guy, a Zen Buddhist. ... Galactus is a force of nature, not a being. That's all I'm saying.

You can't make everybody happy.