One of the things I like about acting is that, in a funny way, I come back to myself.

The way financing for independent movies goes is great. You get the money from the guy who's actually doing the distribution in France. You say, "Do you want a piece of this movie?" And he's got to sell this movie to get his money back. That's the brains of it; that's the genius of this financing. "You want Germany? Give us a million dollars and you've got Germany."

I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)

I love the financing. It's fun to do studio movies, too. I think you should do both. You don't want to be this, "He's an independent film guy." It sounds like, "He makes his own dresses."

Awards are meaningless to me, and I have nothing but disdain for anyone who actively campaigns to get one.

I was in the Virgin Islands once. I met a girl. We ate lobster, drank piña coladas. At sunset, we made love like sea otters. That was a pretty good day. Why couldn't I get that day over and over and over?

I've never made any horrible, horrible movies. If you don't ruin your reputation, you can always get work.