When you're going for a joke, you're stuck out there if it doesn't work. There's nowhere to go. You've done the drum role and the cymbal clash and you're out on the end of the plank.

I think everyone probably starts out sounding like someone else, but gradually you develop your own sound.

I never had an aversion because I was active in the drama club. If I had that aversion I certainly wouldn't put myself in the position of being on stage. Of course, in the drama club you're hiding behind a character.

In today's world, you would call my father mostly unaccessible. I'm not sure that isn't true of most fathers at that time. He went through the Depression. I don't know what that would have done to my psyche.

It was a decision to work clean. I just prefer to work that way. I have no problem with comedians who don't work that way. There was a temptation in the early '70s to reconsider. I decided against it.

I've been a very lucky actor.

The best advice I could give someone trying to get into the comedy field is to take advantage of every opportunity you have to work to hone your skills.