When you say, "History is written by the winners," you like to think about someone who isn't you. You want to think, "Oh, that's the juggernaut I'm standing against." But you're probably part of it.

I wrote a comedy, which hopefully [Rick director] Curtiss Clayton will bring to the screen, that I thought was the antithesis of all my work. I thought it was light and sunshiny, and Mr. Clayton reminded me that it is the story of a woman kidnapped and forced to do things against her will, which is not what most people think of as light and sunshiny.

I met [my editor] in a bar where alcoholic beverages are served and I bought her one and I told her the idea. And she said that she liked it very much, which embarrassed me because I thought it meant that she was a lightweight and that in the morning, as so many women say to so many men, what seems like a good idea, you know, turns out not to be.

The end of 'The End' is the best place to begin 'The End', because if you read 'The End' from the beginning of the beginning of 'The End' to the end of the end of 'The End', you will arrive at the end.

Twenty-six,” you said. “One for each day we’ve been together, Min.”Somebody oohed. Somebody shushed them. “And I hope that someday I’ll do another something stupid and I’ll have to say it a million times because that’s how long it’ll be, together with you, Min. With you.

Like most writers, I look back on all of my finished works with utter regret, and the trouble with writing a series of novels is that you have to go back and read them, and make sure that you haven't forgotten anything you've created, and then when you do that, you're faced with your own mistakes on every trick, from the wrong word in places to entirely the wrong incident.

For Beatrice- My love for you shall live forever. You, however, did not.