Amy Sedaris [in the Ghost Team] plays a Miss Cleo-esque character - Miss Cleo just died, so that's kind of timely - but she plays a Miss Cleo-esque TV psychic who's also kind of a bullshit artist. One of the most triumphant character turns in the movie is when she realizes that even though she's a bullshit artist, she does have something to offer. She helps save the day at the end of the movie.

Halfway through Numbers, I got really jaded, and I had these unrealistic expectations about what Numbers could be. I thought it should be Emmy-nominated. I was in my mid-20s, so I was kind of shortsighted and silly.

I tried one [lavash], just because, I was like, "I should know what it is," once I got the part. And it's all right. It's like if a matzo and a flour tortilla had sex and had a baby. It's a dry flour tortilla.

I'm not sure I enjoyed doing [Gigi Does It]. I'm cool with just being an actor. If anything, I learned to be proud of being an actor.

In this case, I don't know why they [Seth Rogen and Evan Goldberg] thought I would be a good lavash wrap or I would do a good Middle Eastern accent. They just assumed I would. They called one day, and they're like, "They're doing this read-through for Sausage Party, and you're going to play a lavash wrap in it." After I looked up what a lavash wrap was, I was like, "Oh, cool."

That was pretty cool [Life With Mikey]. Michael J. Fox at the time was huge. I was like, "Whoa, he's a real bona fide movie star!" I was a kid. It was a huge deal. That's kind of it. We shot it in Toronto, and a little bit in New York.

It was so hard [to do Gigi Does It show]. On paper, that formula is almost impossible to create a winning show with, but then you add four and a half hours of prosthetic makeup every morning, three-inch nails, acrylics, the whole thing, and it nearly killed me.