I try and shoot as often as I can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there.

I don't want a president like me! I suck, okay. I want an elitist, smart guy.

I'm born and raised in the Northeast. My parents are Irish immigrants. So our tendency is to shy away from the big yellow ball that comes up in the sky every once in a while.

I spent a long time working in the movies to figure out that kind of acting and also how to write and produce for the screen.

We've always talked about doing something else and Campbell Scott is always busy and I'm always busy. But when we came up with the idea of doing the potato famine as a hip hop musical, I wanted somebody who was going to bring gravity.

The filter's the best part. That's where they put the heroin.

I can't text. My fingers are too big.