Seine et Danube was launched in 2003 with the help of Romanian authorities who had finally realized the necessity of promoting literature and Romanian culture in general. Along with focusing on the literature of the countries the Danube traversed (with an emphasis on Romania), we printed work that interested us from the banks of the Seine: French and French-Romanian authors like Cioran and Fondane. We dedicated our last edition to surrealism and Esthetic Onirisme.
Dumitru TepeneagThe reader's impression is one of a dream - the only thing that's left upon waking is the memory of a melody at the end of a concert.
Dumitru TepeneagThe East was no longer a threat to the western world, and when there's nothing to fear we turn our backs, we look elsewhere. Eastern literature is still the poor relative that everyone wants to forget, the Cinderella who hasn't (yet) found her prince.
Dumitru TepeneagOur Onirisme movement was a synthesis between the Romantic Fantastique and Surrealism. Dimov and I rejected automatic writing. We loved surrealist painters: Chirico, Magritte, Tanguy and especially Brauner (also a Romanian), who never respected the laws that Breton imposed in his manifests.
Dumitru TepeneagI had severed relations with the Romanian exiles who had become politically conservative and even extremely right wing; I was giving chess lessons to earn a living. Luckily we spoke quite a bit of French at home so it wasn't too difficult for me to write in my adopted language.
Dumitru TepeneagI was a professional chess player in Romania, but only a small-time master. When I came to France, I continued playing chess for many years: I played tournaments in numerous countries with mixed results. I wrote and published a book - La Dรฉfense Alekhine and translated two others from Russian. I taught chess in schools; I earned more money through chess than through literature.
Dumitru TepeneagThere is no one 'best set-up', there are many - you can get to mate in endless ways. And - don't forget! - in chess, like in literature, "the other" (the reader, the adversary, the partner, etc.) has to be a collaborator, has to work with you to get to the final goal. We depend on them! But they also depend on us.
Dumitru Tepeneag