I like playing with that space between laughter and discomfort where your discomfort can also make you laugh, and you're confused about the mixed feelings. That's challenging, and I think that's what makes for some of the best art.

People always talk about the content, in terms of the politics of it or whatever social issues are in it, and it's like, "Yeah, but I'm also a good comic." You could at least talk about the form of it, and I feel like that's always the thing that's missed.

It's always fun when you see different comics at different weights or with different hair.

Telling me that I’m obsessed with talking about racism in America is like telling me I’m obsessed with swimming when I’m drowning.

I've always looked older.

Horse is fine. I'll ride a horse.

I am able to apply certain things to my craft that maybe other comedians don't, because I'm a devotee.