We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.

It did not take Man long-probably not more than a hundred centuries-to discover that all the animals except the dog were impossible around the house. One has but to spend a few days with an aardvark or llama, command a water buffalo to sit up and beg or try to housebreak a moose, to perceive how wisely Man set about his process of elimination and selection.

My opposition to Interviews lies in the fact that offhand answers have little value or grace of expression, and that such oral give and take helps to perpetuate the decline of the English language.

Surely no other American institution is so bound around and tightened up by rules, strictures, adages, and superstitions as the Broadway theatre.

I myself have known some profoundly thoughtful dogs.

A false or misunderstood word may create as much disaster as a sudden thoughtless act.

We are a nation that has always gone in for the loud laugh, the wow, the yak, the belly laugh, and the dozen other labels for the roll- em-in-the-aisles gagerissimo. This is the kind of laugh that delights actors, directors, and producers, but dismays writers of comedy because it is the laugh that often dies in the lobby. The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.