We cannot alter the essential shape of a single letter without at the same time destroying the familiar printed face of our language, and thereby rendering it useless.

Perfect typography is more a science than an art.

My errors were more fertile than I ever imagined.

The aim of every typographic work - the delivery of a message in the shortest, most efficient manner.

Asymmetry is the rhythmic expression of funtional design. In addition to being more logical, asymmetry has the advantage that its complete appearance is far more optically effective than symmetry.

Type production has gone mad, with its senseless outpouring of new types... only in degenerate times can personality (opposed to the nameless masses) become the aim of human development.

Perfect typography is certainly the most elusive of all arts. Sculpture in stone alone comes near it in obstinacy.