I don't know how you do it [working at office]; I would just get up and walk out. That's what I did for pretty much every job I've ever had.

I created a human being from paper and I put it on the screen, a unique individual. I wish every performance, every IMDB credit, I would do it over, because I would do it better, because I would do it less. If that makes any sense.

My career isn't gonna screetch to a halt because some guy in Westbury filmed ten minutes of the show. "Well, we were gonna give you the sitcom but saw that bit you did about the Mormons in Westbury, so get outta here."

There is a ceiling to it and there's a stigma. Billy Crystal as brilliant as he is, he's never going to be thought of as a contemporary like Alan Arkin.

When you're on the road, it gets a bit crazy. I've been on the road for about two weeks, and squeezed about 11 shows into 14 days. It's funny, traveling cross country isn't what kills ya - it's driving the two hours to the one-nighters and back. That's what gets exhausting, it gets to the point where seeing your kids is the relief.

I think stand-up's, the older they get, the better they get.

I realized early I can manipulate the ceiling in the middle class. The allure becomes how far I can make the ceiling rise.