The first time I watched [Keith] Olbermann, his opening monologue, I completely changed the way I approached my radio show.

Most importantly, how impressive can I be to people that bought tickets, where they never feel, "It was pretty good." If anyone thinks my show was "pretty good," then I've completely failed. I think every comic should think that.

If it doesn't know what to charge you for nosebleed seats, your team sucks.

I remember I used to go to The Laugh Factory and just goof off onstage, and then I'd see Dane Cook. He did a bit about his Mom making the bed in the summertime when he was a kid. He just said "Vroom!" and threw the sheet up in the air and the sheet would just stay over the bed for like a minute and a half. All he had were his arms out, but I could see the sheet. And he didn't do anything. He just kept it there. And I went, "I have to write more."

If there are 1,500 people in a theater and they're all there to see you, there are no other guys. You're the guy. So it is a monastic life, it is very lonely, if I was prone to loneliness. It's a lot like wrestling, no one can throw a block for you, no one can give you a pass. Nobody can hand the ball off to you, it's you only for an hour and a half every night.

'Christopher Walken' is my "Hotel California," but I've done it so much

People are more interested in someone who goes on stage and tells the truth.