The first time I watched [Keith] Olbermann, his opening monologue, I completely changed the way I approached my radio show.

This is NOT a pretty good business. You cannot be pretty good and be a national headliner. That becomes the allure.

Every time you talk about politics or religion, know that the moment you open your mouth you're isolating 50% of your audience, in any medium. You're taking 50% of people that'll buy tickets to come see you and you're removing them from the equation.

It's always a job when you're the reason they're assembling. If you're just doing shows and you're on a lineup with eight other guys, it's fun, it's great.

I'm oddly not competitive. What I love about show business is there is a home for everyone.

There is a lot of acting that is on the table - precisely, good acting. The best movies of mine are the ones that really nobody saw. The Groomsmen, Playing By Heart and Seeing Other People are by far the work I'm the most proud of.

The anxiety is, "Are they going to come?" and when you get there and it's full you say, "I'm good. I can stop freaking out." But when it's four days out and they're scrambling to find more radio shows and Good Morning Phoenix and all these weird shows, then that gets very tiring.