The young man who's had the Guggenheim fortune behind him all his life - he can hire all the authorities on the subject to teach him how to do a monologue, but he's never going to have the right stuff to pull it off. If he doesn't walk out onstage needing to walk out there, he doesn't have a dream of doing well.

Make film, shoot film, run film. Do something. Make film. Shoot anything.

I tell young comics, 'Do you want this badly enough? It's there. But you have to go get it. And if you think I'm going to give you the key to the lock of that door, there is no key, there is no lock, and there is no door.'

I get paid for what most kids get punished for.

Pity? You don't want to be pitied because you're a cripple in a wheelchair? Stay in your house!

Postwar America was a very buttoned-up nation. Radio shows were run by censors, Presidents wore hats, ladies wore girdles. We came straight out of the blue - nobody was expecting anything like Martin and Lewis. A sexy guy and a monkey is how some people saw us.

I never tell an audience what they can expect. I never have and I never will. I'm an entertainer for 75 years.