The young man who's had the Guggenheim fortune behind him all his life - he can hire all the authorities on the subject to teach him how to do a monologue, but he's never going to have the right stuff to pull it off. If he doesn't walk out onstage needing to walk out there, he doesn't have a dream of doing well.

I have some very personal feelings about politics, but I don't get into it because I do comedy already.

I tell young comics, 'Do you want this badly enough? It's there. But you have to go get it. And if you think I'm going to give you the key to the lock of that door, there is no key, there is no lock, and there is no door.'

I think the cartoons that they're children are watching, particularly 'The Simpsons,' they're OK. I think that the adult audience is making much too much of the danger that they imply. That's not the case. The danger for children today, honey, is the news. Keep them away from news on television.

When I would be myself, I was being big-headed. I was being egotistical. I was a megalomaniac, when it really was just having not to be a monkey for a few hours a day. And fulfilling the need to be a man.

If I found the cure for dystrophy tomorrow, I would do a telethon in four weeks for acute pain that in this country is a bigger problem than cancer, heart, sickle cell, anemia, name it. It is - it's hitting 70 million Americans.

People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about critics.