There's this message to comedians in particular, that you shouldn't write it, and a television writer should write it. And that's a prevailing conventional wisdom that I think is really wrong. That's not to say that television writers aren't great, but I think that the belief that some comedy writer's going to be able to capture your voice is naive.

Ireland is a place that's beautiful and interesting, but I remember when I went there as a teenager with my parents, I was like, "Okay, I'll go to Ireland with my parents. It's going to be green." I think people underestimate it, in that it's, "Oh, it's green," and then you get there, and it's like, "Wow, it is green!" It's, "Oh, there's Irish music," and then you get there, and you're like, "Oh, this Irish music is amazing!" You underestimate it.

I kind of consider myself... I mean, I try to have my comedy be accessible, and if people are paying $30 to see me in a theater and they want to have their picture taken with me, it's not the end of the world. It's one of those things, where I'm not the only comic who does it. A lot of comics do it. If I'm doing a 4,000-seat venue, it might be a little bit of a different task, but it's all good.

I love the impatience of New York... You ever had somebody not ask you for directions, but demand them? You're just innocently walking down the street, you hear a horn, all of a sudden some guy's like, 'HOLLAND TUNNEL!!!' ...You know, like you were supposed to fax this guy directions. Suddenly, you're wasting HIS time.

Why do you have to be out of town to write a postcard? I want a to write a postcard to my neighbor: "I still live near you!" The guy sees me go into my apartment, flips the card over, it's just a picture of me holding a rifle.

I've always wanted to be an actor. I've never planned on the acting and the stand-up feeding each other; they've always been separate desires.

Manhattan's probably one of the bluest parts in the country, and Indiana's definitely one of the redder states. I have sympathy for both sides.