Architectural drawing is a language with conventions where the rules can be deliberately misused; a well-composed architectural drawing can both contain correct and incorrect arrangements of meaningful things.

Many artists I enjoy have a large body of work, and eventually the message is derived out from the sum of its parts.

The diagram of the house is a portrait of the family, a true portrait, whether it's sad or happy.

Unlike sciences, literature as art relies on societal acceptance of a certain vocabulary.

If I were to arrive at a foreign country like Czech Republic, I don't have to speak Czech to understand the feeling of the local sensations through architecture. That is a kind of communication that no language can perform.

The idea of morphology of languages is something that I'm really interested in.

The moment you put something down on paper it forces you to organize and arrange these thoughts a little better.